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Review: Nostradamus Predicts a Hit With SOMETHING ROTTEN! at Broadway At Music Circus

Broadway at Music Circus welcomes you to the Renaissance with its newest resounding success, Something Rotten!  This is the first time the Tony Award-nominated musical is being performed at Music Circus and the round lends a special intimacy to the production that, I’ll admit, made it better than the national tour.  With a book by Karey Kirkpatrick and John O’Farrell and music and lyrics by Karey and Wayne Kirkpatrick, Something Rotten! will hilariously satisfy Oxfordians, who question how an uneducated man such as Shakespeare could have written such sophisticated content as is attributed to him.  Even loyal Stratfordians will enjoy the story of Shakespeare-as-plagiarist, for there is no resisting the irreverent humor and jaw-dropping talent that make up the show. 

Review: The Festival d'Avignon Presents THE LINE IS A CURVE By Kae Tempest

The 76th Festival d'Avignon officially concluded last night with Kae Tempest's The Line is a Curve at the Cour d'Honneur. This is the fifth album by Tempest. Previous works include Brand New Ancients, which I had the benefit of seeing some years back at New York's St. Ann's Warehouse. Their work in that instance was a transporting piece of storytelling. It was a very sober affair. The Line is a Curve started that way, but quickly became the cathartic rock concert to end the annual Festival.

Autumn Season Announced For The Hope Theatre

The Hope Theatre has announced its 2022 autumn season. Brimming with premieres, new writing and originality, the programme cements The Hope Theatre's position as a hub for innovation and contemporary theatre-making. The season includes a UK professional premiere of award-winning American playwright Jen Silverman's (A Play in 5 Betties, Southwark Playhouse) dark comedy The Moors. 

Sally Struthers to Star in Newly-Revised, London Version of MEL BROOKS' YOUNG FRANKENSTEIN at La Mirada Theatre

La Mirada Theatre for the Performing Arts & McCoy Rigby Entertainment will present Sally Struthers starring as “Frau Blücher” in the Southern California premiere of Mel Brooks’ YOUNG FRANKENSTEIN. Mel Brooks’ YOUNG FRANKENSTEIN will preview on Friday, September 16 at 8 pm & Saturday, September 17 at 2 pm (with a press opening on Saturday, September 17 at 8 pm.

Alliance Theatre Artistic Director Susan V. Booth to Depart for Chicago's Goodman Theatre

After 21 years as the Alliance Theatre’s Jennings Hertz Artistic Director, Susan V. Booth will leave her role at the Alliance to join Chicago’s Goodman Theatre as Artistic Director.  Booth will finish her tenure by co-directing the regional premiere of the acclaimed play, Everybody, which begins previews September 2.

Review: Taryn Lumia and Todd William Donovan Dazzle in the Tarpon Arts Production of Disney's BEAUTY AND THE BEAST

It's mostly a beauty of a production with some beastly issues that get in the way. I have seen dozens of productions of BEAUTY AND THE BEAST over the years, but rarely if ever have I seen Belle connect with the title Beast. Usually the two come across as distant cousins at best, not a romantic pairing for the ages. Sometimes the rose has more personality than this duo. But finally--FINALLY!--we have a Belle and Beast who connect with the Tarpon Arts' latest production of this classic musical (music by Alan Menken; lyrics by Howard Ashman and Tim Rice; and a book by Linda Woolverton, although her name was misspelled on the front cover of the program).

Review: The Festival d'Avignon Presents RICHARD II By Christophe Rauck

According to a poll taken in 2016, a little more than half of all British people have seen or read Shakespeare's Romeo and Juliet. That number dips just below half for Macbeth and Midsummer. The Tempest rounds out the Top 10 at 22% engagement. Deep down in this list at 7%, tucked between Merry Wives of Windsor and Love's Labour's Lost, is Richard II. This obscurity was seen as a feature not a bug for Jean Vilar when he opened the first Festival d'Avignon with Richard II in 1947. Since this performance, the play has become something of a hallmark of French theatre. This year, Christophe Rauck adds his own directorial vision at the Festival's Gymnase du Lycée Aubanel with Micha Lescot in the title role.

Review: Brilliant and Beautiful: MSMT Stands Tall with THE COLOR PURPLE

For its third 2022 main stage production, Maine State Music Theatre has mounted a brilliant, beautiful, authentic, and heartwarming staging of the musical adaptation of Alice Walker’s epistolary novel, THE COLOR PURPLE. This epic story chronicles the journeys of its complex characters through hardship and pain to hope and healing. Inspirational and uplifting, it is a tale of resilience, redemption, and love, that speaks with powerful universality, and in this stunning production, directed by E. Faye Butler, it becomes one of those unforgettable, transformative moments in the theatre.

Review: JERSEY BOYS at Capital Repertory Theatre

Last night’s opening performance of JERSEY BOYS played to a packed house. Audience members sang along and danced in their seats, ultimately giving this cast a standing ovation. Not a bad way to wrap up the very first season for Capital Repertory Theatre (aka theREP) in their new home!

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