Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, will present two-time Academy Award-winner Dianne Wiest in THE FOREST, by Alexander Ostrovosky, translated by Kathleen Tolan, and directed by Brian Kulick, beginning performances Friday, April 23 at CSC (136 East 13th Street) with an official press opening Thursday, May 6 at 7pm.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, will present two-time Academy Award-winner Dianne Wiest in THE FOREST, by Alexander Ostrovosky, translated by Kathleen Tolan, and directed by Brian Kulick, beginning performances Friday, April 23 at CSC with an official press opening Thursday, May 6 at 7pm. THE FOREST will also star Obie Award-winning actor John Douglas Thompson, who earned great acclaim last year for his title role performance in Othello at Theatre for a New Audience. THE FOREST will play a limited engagement through Sunday May 30 only.
I suppose the cocktail conversation among certain factions of the Off-Broadway community this summer will be centered around whether the ending of Lila Rose Kaplan's Wildflower a) thoroughly ruined the play, b) logically brought all the play's diverse pieces together or c) was just another example of the evening's well-intentioned flaws. I lean toward the latter.
If the gang at Madison Avenue were looking for the perfect spokesmodel to help win support for the civil rights movement of the 1950s and 60s, they couldn't have done better than Rosa Parks, a sweet-looking, modestly dressed woman who spoke with quiet dignity. Or Ezell Blair, Jr., David Richmond, Joseph McNeil and Franklin McCain, the conservatively dressed, well groomed college freshmen who started the Woolworth lunch counter sit-in. White people who feared the consequences of desegregating America could have their views softened with a look at these clean-cut 'credits to their race' (as the old saying went) who were everyday people just like them. And if that sounds like a crass way of referring to the brave souls who put themselves on the front lines in the fight for equality, well that's a major point playwright Tracy Scott Wilson makes with her new drama, The Good Negro.
Today's Broadway Blogs on BroadwayWorld.com from Thursday, August 6, 2009.
Second Stage Theatre (Carole Rothman, Artistic Director, Ellen Richard, Executive Director) continues this summer's Second Stage Theatre Uptown Series with the world premiere of Lila Rose Kaplan's Wildflower. Directed by Giovanna Sardelli, Wildflower features Nadia Bowers, Ron Cephas Jones, Quincy Dunn-Baker, Jake O'Connor and Renée Felice Smith. Previews began Monday, July 13 and opening night is this evening, Monday, July 27 at 7:00pm.
Second Stage Theatre (Carole Rothman, Artistic Director, Ellen Richard, Executive Director) continues this summer's Second Stage Theatre Uptown Series with the world premiere of Lila Rose Kaplan's Wildflower. Directed by Giovanna Sardelli, Wildflower features Nadia Bowers, Ron Cephas Jones, Quincy Dunn-Baker, Jake O'Connor and Renée Felice Smith. Previews begin Monday, July 13 and opening night is Monday, July 27 at 7:00pm.
Second Stage Theatre (Carole Rothman, Artistic Director, Ellen Richard, Executive Director) continues this summer's Second Stage Theatre Uptown Series with the world premiere of Lila Rose Kaplan's Wildflower. Directed by Giovanna Sardelli, Wildflower features Nadia Bowers, Ron Cephas Jones, Quincy Dunn-Baker, Jake O'Connor and Renée Felice Smith. Previews begin Monday, July 13 and opening night is Monday, July 27 at 7:00pm.
Second Stage Theatre (Carole Rothman, Artistic Director, Ellen Richard, Executive Director) continues this summer's Second Stage Theatre Uptown Series with the world premiere of Lila Rose Kaplan's Wildflower. Directed by Giovanna Sardelli, Wildflower features Nadia Bowers, Ron Cephas Jones, Quincy Dunn-Baker, Jake O'Connor and Renée Felice Smith. Previews begin Monday, July 13 and opening night is Monday, July 27 at 7:00pm.
