Paula Vogel News

The world premiere Signature Theatre production of Everybody, written by Branden Jacobs-Jenkins and directed by Lila Neugebauer, runs tonight, January 31, through March 12, 2017 with a Tuesday, February 21 opening night on The Irene Diamond Stage at The Pershing Square Signature Center (480 West 42nd Street between 9th and 10th Avenues).

Ken Ludwig is the crown king of writing modern farcical plays. He and the Cleveland Play House seem to have a 'thing' for each other. Ludwig has had world premiere productions of his scripts A Comedy of Tenors (2015), The Games Afoot (2011) and Leading Ladies (2004) on CPH stages.

INDECENT - Pulitzer Prize-winning playwright Paula Vogel's newest work, one of the most acclaimed plays of 2016 when it debuted in New York Off-Broadway at the Vineyard Theatre - will premiere on Broadway at the Cort Theatre (138 W 48th St New York, NY), this spring, with previews set to begin early April prior to opening April 18, it has been announced by producers Daryl Roth, Elizabeth Ireland McCann and Cody Lassen, who will present the Vineyard Theatre production in association with La Jolla Playhouse and Yale Repertory Theatre. See the brand new marquee at the Cort Theater below.

The UC San Diego Department of Theatre and Dance presents Though it May Shift, a dance performance and theatre work that investigates the intrinsic tension between the contrasting forces in language and movement, linear and nonlinear, simultaneous and singular.

The FSU/Asolo Conservatory for Actor Training continues its 2016-17 season with contemporary playwright Adam Bock's THE DRUNKEN CITY. A high-energy comedy about life and love, the production is directed by returning guest artist Jesse Jou, whose work was last seen on the FSU/Asolo Conservatory stage in 2014 with How I Learned to Drive.

Four award-winning playwrights will join the residency programs at Signature Theatre, the company announced today.

New Dramatists, Tony Honor recipient and the nation's premier playwright development laboratory, will honor 10-time Tony Award-winning producer Daryl Roth and Pulitzer Prize-winning playwright Paula Vogel with their 2017 Distinguished Achievement Awards at its 68th Annual Spring Luncheon tribute.

Yale Repertory Theatre presents the world premiere of IMOGEN SAYS NOTHING by Aditi Brennan Kapil, directed by Laurie Woolery, at Yale Repertory Theatre (1120 Chapel Street), January 20-February 11. Opening Night is Today, January 26.

The Dramatists Guild of America has announced the co-recipients of the 2017 Lanford Wilson Award are Christopher Chen and Martyna Majok.

The Drama Desk and Obie Award-winning Keen Company will present the Eleventh Season of Keen Teens. This season's offerings will be And... Action by Eleanor Burgess directed by Julie Kramer; Rat Court by Boo Killebrew, directed by Daisy Walker; and Tilda Swinton Betrayed Us by A. Rey Pamatmat, directed by Zi Alikhan.

Led by Founding Artistic Director Katherine Kovner and Producing Director Roberta Pereira, and following the success of Sarah DeLappe's critically acclaimed The Wolves, The Playwrights Realm continues their female-centric 10th Anniversary season with the New York Premiere of Jen Silverman's The Moors (February 27 - March 25) at The Duke on 42nd Street, a New 42nd Street project. Directed by Mike Donahue and riffing on the lives and works of certain 19th-century novel-writing sisters, The Moors is a dark comic examination of the ways in which women fight for visibility.

What is newsworthy? What lives have value? Does ambition compromise morals? MacArthur Foundation Fellow Branden Jacobs-Jenkins explores these questions and more in Gloria. Directed by Evan Cabnet, Gloria made its Off-Broadway debut in 2015 at the Vineyard Theater. The complete cast and creative team reunite for the Chicago premiere at the Goodman.

Brown Paper Box Co. is excited to announce the cast and production team for their second main stage production of their 2016/2017 season - The Baltimore Waltz by Pulitzer Prize winner Paula Vogel.

Brown Paper Box Co. is excited to announce their second main stage production of their 2016/2017 season - The Baltimore Waltz by Pulitzer Prize winner Paula Vogel.

Will Snider's How to Use a Knife is a world premiere play bursting with energy, secrets and suspense. It isn't easy running a busy restaurant kitchen in New York City, but it may be the last chance Chef George gets to turn his life around.

Yale Repertory Theatre presents the world premiere of IMOGEN SAYS NOTHING by Aditi Brennan Kapil, directed by Laurie Woolery, at Yale Repertory Theatre (1120 Chapel Street), January 20-February 11. Opening Night is Thursday, January 26.

Phoenix Theatre of Indianapolis announces the National New Play Network Rolling World Premiere of How to Use a Knife opening January 19, 2017 on the Frank and Katrina Basile Stage. This production runs through February 12, 2017, with Bryan Fonseca serving as director.

Brown Paper Box Co. is excited to announce their second main stage production of their 2016/2017 season - The Baltimore Waltz by Pulitzer Prize winner Paula Vogel. This production opens this week, on Saturday, January 21, 2017 and runs Thursdays through Saturdays at 7:30 PM and Sundays at 2:30 PM through February 19, 2017 at The Frontier in Chicago's Edgewater neighborhood (1106 W. Thorndale Avenue). A preview is scheduled for Friday, January 20, along with special Monday night performances on January 23 and February 6, both of which begin at 7:30 PM. Additionally, this production is a participant of Chicago Theatre Week 2017 and The Ghostlight Project and all tickets are on sale now. Photos from rehearsal can be found attached; information about ticket sales and more can be found at www.BrownPaperBox.org.

Artistic Directors Doug Aibel and Sarah Stern announce Kate Tarker as the ninth recipient of Vineyard Theatre's Paula Vogel Playwriting Award named in honor of playwright and teacher Paula Vogel, whose plays INDECENT, HOW I LEARNED TO DRIVE (Pulitzer Prize for Drama) and THE LONG CHRISTMAS RIDE HOME premiered at The Vineyard.

National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, is supporting two plays that reflect on experiences of the Rwandan genocide through its Rolling World Premieres program. How to Use a Knife by Will Snider and Dogs of Rwanda by Sean Christopher Lewis each offer a look into the intersections of identity, truth-telling, and accountability through stories that ask what it means to be human in a world of deep and pervasive ethnic conflict.