BWW Review: THE ATHENS PHILHARMONIC DEBUTS AT CARNEGIE HALL
THE ATHENS PHILHARMONIC 'MAHLER 2ND' at Carnegie Hall
THE ATHENS PHILHARMONIC 'MAHLER 2ND' at Carnegie Hall
THE ATHENS PHILHARMONIC 'MAHLER 2ND' at Carnegie Hall
I have seen the future of Classical Concert-Going and it is called INSIDE OUT! Two years ago, Maestro David Bernard began an experiment in classical concert-going.
BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more.
BWW Review: THE SABBATH GIRL at Penguin Repertory Theatre
According to their website, WPPAC's STAGE 2 'bridges the gap between the WPPAC Educational Department offerings and the Mainstage, giving college and community performers the opportunity to work in a regional theatre setting under the guidance of professional artists.
'Bitingly sinister' and 'one of the most cruelly realistic character studies yet seen' was the way Lillian Hellman's classic play, 'The Little Foxes,' was first described.
From the moment actor-playwright David Arrow takes the stage, it's clear he is not merely portraying Robert F.
BWW Previews: BERGEN ROCKLAND MUSIC FESTIVAL at German Masonic Park.
Morning's at Seven is a distinctly old-fashioned play with a gently moral tone, full of larger than life characters, plenty of laughs and several touching moments.
Isabel Leonard is one of, if not the, most in-demand opera singer in the world today.
Something really special is happening in Nyack.
Lead singer for the world famous acapella group Klapa Cambi, Vlad Garic is about to make his American (and New York City) debut on Friday night March 15th in Queens at The Secret Theater.
BWW Previews: VLAD GARIC: THE DALMATIAN TENOR at The Secret Theater
BWW Review: 100 YEARS OF BERNSTEIN: CZECH NATIONAL SYMPHONY, CONDUCTED BY JOHN MAUCERI, MEZZO SOPRANO, ISABEL LEONARD at Tilles Center, CW POST University
BWW Previews: APRILE MILLO: A DIVA COMES HOME at Zankel Hall, Carnegie Hall
Pélleas et Mélisande last night was hands down the best thing the Met has done this season.
Aida has been called the grandest of grand operas and the production that has graced the Met stage for the last (unbelievably) 30 years still looks absolutely amazing - towering columns, massive sandstone blocks, etc.
BWW Interview: Erica Miner author of DEATH BY OPERA
BWW Review: THE PARK AVENUE CHAMBER SYMPHONY PERFORMS ROSENHAUS, WEBER AND DVORAK