Melissa Reeve turns Henrik Ibsen's AN ENEMY OF THE PEOPLE upside down to speak to a new generation gender politics, media manipulation, and power plays in the middle classes.
A brand new Belvoir production of An Enemy of the People reunites the powerhouse team behind critically-acclaimed hits Medea and Jasper Jones, director Anne-Louise Sarks and the superb Kate Mulvany in this timely new version of a prophetic masterpiece.
The 2018 Helpmann Awards Act II tonight was a star-studded ceremony in front of a full house at the Capitol Theatre Sydney on the set of Priscilla Queen of the Desert the Musical. Hosts for this stellar evening were music writer Glenn A Baker AM, acclaimed choreographer Rafael Bonachela, celebrated musical theatre star and TV host David Campbell, multiple Helpmann Award winning mezzo soprano Jacqueline Dark, comedian Anne Edmonds and Olivier and Tony Award Nominee Tony Sheldon.
***Winners To Be Updated 15 July and 16 July*** 2018 Helpmann Awards Nominees ***Winners To Be Updated, Please refresh your Browser after 6pm 15 July *** ACT1 updated
Brisbane band Sheppard, music writer Glenn A Baker AM, singer Christine Anu and comedian Anne Edmonds have all been added to the line-up for Helpmann Awards Act II on Monday 16 July at the Capitol Theatre Sydney.
The ongoing cycle of corruptible power and politics plays out in Kip Williams' (Director) modern retelling of Bertolt Brecht's parable play, THE RESISTIBLE RISE OF ARTURO UI.
Hugo Weaving will make his much-anticipated return to the Sydney Theatre Company's stage this March in Bertolt Brecht's 1941 classic The Resistible Rise of Arturo Ui. STC Artistic Director Kip Williams directs a cast which also includes Mitchell Butel, Peter Carroll, Anita Hegh, and Ursula Yovich.
Sydney Theatre Company presents a new interpretation of the Chekov classic Three Sistersthis November at the Sydney Opera House, directed by STC Artistic Director Kip Williams, with design by Alice Babbage.
Acclaimed theatre director and Adelaide Festival Joint-Artistic Director, Neil Armfield, will direct the premiere of renowned English playwright David Hare's latest work I'm Not Running at the prestigious National Theatre in London next year.
Central Sydney's oldest operating community theatre, The Genesian Theatre Co has announced that the Catholic Archdiocese of Sydney has entered a contract of sale for its historic premises in Kent Street.
State Theatre Company's recently appointed ensemble will bring the Scottish play to audiences in our contemporary urban world in a filmic staging on a set designed by South Australian set designer Victoria Lamb.
2017 marks a new direction for State Theatre Company, with the formation of a Creative Ensemble - a group of actors and creatives taking residence to work on a number of productions and creative developments in 2017 and 2018. At the time of formation, in 2017 State Theatre Company is the only major theatre company in Australia to engage a resident ensemble of actors.
The Great Fire takes place in the all-too-familiar Australian disaster zone: mum and dad's place at Christmas. On an idyllic Adelaide Hills property, a family gathers to decide the next phase of their lives as part of the ever-gentrifying arts industry in this domestic drama written by Kit Brookman. This reviewer should declare that, having been born and raised in Adelaide and therefore aware of the artistic prowess of the Brookman family there, I may be somewhat biased in my familiarity for this piece. Nevertheless, we carry on.
Belvoir presents THE GREAT FIRE as a kind of companion to THE BLIND GIANT IS DANCING - a pair of plays a generation apart about family, about holding your course, about what will survive of the fading triumph of Australian social democracy. Where The Blind Giant is a political thriller about the corrupting force of power,The Great Fire is a meditation on the tragedy of a generation that, despite its best ambitions, is leaving the world in a worse state than they inherited it.