BUGGERS, a new psychodrama exploring the relationship between Francis Bacon and George Dyer, will have its world premiere at Edinburgh Fringe's Pleasance Courtyard, with rare archival support from the Estate of Francis Bacon.
The Shitheads is the perfect example of the importance of the Royal Court to London’s present day new theatre scene.
The Royal Court Theatre has announced the full cast and creative team for the World Premiere of Jack Nicholls' debut play The Shitheads.
IMPERMANENCE, the award-winning contemporary dance company run by directors, choreographers and performers Roseanna Anderson and Joshua Ben-Tovim, return to the Edinburgh Fringe.
Super cast flesh out two lives that entwine around each other
The cast has been announced for the premiere of Jonathan Maitland’s new play How to Survive Your Mother which plays a limited run at the King’s Head Theatre, London, from 23 October to 24 November 2024 (press night: 28 October).
Nikolai Gogol's 1836 satire The Government Inspector caused a stir for calling out the Russian government's corruption.
Impermanence Dance Theatre had quite the ride for their opening night (in London) of Venus: a quadruple bill of new work at the Wilton's Music Hall.
All new production photos have been released for War & Culture at New Diorama Theatre.
VENUS is a new richly diverse evening of work from IMPERMANENCE, the contemporary dance company run by choreographers, directors and performers Roseanna Anderson and Joshua Ben-Tovim.
59E59 Theaters (Val Day, Artistic Director; Brian Beirne, Managing Director) welcomes the US premiere of THE INCIDENT ROOM, written by Olivia Hirst and David Byrne and directed by Beth Flintoff and David Byrne.
Frau Welt is a Grande Dame of epic proportions, an international shape-shifter who barely noticed the stirrings of the second world war as she single-mindedly strode her way to stardom, rubbing shoulders with the good and great.
In celebration of Pinter's long friendship with 92Y's Poetry Center and the centenary of Swann's Way, 92Y presents a staged reading of the play (Remembrance of Things Past), affording us "the pleasure of providing yet another angle of perception upon a work so elaborate and many-faceted it never fai
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