Rod Gilfry News

Andriana Chuchman will sing the role of Valencienne in this season's April and May performances of Lehár's The Merry Widow, replacing Danielle de Niese, who has withdrawn due to pregnancy.

Renée Fleming will add a new role to her extensive repertory when she sings her first-ever performances of Hanna Glawari, the title role in Lehár's The Merry Widow, at the Met this season. Four-time Tony Award winner Susan Stroman makes her Met debut as director and choreographer of a new production of the comic operetta, in which a wealthy widow's countrymen launch a romantic plot to keep her -- and her tax dollars -- within their borders.

Renée Fleming will add a new role to her extensive repertory when she sings her first-ever performances of Hanna Glawari, the title role in Lehár's The Merry Widow, at the Met this season. Four-time Tony Award winner Susan Stroman makes her Met debut as director and choreographer of a new production of the comic operetta, in which a wealthy widow's countrymen launch a romantic plot to keep her -- and her tax dollars -- within their borders.

Our all-star panel of judges will have their work cut out for them, as 13 outstanding vocalists take the stage at the David W. Scott Memorial Vocal Competition Finals Concert onSaturday, Mar. 29, 7 pm, at Northridge United Methodist Church. Judges Milena Kitic (LA Opera, Metropolitan Opera), Rod Gilfry (Covent Garden, LA Opera, Metropolitan Opera), and Joshua Winograde (Sr. Director of Artistic Planning, LA Opera) will choose the winners in three competition categories: High School, Young Artist, and Professional. And you'll be voting, too, as you cast your ballot for the 'Audience Choice' award winners!

The Glimmerglass Festival, the Central New York hub for lovers of opera and musical theater, has appointed bass-baritoneEric Owens as chairman of The Glimmerglass Festival Artistic Advisory Board, making him an ex-officio member of the company's Board of Trustees.

The Glimmerglass Festival, the Central New York hub for lovers of opera and musical theater, has appointed bass-baritone Eric Owens as chairman of The Glimmerglass Festival Artistic Advisory Board, making him an ex-officio member of the company's Board of Trustees.

On New Year's Eve, Tony Award-winning director Susan Stroman will make her Metropolitan Opera debut with a new production of Lehar's The Merry Widow, conducted by Andrew Davis.

The Metropolitan Opera's 2014-15 season will feature 26 operas, three of them company premieres, in six new productions and 18 revivals showcasing the talents of the world's leading singers, conductors, and theater artists. The three operas that will have their first-ever Met performances, each staged by a director making his Met debut, are John Adams's The Death of Klinghoffer, conducted by David Robertson and directed by Tom Morris, opening October 20; Rossini's La Donna del Lago, conducted by Michele Mariotti and directed by Paul Curran, opening February 16, 2015; and Tchaikovsky's one-act opera Iolanta, conducted by Valery Gergiev and directed by Mariusz Treli?ski. Iolanta will be presented in a double bill with a new staging of Bartok's one-act Duke Bluebeard's Castle, also conducted by Gergiev and directed by Treli?ski.

BWW brings you exclusive footage of renowned baritone & Broadway star Nathan Gunn recording his contribution for the project, a stunning new interpretation of 'Calypso'.

The Times reports that City Opera's board voted to start bankruptcy proceedings next week if it fails to raise $7 million by Monday. The opera will most likely not meet that goal after only raising about $1.5 million since it first made an urgent appeal for the $7 million this month.

The Times reports that City Opera's board voted to start bankruptcy proceedings next week if it fails to raise $7 million by Monday. The opera will most likely not meet that goal after only raising about $1.5 million since it first made an urgent appeal for the $7 million this month.

