Iceland in the 19th Century was not exactly an idyll; it was an island nation of farming and fishing communities, pretty much cut off from the much of the rest of the world. Crime was rare and capital crimes rarer still. So the country's criminal cases have become the stuff of legend, including the child rape case in Rifsaedasel of 1837, which is as infamous to Icelanders as The Manson Family is to Americans. Contemporary Icelandic playwright Hrafnhildur Hagalin revisits this infamous case with 'Guilty' (2014), a verse play that gracefully and provocatively examines issues of obsession and mercy which cling to it to this day.
From tonight, March 4, to April 1, August Strindberg Rep will present two mystery plays by modern Scandinavian playwrights in repertory: Marty's Shadow' by Stig Dagerman (Sweden) and 'Journey in Light and Shadow' by Stig Dalager (Denmark).
From March 4 to April 1, August Strindberg Rep will present two mystery plays by modern Scandinavian playwrights in repertory: Marty's Shadow' by Stig Dagerman (Sweden) and 'Journey in Light and Shadow' by Stig Dalager (Denmark).
August Strindberg Repertory Theatre, under the leadership of Robert Greer, is committed to production of his plays in new translations and interpretations that illuminate the plays of Sweden's national playwright, whose work remains as relevant today as when they were written. The company continues its explorations November 12 to December 3 at Gene Frankel Theatre, 24 Bond Street, presenting a double-bill of two-character plays -- 'Pariah' and 'The Stronger' -- in alternating rep with with Strindberg's Arabian Nights play, 'Abu Casem's Slippers.'
August Strindberg Repertory Theatre will emphasize the comedy in a remaking of August Strindberg's 'Crimes and Crimes,' to be presented August 6 to 20 at Gene Frankel Theatre, 24 Bond Street. The company's Associate Artistic Director, Whitney Aronson, is preparing a radical refashioning of the script to bring out the humor that underlies a play that is mostly known as an impressionistic study of thought.
From tonight, March 12, to April 2, August Strindberg Repertory will present Strindberg's DAMASCUS II, adapted by Edgar Chisholm, directed by Robert Greer.
From March 12 to April 2, August Strindberg Repertory will present Strindberg's 'Damascus II,' adapted by Edgar Chisholm, directed by Robert Greer. This is the second installment of the three-part work in which Strindberg first introduced true surrealism to the stage in the theatrical representation of the dream. Strindberg's tale of life in decadent artists' circles of 1890s Sweden will be brought to life in 1960s California and its leading character, an alienated writer, has been re-envisioned as an author modeled on Amiri Baraka.
When a man's house comes down, so do the layers of secrets he has built his life on in August Strindberg's BURNT HOUSE, which will be presented by August Strindberg Repertory Theatre from October 3 to 30 at Gene Frankel Theatre, 24 Bond Street.
August Strindberg Repertory Theatre will present Strindberg's THE STORM, adapted and directed by Robert Greer, October 4 to 30 as part of an exploration of the author's final works.
When a man's house comes down, so do the layers of secrets he has built his life on in August Strindberg's BURNT HOUSE, which will be presented by August Strindberg Repertory Theatre from October 3 to 30 at Gene Frankel Theatre, 24 Bond Street.
August Strindberg Repertory Theatre will present Strindberg's THE STORM, adapted and directed by Robert Greer, October 4 to 30 as part of an exploration of the author's final works. The piece deals with the marriage foibles of an elderly government minister. Strindberg named it Opus 1 of his 'Chamber Plays' and wrote it for his Intimate Theater in Stockholm, where it was produced in 1907-8. It will be performed in rotating repertory during the month of October with BURNT HOUSE, Opus 2 of the Chamber Plays, which is also adapted by Robert Greer but directed by Whitney Gail Aronson. Both productions are at Gene Frankel Theatre, 24 Bond Street, where August Strindberg Rep is the resident company.
Strindberg's 'Kristina' (1903) is the unacknowledged basis for the Garbo film 'Queen Christina.' In this skillful study of a neurotic and complex woman, Strindberg reveals the power of his dramatic conceptions and the mastery he had acquired of his craft. The play was the last of a series of Strindberg's later historical dramas that are among the most powerful plays of the kind produced in modern times. August Strindberg Repertory Theatre will present the masterpiece at the Gene Frankel Theatre tonight, March 13 to 29 translated from the Swedish by Wendy Weckwerth, directed by Whitney Aronson.
Strindberg's 'Kristina' (1903) is the unacknowledged basis for the Garbo film 'Queen Christina.' In this skillful study of a neurotic and complex woman, Strindberg reveals the power of his dramatic conceptions and the mastery he had acquired of his craft. The play was the last of a series of Strindberg's later historical dramas that are among the most powerful plays of the kind produced in modern times. August Strindberg Repertory Theatre will present the masterpiece at the Gene Frankel Theatre March 13 to 29 translated from the Swedish by Wendy Weckwerth, directed by Whitney Aronson.
From today, October 21 to November 8, August Strindberg Repertory will transport Strindberg's 'Miss Julie' to an antebellum Louisiana plantation in a new interpretation conceived by Artistic Director Robert Greer and adapted by Edgar Chisholm from a translation by Greer. The production will include a ballet sequence, which Strindberg specified in the original manuscript and which has never been performed before. The piece will be directed by Robert Greer and choreographed by Ja' Malik.
From October 21 to November 8, August Strindberg Repertory will transport Strindberg's 'Miss Julie' to an antebellum Louisiana plantation in a new interpretation conceived by Artistic Director Robert Greer and adapted by Edgar Chisholm from a translation by Greer. The production will include a ballet sequence, which Strindberg specified in the original manuscript and which has never been performed before. The piece will be directed by Robert Greer and choreographed by Ja' Malik.
August Strindberg's 'To Damascus, Part 1' will be adapted to Harlem, 1962 in the next production of August Strindberg Repertory Theatre (www.strindberg.org). The play will be presented with a multi-racial cast today, April 18 to May 11 at the Gene Frankel Theatre, 24 Bond Street (East Village).
An author's spiritual downfall and redemption presents many mysteries in one of Strindberg's greatest plays, reset into Harlem, 1962. August Strindberg Repertory presents a new adaptation of 'TO DAMASCUS, PART 1' by August Strindberg, directed by Robert Greer and running April 18 to May 11, 2014.
August Strindberg's 'To Damascus, Part 1' will be adapted to Harlem, 1962 in the next production of August Strindberg Repertory Theatre (www.strindberg.org). The play will be presented with a multi-racial cast April 18 to May 11 at the Gene Frankel Theatre, 24 Bond Street (East Village). It is the first part of a trilogy (called 'The Road to Damascus' in earlier translations) that has been described as 'Strindberg's most complex plays' and as 'his greatest plays,' due to their synthesis of a wide variety of myths, symbols and ideas with a profound spiritual analysis in a new dramatic form. August Strindberg Rep will present Part 2 in March, 2015 and Part 3 in 2016. It will be the first time the trilogy will have been presented complete in any language in 99 years.
