Uptown Mamas: a Benefit for Moms in Need will present Broadway, Metropolitan Opera, and Off-Broadway performers at The Green Room 42, raising funds for Safe Horizon's Uptown Domestic Violence Shelter.
The Manhattan School for Children (MSC) hosted Broadway Loves MSC, a one-night-only benefit concert raising funds for arts education and enrichment programs. Check out photos here!
Broadway Loves MSC, initially postponed due to a severe NYC snowstorm, has been rescheduled. This special event, set to occur at the Manhattan School for Children Auditorium, aims to support arts education at P.S. 333.
Broadway Loves MSC will return on January 26, 2026 at 6:30 PM for a one-night-only celebration at the Manhattan School for Children Auditorium. The event brings together Broadway performers, musicians, and the MSC community to champion arts education at P.S. 333, the Manhattan School for Children (MSC).
See photos from How to Dance in Ohio's reunion concert!
When Lin-Manuel Miranda’s epic masterpiece Hamilton was last in residence at Nashville’s Tennessee Performing Arts Center – where it is now ensconced for an as equally anticipated, if briefer, two-week run through August 7 – the world was a far different place than that in which we live today. Yet somehow, due in very large part to the Covid-19 pandemic, the January 6th insurrection at our nation’s Capitol, and the repercussions and reverberations of those two cataclysmic events that have followed in the intervening two-and-a-half years, Hamilton seems to be more resonant, its story more relevant and its presentation more heartrending and current than ever before.
'This is a period in history where art is rejuvenating the people. From a musical standpoint, An American in Paris depicts an interesting time in the European-American cultural exchange. The many colors of French, German, British music were being influenced by American sounds to create a new, singular musical aesthetic, and this, in turn, influenced American musicians who emulated these aspects. It became a snowball of invention.' Music Director David Lamoureux is talking about the exciting period of cultural cross contexts and artistic innovation that was Post War Paris. He is joined by two of his collaborators on the production, directed and choreographed by Jeffry Denman, which opened at the Ogunquit Playhouse on July 13: Assistant Music Director Patrick Fanning and Assistant Choreographer Ashley Marinelli. The trio waxes eloquent about the fertile, innovative artistic world of the play and its time period and the opportunity to bring this milieu and story to life at the famed playhouse which celebrates its 86th season.
The nationally regarded Fulton Theatre presents the psychedelic musical comedy Little Shop of Horrors, now through October 15. Expect the unexpected as Little Shop of Horrors is presented to our audience in a brand new and exciting way. Remember whatever you do, DO NOT FEED THE PLANT! BroadwayWorld has a first look at the cast in action below!
The nationally regarded Fulton Theatre is proud to present the psychedelic musical comedy Little Shop of Horrors, September 19 through October 15. Expect the unexpected as Little Shop of Horrors is presented to our audience in a brand new and exciting way. Remember whatever you do, DO NOT FEED THE PLANT!
Maine State Music Theatre presented two sold-out performances of The Who's Tommy, the rock musical by Pete Townshend and Des McAnuff, on July 31, 2017, at Brunswick's Pickard Theater.
Midway through the first act of The Who's Tommy, the young protagonist invites his mates and listeners to ride together on his amazing journey. And truly, Maine State Music Theatre's production of the Pete Townshend/DesMcAnuff musical, seen for two performances only at the Pickard Theater July 31 offers its audience just that - a riveting, often raw, perennially relevant, piercingly beautiful account of a boy's painful but ultimately uplifting journey through the darker side of human experience and into the light. The rarely staged 1992 musical version based on the 1969 concept album and rock opera with its sung-through score, narrative told largely in dance, and its sometimes disturbing material poses significant challenges to any company, but MSMT once again proves its artistic mettle. Under the inspired direction of Curt Dale Clark, with the complex choreography of Raymond Marc Dumont and the rousing musical direction of Patrick Fanning, this company of young artists marshals its considerable talents to tackle the ambitious project with energy, passion, and complete professionalism.
MSMT opens its Theatre for Young Audiences with three performances of Marc Robin and Curt Dale Clark's musical retelling of the Brothers Grimm fairytale, Sleeping Beauty, in a striking visual production, performed with energy, conviction, and style by a company of young actors. The hour-long musical version puts a contemporary spin on the familiar story and subtly raises issues and values which seem remarkably current, despite the fact that the show was written more than twenty years ago.
About half way through the musical, Always, Patsy Cline, Louise says of the legendary singer, 'She blew the roof off that old honky tonk!' And much the same could be said for the electric atmosphere at the Brunswick's Pickard Theater, where MSMT opened its 59th season with a dazzling production of the musical that includes twenty-seven songs made famous by the singer, who remains to this day - fifty-four years after her untimely death - a towering presence in the world of country and pop music. With true betes de scene, Christine Mild as Patsy and Charis Leos as Louise, accompanied by a virtuoso band, performing an unforgettable songbook, this production delivers not only powerhouse vocal-dramatic values, but also offers the audience a vibrant and poignant journey to another time and place that magically come alive through in the charismatic story of its protagonists. The Ted Swindley musical which focuses on the last six years of Patsy Cline's life and on her friendship with a Texas divorcee and fan, Louise Seger, is so much more than a catalog of songs strung together by a chronological narrative. Indeed, the book is touching well-constructed - funny, sad, warm and human by turns - and the songs are integrated into the story with a seamlessness that lets the play move from reality to memory.
'It's all in the way she placed her voice. I like to call it the Kermit the Frog place - the soft palate at the back of the throat, and that's what activates the yodel, the catch, the cry, the growl which are the iconic hallmarks of her singing. Patsy Cline wasn't really a technical singer; this all just came naturally to her, but for me as an actress and technical singer who has to do the show eight times a week, I have to make sure I am singing in a healthy, safe way and understand how to make that happen. So if I place the voice right - if I place it in the 'Patsy place'- it all happens without trying.'
The nationally regarded Maine State Music Theatre celebrates music legend and cross-over sensation Patsy Cline, June 7 - 24. The touching true story, Always… Patsy Cline combines humor, heartache and 27 of Patsy's most unforgettable hits, such as "Crazy," "Walkin' After Midnight," "Sweet Dreams," and more.
The perennial Patsy Cline jukenox musical gets a solid production at the Fulton in Lancaster. It's not high art, but it's a good time.
The nationally regarded Fulton Theatre and Maine State Music Theatre celebrate music legend and cross-over sensation Patsy Cline, April 18 through May 21.
Magic and family fun ring in the holiday season as Syracuse Stage presents the classic musical Mary Poppins, Nov. 26 to Jan. 8 at the Archbold Theatre in the Syracuse Stage/SU Drama Complex at 820 E. Genesee St.
Magic and family fun ring in the holiday season as Syracuse Stage presents the classic musical Mary Poppins, Nov. 26 to Jan. 8 at the Archbold Theatre in the Syracuse Stage/SU Drama Complex at 820 E. Genesee St.
The nationally regarded Fulton Theatre opens a monumental new season with the triumphant Billy Elliot: The Musical through October 16. The Tony Award-winning musical features infectious music by the incomparable Sir Elton John including "Shine," "Solidarity," "Electricity," and many more!
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