New York City Opera's 2013-14 season and BAM's 2013 Next Wave Festival opened Sept. 17 with the U.S. premiere of Anna Nicole, an opera by composer Mark-Anthony Turnage and librettist Richard Thomas based on the flamboyant life and tragic death of Anna Nicole Smith. This highly anticipated co-production includes seven performances at the BAM Howard Gilman Opera House, on September 17, 19, 21, 24, 25, 27, and 28 at 7:30pm. Click below to go behind the scenes with the opera's cast and creative team!

With a story that is somehow poignant despite its scatological language, ANNA NICOLE's heroine is nicer than Berg's LULU, less lucky than TRAVIATA's Violetta and more cunning than MANON's Manon (though maybe not MANON LESCAUT's). Whatever she is, Anna Nicole Smith is definitely a full-fledged operatic heroine. As portrayed by American soprano Sarah Joy Miller in the local premiere of the Marc-Anthony Turnage-Richard Thomas work about the life and times of minor celebrity Smith, this is a wildly entertaining evening. The opera, which debuted two years ago in London, opened on September 17 at Brooklyn Academy of Music, compliments of New York City Opera and BAM's Next Wave Festival, directed by Richard Jones.

New York City Opera's 2013-14 season and BAM's 2013 Next Wave Festival opened Sept. 17 with the U.S. premiere of Anna Nicole, an opera by composer Mark-Anthony Turnage and librettist Richard Thomas based on the flamboyant life and tragic death of Anna Nicole Smith. This highly anticipated co-production includes seven performances at the BAM Howard Gilman Opera House, on September 17, 19, 21, 24, 25, 27, and 28 at 7:30pm. Individual tickets are on sale at BAM.org or through BAM Ticket Services at 718.636.4100. BroadwayWorld has a first look at the production below!

New York City Opera's 2013-14 season and BAM's 2013 Next Wave Festival begin today, Sept. 17, with the U.S. premiere of Anna Nicole, an opera by composer Mark-Anthony Turnage and librettist Richard Thomas based on the flamboyant life and tragic death of Anna Nicole Smith. This highly anticipated co-production includes seven performances at the BAM Howard Gilman Opera House, on September 17, 19, 21, 24, 25, 27, and 28 at 7:30pm. Individual tickets are on sale at BAM.org or through BAM Ticket Services at 718.636.4100.

New York City Opera's 2013-14 season and BAM's 2013 Next Wave Festival begin with the U.S. premiere of Anna Nicole, an opera by composer Mark-Anthony Turnage and librettist Richard Thomas based on the flamboyant life and tragic death of Anna Nicole Smith. This highly anticipated co-production includes seven performances at the BAM Howard Gilman Opera House, tonight, September 17 and September 19, 21, 24, 25, 27, and 28 at 7:30pm.

Where does the Mark-Anthony Turnage-Richard Thomas opera, ANNA NICOLE, stand? “On the line of opera and musiktheatre,” said Elaine Padmore, former director of opera at the Royal Opera Covent Garden, speaking on a panel at the Guggenheim Museum's “Works & Process” event on September 8. This “obscene and marvelous show,” which debuted in 2011 at London's famed opera house, tells the story of tabloid queen Anna Nicole Smith not only through music and words but nonstop movement as well, choreographed by Aletta Collins. It will have its American premiere on September 17 as a co-production of New York City Opera and BAM (Brooklyn Academy of Music), directed by Richard Jones.

For 70 years, The People's Opera – New York City Opera – has focused on producing unique works, showcasing emerging young artists, and educating the next generation of performing arts lovers.

New York City Opera's 2013-14 season and BAM's 2013 Next Wave Festival begin with the U.S. premiere of Anna Nicole, an opera by composer Mark-Anthony Turnage and librettist Richard Thomas based on the flamboyant life and tragic death of Anna Nicole Smith. This highly anticipated co-production includes seven performances at the BAM Howard Gilman Opera House, on September 17, 19, 21, 24, 25, 27, and 28 at 7:30pm. Individual tickets are on sale August 12 (August 5 for Friends of BAM) at BAM.org or through BAM Ticket Services at 718.636.4100.