Photo Flash: In Rehearsal with the Touring Company of WAR HORSE
by BWW News Desk
- Jul 26, 2017
Rehearsals began this week for the 34-strong cast of a major tour UK tour of the National Theatre's internationally acclaimed production of War Horse, which begins performances on 15 September 2017 (with press night on 3 October) at the Marlowe Theatre in Canterbury and continues on a 15 city tour until February 2019. Scroll down for photos of the cast at their first day of rehearsals!
James Graham's Political Drama THIS HOUSE to Tour the UK in 2018
by BWW News Desk
- Jun 29, 2017
James Graham's critically acclaimed and prescient political drama THIS HOUSE which played to sold-out houses at the National Theatre, Chichester Festival Theatre and in the West End will begin its first ever national tour at the West Yorkshire Playhouse, Leeds.
National Theatre Announces Talks, Events and Exhibitions Highlights for 2017
by BWW News Desk
- Jun 27, 2017
Talks and events relating to Angels in America will begin with writer Tony Kushner, who will discuss the plays and his work in conversation with Ola Animashawun on 30 June. Andrew Garfield, who plays Prior Walter, and Denise Gough, who plays Harper Pitt, will then discuss their experiences of performing in the show in a talk chaired by Kate Bassett as well as award-winning director Marianne Elliot who will reflect on directing the show in conversation with Susannah Clapp, both on 3 July.
Newly Formed Elliott & Harper Productions Announce First West End Show
by BWW News Desk
- Jun 16, 2017
Marianne Elliott, the Olivier and Tony Award-winning director of the National Theatre's hugely successful productions of The Curious Incident of the Dog in the Night-Time and War Horse and producer Chris Harper's newly formed theatre company, Elliott & Harper Productions, announced the UK premiere of their first West End show today: Simon Stephens' Heisenberg: The Uncertainty Principle.
BWW Review: BARBER SHOP CHRONICLES, National Theatre
by Jenny Gilbert
- Jun 8, 2017
As eavesdropping opportunities go, the barber shop has everything a playwright could desire: a constant stream of close encounters and a broad range of people willing to sit still and talk. That talk feeds directly into Inua Ellams' new play for the National, which follows a day in the life of male grooming parlours across six world cities: London, Johannesburg, Harare, Kampala, Lagos and Accra.
BWW Review: North American Premiere of Bintley's TEMPEST Takes the Wortham by Storm
by Gary Laird
- Jun 2, 2017
The Houston Ballet brings one of the most theatrical of the Bard's plays to life in a lavish production by choreographer David Bintley. No expense was spared; no stop un-pulled in this story of love, revenge, magic, and complicated skullduggery that this play provides in abundance. Or maybe overabundance.
Photo Flash: A Look at THE TEMPEST at Houston Ballet
by BWW News Desk
- May 25, 2017
From tonight, May 25, through June 4, Houston Ballet presents the North American Premiere of David Bintley's magical ballet, The Tempest. In celebration of the 400th anniversary of Shakespeare's death, Mr. Bintley has created a fantastical production based on The Bard's well-known play. Scroll down for a look at the dancers in action!
Houston Ballet Presents The Tempest May 25 to June 4
by Robert Diamond
- May 4, 2017
From May 25 - June 4, Houston Ballet presents the North American Premiere of David Bintley's magical ballet, The Tempest. In celebration of the 400th anniversary of Shakespeare's death, Mr. Bintley has created a fantastical production based on The Bard's well-known play.
No Booking Fee On Tickets For THE GOAT, OR WHO IS SYLVIA?
by Marianka Swain
- Apr 25, 2017
THE GOAT, OR WHO IS SYLVIA?, Albee's darkly comic play about a family in crisis, runs for a strictly limited 12-week season at the Theatre Royal Haymarket until 24 June. Book tickets now from £45
BWW Review: THE GOAT, OR WHO IS SYLVIA?, Theatre Royal Haymarket
by Marianka Swain
- Apr 6, 2017
The late, great Edward Albee is certainly having a West End 'moment', but it rather places this particular revival at a disadvantage, comparing unfavourably as it does with the shattering, unforgettable Who's Afraid of Virginia Woolf? a few streets away.
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