Patty Gallagher News

Strong acting and equally impressive presentation elements make this production one that I'd recommend for the discerning theatregoer.

The Folger Theatre continues its 2012/13 season with the Washington premiere of The Conference of the Birds, a theatrical adventure based on the poignant 12th-century Persian fable by Farid Uddi Attar about the search for the divine and the quest for truth. Beginning performances on October 23, the production is directed by two-time Helen Hayes Award-winner Aaron Posner (Cyrano, Macbeth at Folger) and will feature original music composed and performed by renowned musician and Helen Hayes Award-winner Tom Teasley.

Today, Shakespeare Santa Cruz (SSC) artistic director Marco Barricelli announced the Company's 30th Anniversary season.

Following a highly successful run at the Folger Theatre in Washington D.C., Two River Theater Co. will close the curtain on the world premiere of Orestes A Tragic Romp, Anne Washburn's razor sharp modern adaptation of the Greek tragedy by Euripides, directed by Two River Artistic Director Aaron Posner on April 11th.

Following a highly successful run at the Folger Theatre in Washington D.C., Two River Theater Co. is proud to present the world premiere of Orestes A Tragic Romp, Anne Washburn's razor sharp modern adaptation of the Greek tragedy by Euripides, directed by Two River Artistic Director Aaron Posner.

Following a highly successful run at the Folger Theatre in Washington D.C., Two River Theater Co. is proud to present the world premiere of Orestes A Tragic Romp, Anne Washburn's razor sharp modern adaptation of the Greek tragedy by Euripides, directed by Two River Artistic Director Aaron Posner.

This year's Critics Circle Awards, sponsored by Actor's Equity Association, today announced is nominees for excellence in San Francisco Bay area theater. Berkeley Rep's production of American Idiot, which played in the fall of 2009, leads with 12 nominations and will open on Broadway this spring.

California Shakespeare Theater (Cal Shakes) ends its 35th anniversary season with a thoroughly magical production of A Midsummer Night's Dream, directed by Aaron Posner, in his company debut.

A Midsummer Night's Dream opens Saturday, September 19, 2009 at the Bruns Amphitheater after starting previews September 16. California Shakespeare Theater (Cal Shakes) ends its 35th anniversary season with a thoroughly magical production of A Midsummer Night's Dream, directed by Aaron Posner, in his company debut. One of Shakespeare's most beloved comedies, this marks the first coproduction between Cal Shakes and Two River Theater Company in New Jersey, where Posner serves as Artistic Director. The production will run through October 11, and then move to New Jersey for a limited run.

California Shakespeare Theater (Cal Shakes) ends its 35th anniversary season with a thoroughly magical production of A Midsummer Night's Dream, directed by Aaron Posner, in his company debut.

California Shakespeare Theater (Cal Shakes) ends its 35th anniversary season with a thoroughly magical production of A Midsummer Night's Dream, directed by Aaron Posner, in his company debut.

California Shakespeare Theater (Cal Shakes) today announced that Patty Gallagher will take over the role of Winnie, Samuel Beckett's eternal optimist, in Happy Days, directed by Cal Shakes Artistic Director Jonathan Moscone. Ms. Gallagher will replace Marsha Mason, who withdrew from the production because of personal reasons.

California Shakespeare Theater (Cal Shakes) today announced that Patty Gallagher will take over the role of Winnie, Samuel Beckett's eternal optimist, in Happy Days, directed by Cal Shakes Artistic Director Jonathan Moscone. Ms. Gallagher will replace Marsha Mason, who withdrew from the production because of personal reasons.

California Shakespeare Theater (Cal Shakes) today announced that Patty Gallagher will take over the role of Winnie, Samuel Beckett's eternal optimist, in Happy Days, directed by Cal Shakes Artistic Director Jonathan Moscone. Ms. Gallagher will replace Marsha Mason, who withdrew from the production because of personal reasons.