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BWW Review: THE CORPSE WASHER at Actors Theatre Of Louisville

BWW Review: THE CORPSE WASHER at Actors Theatre Of Louisville

by Keith Waits — March 8, 2019

A young man is raised with the expectation that he will follow in his father's footsteps, working in the trade and carrying on an important tradition, but instead, he wants to follow his own path and become an artist.

BWW Review: QUARTET, Theatre Royal Brighton

BWW Review: QUARTET, Theatre Royal Brighton

by Fiona Scott — March 27, 2018

What happens to musicians when they are old and grey? Where do famous singers retire when their voices are an echo of what they once were? Ronald Harwood's Quartet follows the antics of four elderly former opera stars as they live out their days in a specialist musician's retirement home in an expan

BWW Review: ALADDIN, Royal and Derngate

BWW Review: ALADDIN, Royal and Derngate

by Verity Wilde — December 13, 2017

For me, the best thing about panto is the stuff that's not in the script - we went every year when I was little and my favourite memory is of the year that Brian Blessed's trousers split when he was playing Captain Hook and he and Smee had an extended fit of giggles.

Guest Blog: Becca Marriott On Studio Opera and LA BOHEME

Guest Blog: Becca Marriott On Studio Opera and LA BOHEME

by Marianka Swain — November 6, 2017

What does performing opera in a studio space do to the art form to the artist? My relationship with this relatively new form of fringe opera or 'studio opera' - or 'in your face opera' or 'opera up close' - is twofold.


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