Review: THE SOUND INSIDE at Florida Theatrical Association
The latest offering by Florida Theatrical Association at the newly-opened Orlando Fringe Arts Space in downtown Orlando, is the Central Florida premiere of Adam Rapp’s, THE SOUND INSIDE.
The latest offering by Florida Theatrical Association at the newly-opened Orlando Fringe Arts Space in downtown Orlando, is the Central Florida premiere of Adam Rapp’s, THE SOUND INSIDE.
The Marsh Berkeley will present Fred Pitts' lauded solo work Aren't You…? which recounts his hilarious journey to visit all 21 California Mission churches, where he discovers that being black makes him an instant celebrity – the question is which one? The piece follows Pitts on a summer-long
Florida Theatrical Association (FTA) presents the Central Florida premiere of Adam Rapp's Tony Award nominated THE SOUND INSIDE at the newly-opened Fringe Arts Space in downtown Orlando April 21 – 30.
Award-winning playwright and actor Brian Copeland (Not a Genuine Black Man, The Waiting Period, The Scion, The Jewelry Box) will continue his extremely successful run of GRANDMA & ME at The Marsh San Francisco, extending performances for a fourth time due to popular demand.
Orlando is never lacking outstanding theatre, whether epic Broadway shows, engrossing dramas or bold fringe offerings.
The Marsh San Francisco will present a limited run of David Kleinberg’s fourth work as a solo theatre artist, He Wants To Run.
Due to popular demand, The Marsh San Francisco has announced the return of GRANDMA & ME: An Ode to Single Parents, which has performed to sold out crowds by award-winning playwright and actor Brian Copeland (Not a Genuine Black Man, The Waiting Period, The Scion, The Jewelry Box) since its successfu
Due to popular demand, The Marsh San Francisco has announced the second extension of GRANDMA & ME: An Ode to Single Parents.
This December, award-winning playwright and actor Brian Copeland (Not a Genuine Black Man, The Waiting Period, The Scion, GRANDMA & ME) will return to The Marsh San Francisco for a limited run of his critically acclaimed Christmas story, The Jewelry Box.
Originally scheduled to run through October 29, Tina D’Elia’s Overlooked Latinas has been extended due to popular demand at The Marsh San Francisco, adding two final performances November 17 & 19.
BroadwayWorld talks to writer-performer Irma Herrera about 'Why Would I Mispronounce My Own Name?' which she has newly revised for a return engagement at The Marsh Berkeley running September 23 to October 21.
Tina D’Elia will return to The Marsh San Francisco with her fourth solo show, Overlooked Latinas.
The Marsh San Francisco will take audiences through a harrowing and redemptive journey with Kathryn Keats’ solo musical experience, The Hummingbird.
Writer/performer Irma Herrera will return to the stage of The Marsh Berkeley this fall with her solo work, Why Would I Mispronounce My Own Name? Weaving history and comedic insights into stories about names, this hit solo show sheds light and throws shade on societal prejudices and assumptions.
World Premiere play at The Marsh San Francisco.
How do you take a brilliant piece of classic musical theatre and improve upon it? Orlando’s New Generation Theatrical's production of SWEENEY TODD, does this by breaking down the typical stage barriers and immersing the audience in the material, creating a fresh (and fantastic) production.
Gettysburg College’s Majestic Theater is set to present a groundbreaking celebration of women who are on the brink of, in the middle of, or have survived “The Change” with Menopause the Musical ® on Tuesday, April 12 at 7:30 p.
Palo Alto Players for the first time in its recent history will premiere an original one-man show by Bay Area actor Fred Pitts.
The Marsh continues to offer a wide variety of new programming at 7:30pm nightly on MarshStream, its popular broadcast platform.
The Marsh continues to offer a wide variety of new programming at 7:30pm nightly on MarshStream, its popular broadcast platform.