Due to strong demand, The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced today that it would extend Tracey Scott Wilson?s THE GOOD NEGRO an additional two weeks through Sunday, April 19. THE GOOD NEGRO begins previews on Tuesday, March 3 and will now run through Sunday, April 19 with an official press opening on Monday, March 16. Directed by Liesl Tommy and in association with Dallas Theater Center, THE GOOD NEGRO is the first new play to transfer from the Public LAB initiative to a full main stage production at The Public.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced that Dr. Henry Louis Gates, Jr. will host a post-show discussion immediately following the Saturday, April 11 2 p.m. matinee of THE GOOD NEGRO by Tracey Scott Wilson. Directed by Liesl Tommy and presented in association with Dallas Theater Center, THE GOOD NEGRO opened to critical acclaim last month and will continue its extended run through Sunday, April 19.
Today's Broadway Blogs on BroadwayWorld.com from Friday, March 20, 2009.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) began previews on Tuesday, March 3 for Tracey Scott Wilson's THE GOOD NEGRO, which will run through Sunday, April 19. The official press opening took place on Monday, March 16th and BroadwayWorld was there!
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews on Tuesday, March 3 for Tracey Scott Wilson's THE GOOD NEGRO, which will run through Sunday, April 19 with an official press opening on Monday, March 16. Directed by Liesl Tommy and presented in association with Dallas Theater Center, THE GOOD NEGRO is the first new play to transfer from the Public LAB initiative to a full main stage production at The Public.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews on Tuesday, March 3 for Tracey Scott Wilson's THE GOOD NEGRO, which will run through Sunday, April 19 with an official press opening on Monday, March 16. Directed by Liesl Tommy and presented in association with Dallas Theater Center, THE GOOD NEGRO is the first new play to transfer from the Public LAB initiative to a full main stage production at The Public.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews on Tuesday, March 3 for Tracey Scott Wilson's THE GOOD NEGRO, which will run through Sunday, April 19 with an official press opening on Monday, March 16. Directed by Liesl Tommy and presented in association with Dallas Theater Center, THE GOOD NEGRO is the first new play to transfer from the Public LAB initiative to a full main stage production at The Public.
Due to strong demand, The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced today that it would extend Tracey Scott Wilson?s THE GOOD NEGRO an additional two weeks through Sunday, April 19. THE GOOD NEGRO begins previews on Tuesday, March 3 and will now run through Sunday, April 19 with an official press opening on Monday, March 16. Directed by Liesl Tommy and in association with Dallas Theater Center, THE GOOD NEGRO is the first new play to transfer from the Public LAB initiative to a full main stage production at The Public.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced complete casting today for Tracey Scott Wilson's THE GOOD NEGRO, which runs Tuesday, March 3 to Sunday, April 5 with an official press opening on Monday, March 16. Directed by Liesl Tommy and in association with Dallas Theater Center, THE GOOD NEGRO is the first new play to transfer from the Public LAB initiative to a full main stage production at The Public. The cast for THE GOOD NEGRO will feature Joniece Abbott-Pratt (Tyler Perry's Why Did I Get Married?), Francois Battiste (Prelude to a Kiss on Broadway), J. Bernard Calloway ('Rescue Me'), Quincy Dunn-Baker (Romeo and Juliet at Shakespeare in the Park), Erik Jensen (Spain at MCC), LeRoy McClain (Cymbeline at Lincoln Center), Curtis McClarin (King Hedley II at Signature), Rachel Nicks (Life Support) and Brian Wallace (A Christmas Carol at Trinity Rep).
The Signature Theatre Company (James Houghton, Founding Artistic Director; Erika Mallin, Executive Director) was featured on National Public Radio this weekend in a story discussing this season's dedication to the works of the historic Negro Ensemble Company (NEC). The feature includes interviews with James Houghton, Founding Artistic Director, and Ruben Santiago-Hudson, Associate Artist for the season and director of 'The First Breeze of Summer.
Signature Theatre Company's (James Houghton, Founding Artistic Director; Erika Mallin, Executive Director) announced today that their production of THE FIRST BREEZE OF SUMMER has been extended by popular demand one week from Sunday, September 28th to Sunday, October 5th. THE FIRST BREEZE OF SUMMER, by Leslie Lee and directed by Ruben Santiago-Hudson, is the first production of the 2008-2009 season celebrating the historic Negro Ensemble Company (NEC). The show began performances on August 5th and opened August 21st at the Peter Norton Space located at 555 West 42nd Street (between 10th and 11th Avenues).
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