Artistic Director Oskar Eustis was recently featured in the latest episode of The New Yorker Radio Hour, co-produced by WNYC Studios, where he was interviewed by New Yorker editor David Remnick. The pair talked about social change, HAMILTON, and more - you can listen below!
Five on a Match presents the world premiere of SEEN / BY EVERYONE, directed by Kristin Marting, co-conceived by Amir Darvish and Meg MacCary, and co-written by Matthew Cohn, Amir Darvish, Meg MacCary, Enormvs Munoz and Jen Taher.
Manhattan Theatre Club, in partnership with the Alfred P. Sloan Foundation, announces the upcoming Sloan Panel Discussion on INCOGNITO, which will be held following tonight's May 17 performance of the play at MTC at New York City Center-Stage I (131 West 55th Street), and is open to anyone attending the evening's performance.
Manhattan Theatre Club, in partnership with the Alfred P. Sloan Foundation, announces the upcoming Sloan Panel Discussion on INCOGNITO, which will be held following the Tuesday, May 17 performance of the play at MTC at New York City Center-Stage I (131 West 55th Street), and is open to anyone attending the evening's performance.
Five on a Match presents the world premiere of SEEN / BY EVERYONE, directed by Kristin Marting, co-conceived by Amir Darvish and Meg MacCary, and co-written by Matthew Cohn, Amir Darvish, Meg MacCary, Enormvs Munoz and Jen Taher.
FIRE IN DREAMLAND, written by Rinne Groff and directed by Marissa Wolf, makes its World Premiere at Kansas City Repertory Theatre's OriginKC New Works Festival, opening tonight, April 30 on the Copaken Stage.
Five-time Obie Award-winning theater company Clubbed Thumb has announced initial casting for SUMMERWORKS, its annual series of new plays.
Five-time Obie Award-winning theater company Clubbed Thumb has announced initial casting for SUMMERWORKS, its annual series of new plays.
FIRE IN DREAMLAND, written by Rinne Groff and directed by Marissa Wolf, makes its World Premiere at Kansas City Repertory Theatre's OriginKC New Works Festival, opening Saturday, April 30 on the Copaken Stage.
1972: Dr. John Fryer dons an oversize tuxedo and rubber joke shop mask to become Dr. Henry Anonymous and confront the American Psychiatric Association with these words: 'I am a homosexual, I am a psychiatrist.' The latest work by renowned theatre artist Ain Gordon, 217 Boxes of Dr. Henry Anonymous, is a new play drawn from the 217 boxes of archive materials from national LGBT activist of Dr. John Fryer discovered by Ain Gordon during his two-year embedded artist status at the Historical Society of Pennsylvania (HSP). This new work is set to run, May 5-7, at the Painted Bride Arts Center, 230 Vine Street. All performances are at 8 p.m. Tickets cost $20. Painted Bride and Historical Society of Pennsylvania members can save $5. Tickets and more information are available online at www.paintedbride.org or by phone at 215.925.9914.
Marissa Wolf, Kansas City Repertory Theatre's Director of New Works, today announced additional programing and dates for KC Rep's new play festival, Origin KC. Origin KC offers audiences a unique experience to engage with the process of creating theater, and gives emerging and established writers the resources to develop plays for future seasons at KC Rep and beyond.
Marissa Wolf, Kansas City Repertory Theatre's Director of New Works, today announced additional programing and dates for KC Rep's new play festival, Origin KC. Origin KC offers audiences a unique experience to engage with the process of creating theater, and gives emerging and established writers the resources to develop plays for future seasons at KC Rep and beyond.
?Five-time Obie Award-winning theater company Clubbed Thumb has announced the line-up for SUMMERWORKS, its annual series of new plays. Now in its 21st season, SUMMERWORKS will run May 27 through July 9 at The Wild Project (195 E 3rd Street) in Manhattan, and will feature productions of three new plays: EVERY ANGEL IS BRUTAL by Julia Jarcho and directed by Knud Adams; THE TOMB OF KING TOT by Eric Dufault and directed by Portia Krieger; and TUMACHO by Ethan Lipton and directed by Leigh Silverman. Festival passes are now on sale at: https://www.artful.ly/clubbedthumb/store/passes.
Philadelphia Theatre Company presents the 2016 PTC@Play Festival of New Work celebrating the American playwright in Philadelphia on March 3-6 at the Suzanne Roberts Theatre. The festival will present staged readings showcasing three new plays by national and local talent including new work by Mark St. Germain, Philadelphia playwright Sam Henderson, and playwright/performer Rinne Groff. A new addition to PTC@Play will be an evening of short plays, all written and rehearsed within one twenty-four hour period. All events are free.
The March 2016 Issue of Vogue magazine features a profile on The Public Theater's artistic director Oskar Eustis, one of the players behind Broadway's insanely successful HAMILTON and more. Scroll down for a look at Eustis' portrait, and read the full article by Adam Green here!
Actors Theatre of Louisville Artistic Director Les Waters and Managing Director Jennifer Bielstein are delighted to announce the three ten-minute plays chosen to be performed during the 40th Humana Festival of New American Plays.
Yale Repertory Theatre presents the world premiere of THE MOORS by Jen Silverman, directed by Jackson Gay, beginning tonight, January 29, where it will run through February 20 at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, February 4.
Yale Repertory Theatre presents the world premiere of THE MOORS by Jen Silverman, directed by Jackson Gay, January 29-February 20 at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, February 4.
Marissa Wolf, Kansas City Repertory Theatre's Director of New Works, today announced additional programing and dates for KC Rep's new play program, Origin KC. Featuring the Monday Night Playwright Series, Playwright Slams, the Origin KC New Works Festival and the Mainstage, Origin KC offers audiences a unique experience to engage with the process of creating theater, and gives emerging and established writers the resources to develop plays for future seasons at KC Rep and beyond.
Members and constituents of United Scenic Artists Local USA 829 have been busy speaking out against The New York Times' recent decision to leave out the names of shows' designers when listing credits for theatre productions at the end of reviews. As of today, their hard work has paid off.
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