Following the success of its fall productions of Puccini's beloved La Fanciulla del West and the New York premiere of Tobias Picker's Dolores Claiborne, New York City Opera continues the 2017/2018 season in January 2018 with the New York premiere of Jos 'Pepe' Mart nez and Leonard Foglia's Cruzar la Cara de la Luna, the world's first mariachi opera.
The Wilma Theater, in association with Evamere Entertainment, presents Stew and Heidi Rodewald's Tony Award-winning musical in this major Philadelphia revival.
The Wilma Theater, in association with Evamere Entertainment, presents Stew and Heidi Rodewald's Tony Award-winning musical in this major Philadelphia revival.
Red Bull Theater (Jesse Berger, Artistic Director Jim Bredeson, Managing Director) today announced the cast for their next REVELATION READING, Victor Hugo'sHernani, translated by John Strand: Frankie J Alvarez, Ryan Garbayo, Anthony Martinez, Ismenia Mendes, Luis Moreno, Pedro Pascal, Tony Plana, and Matthew Saldivar, under the direction of Ethan McSweeny, on Monday January 15th at 7:30 PM at the Lucille Lortel Theatre (121 Christopher Street, between Bleecker and Hudson Streets).
The world's first mariachi musical Cruzar la Cara de la Luna (To Cross the Face of the Moon) created by Mariachi Vargas de Tecalitlan's Jose Pepe Martinez and Broadway's Leonard Foglia, will have its Los Angeles premiere at the Younes and Soraya Nazarian Center for the Performing Arts (The Soraya) on Friday, February 16 at 8:00pm, Saturday, February 17 at 8:00pm and Sunday, February 18 at 3:00pm.
Following the success of its fall productions of Puccini's beloved La Fanciulla del West and the New York premiere of Tobias Picker's Dolores Claiborne, New York City Opera continues the 2017/2018 season in January 2018 with the New York premiere of Jos 'Pepe' Mart nez and Leonard Foglia's Cruzar la Cara de la Luna, the world's first mariachi opera.
Red Bull Theater today announced the cast for their next REVELATION READING, Christopher Marlowe's Doctor Faustus: Michael Stuhlbarg, Patrick Page, Stephen Spinella, David Pittu, Robert Stanton, Lucas Caleb Rooney, Zach Appelman, Helen Cespedes, and Nathan Winkelstein, under the direction of Daniel Sullivan, tonight, December 11th at 7:30 PM at the Lucille Lortel Theatre (121 Christopher Street, between Bleecker and Hudson Streets).
The 70th anniversary season of the Festival d'Aix-en-Provence will present six full-scale opera productions and an international roster of exceptional artistry from July 4 through 24, 2018. The anniversary season also marks a milestone, as it celebrates the conclusion of Bernard Foccroulle's eleven-year tenure as general manager of the Festival. His legacy will be demonstrated in the coming season with commissions, new productions, major participatory events, and significant outreach to Arab, Mediterranean, and local audiences. Foccroulle will be succeeded by Park Avenue Armory artistic director and Dutch National Opera director Pierre Audi in September, 2018.
The Wilma Theater, in association with Evamere Entertainment, presents Stew and Heidi Rodewald's Tony Award-winning musical in this major Philadelphia revival.
JANICE HALL has made the journey seamlessly and successfully. After a long career on the international opera stage, Hall joined the New York cabaret scene in 2007 and just four years later won a Bistro Award and MAC Award for her critically acclaimed solo show, Grand Illusions: The Music of Marlene Dietrich. Hall has now created a truly unique new show THE OPERA SHOW (WITH NO OPERA)--that merges the two art forms and that will be launched at the Urban Stages WINTER RHYTHMS Series on Saturday, December 16 at 3 pm.
It's back! The craziest night of scripted theatre you have ever experienced is back to not only entertain but, as always, to raise funds and do some good in our community!
Lincoln Center Theater presents Junk, a new play by Ayad Akhtar, directed by Doug Hughes, which just opened last night, November 2, at the Vivian Beaumont Theater (150 West 65 Street). BroadwayWorld was on hand for the special night and you can check out photos below!
'Rio Mais Brasil, Nosso Musical' shows a picture of the country's musical richness, with songs from all regions and varied rhythms. It tells the story of a producer and a film director who decide to make a film that portrays the Brazilian people. Fiction and reality merge in the development of the script. The project moves a cast selection that draws artists from all regions, but cancellation of the production budget could put the idea at risk.
Red Bull Theater today announced the cast for their next REVELATION READING, Aphra Behn's The Rover.
'They're coming to get you Barbra!' The 1968 George Romero Classic Zombie film has been turned into a jukebox musical.
So much time and effort goes into presenting any sort of play... from the written word, direction, set design, lighting, sound, and especially the actors. And here in I'LL GET YOU BACK AGAIN, it's the play that needs a little work and tweaking.
With its emphasis on both 1960s psychedelic rock music and the Three Stooges, it would seem the latest offering at the Round House Theatre was tailored precisely for my taste.
Ars Lyrica Houston presents the second Artful Women season concert, Italian Sirens in Zilkha Hall at the Hobby Center for the Performing Arts on Sunday, November 12, 2017 at 6:00pm.
Hebe Camargo was a Brazilian television host, singer and actress. From humble childhood in Taubat , a small town in Sao Paulo, to the position of 'Queen of Brazilian Television', Hebe Camargo wins a musical, based on the biography written by Artur Xexeo and directed by Miguel Falabella, who tells of her professional climbing and the loves that have gone on for her life. She died at her home on September, 2012. Her net worth was over US$360 million. Surrounded by the songs that defined her career as a singer, the show goes through eight decades in which, the paths of Hebe and television history in Brazil are blended.
'They're coming to get you Barbra!' The 1968 George Romero Classic Zombie film has been turned into a jukebox musical.
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