Paula Vogel News

PRESENTED BY: Karen Finley, Holly Hunter, Sarah Jones, Craig Lucas, Rue McClanahan, John C. Reilly, Elaine Stritch, James Urbaniak, Others To Be Announced

Roundabout Theatre Company (Todd Haimes, Artistic Director) presents Kate Burton as 'Constance Middleton', Michael Cumpsty as 'John Middleton', John Dossett as 'Bernard Kersal' and Lynn Redgrave as 'Mrs. Culver' in the new Broadway production of W. Somerset Maugham social comedy The Constant Wife, directed by Mark Brokaw at the American Airlines Theatre (227 West 42nd Street).

On Monday night, April 11, 2005 stars came out as the Roundabout honored Stephen Sondheim.

Roundabout Theatre Company (Todd Haimes, Artistic Director) announces Lynn Redgrave will return to Broadway as 'Mrs. Culver,' with Kate Burton as 'Constance Middleton' in the new Broadway production of W. Somerset Maugham social comedy The Constant Wife.

Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer) is pleased to announce full casting for their upcoming world premiere production of AFTER THE NIGHT AND THE MUSIC by Elaine May, directed by Daniel Sullivan.

A remarkable archive of theatrical interviews is now available for free on the internet, a result of the efforts of the American Theatre Wing to share its educational and informational programs with a wider audience.

Because men have been held back from speaking out about their identities as sexual beings, a new play finally gives voice to their innermost thoughts.

Roundabout Theatre Company (Todd Haimes, Artistic Director) will present Kate Burton as 'Constance Middleton' in the new Broadway production of W. Somerset Maugham social comedy The Constant Wife, directed by Mark Brokaw at the American Airlines Theatre (227 West 42nd Street). Previews begin on Friday, May 27th, 2005 and opens officially on Thursday, June 16th, 2005. This is a limited engagement through August 7th, 2005.

Ars Nova presents an intimate discussion with playwright Paula Vogel.

Perhaps my reaction to Nicky Silver's 'Beautiful Child' would be more positive if I didn't watch it from the same seat where only a few months ago I winced through parts of Paula Vogel's 'The Long Christmas Ride Home.'