The Actors' Gang announced today that the stage adaptation of Academy Award-winning screenwriter Dalton Trumbo's war novel, Johnny Got His Gun, written by Bradley Rand Smith and directed by Tim Robbins, will kick off The Actors' Gang 2018/19 Season from Saturday, October 6th to Saturday, November 10th, 2018. The press opening is Saturday, October 13.
Joe's Pub at The Public presents the North American premiere of Murray Hill: About To Break, a new comedy and theatrical event, running September 20-22 and 27-29. About To Break is written and performed by Hill and directed and developed with Tony Award-winning lyricist, writer, and director Scott Wittman. Renowned as a comic host around the world, this new show is a departure, putting Hill center stage in the first major dedicated solo show of his long, storied career. Musical direction is by Paul Leschen with original music by Hill with Wittman, Marc Shaiman, Kyle Forrester, Eric Kornfeld, Jesse Elder, and Leschen.
Joe's Pub at The Public presents the North American premiere of Murray Hill: About To Break, a new comedy and theatrical event, running September 20-22 and 27-29. About To Break is written and performed by Hill and directed and developed with Tony Award-winning lyricist, writer, and director Scott Wittman. Renowned as a comic host around the world, this new show is a departure, putting Hill center stage in the first major dedicated solo show of his long, storied career. Musical direction is by Paul Leschen with original music by Hill with Wittman, Marc Shaiman, Kyle Forrester, Eric Kornfeld, Jesse Elder, and Leschen.
That's right, #TCTheater friends, music-theater's favorite founding father has finally arrived in Minneapolis, along with all of this friends. Three years after opening on Broadway and becoming the biggest theater sensation in years, maybe even decades, the second national tour is playing at the Opheum Theatre for a six-week run. I'm lucky enough to have seen it four times now, and it's still just as epic and thrilling, if not quite as mind-blowing as the first time. HAMILTON is the rare thing that not only lives up to the hype, it exceeds it. In fact it's not really about the hype at all, the 'all the cool people are seeing HAMILTON so I guess I should see it too.' You shouldn't go see HAMILTON so you can impress your friends and neighbors, you should go see HAMILTON because it's the quintessential American story told through the quintessential American art form - musical theater. It's one of those ground-breaking milestone events in the history of theater that has forever changed it. And it's also three jam-packed hours of music, dance, stories, entertainment, and inspiration. If you don't already have your tickets don't despair. There are tickets still available through the official channels, and you can enter a daily lottery in which 40 lucky people win the chance to buy tickets for $10. I don't think I need to try to convince anyone to go see it, or tell you how incredibly amazing it is. You already know that, the rest is up to you.
Continuing its commitment to bringing free Shakespeare to the community and strengthening audience engagement with the arts, The Public Theater will mount its MOBILE UNIT again this fall with a free three-week tour to the five boroughs of Shakespeare's A MIDSUMMER NIGHT'S DREAM, directed by Jenny Koons.
The Stage Directors and Choreographers Foundation (SDCF) has named Oskar Eustis as the first recipient of its new honor, The Gordon Davidson Award, which will be bestowed annually by SDCF to recognize a director or choreographer for lifetime achievement and distinguished service in the regional theatre nationally. The presentation of the award will take place on Saturday, September 22, at the Center Theatre Group's Annex/ Gordon Davidson Rehearsal Hall, in a by-invitation-only event.
The Department of Theater at Brooklyn College is one of New York City's outstanding institutions in the training of theater artists. With the assistance of a generous grant from the Tow Foundation, the Department of Theater, in conjunction with the MFA Playwriting Program, headed by co-coordinators Mac Wellman and Erin Courtney, will present the annual Weasel Festival, hosted by The Public Theater (August 17-24). This festival of new works, previously produced by the playwrights, will feature performances of full length plays written by Kate Dakota Kremer, Rachel Kauder Nalebuff, Jerry Lieblich, and April Ranger all of whom are recent graduates of the MFA Playwrighting Program at Brooklyn College.
Ted Austin, Chair of the Board of Directors at Portland Center Stage at The Armory, announced today that Marissa Wolf has been selected as the next Artistic Director at Portland Center Stage at The Armory, after an eight-month, nationwide search. Wolf, most recently the Associate Artistic Director at Kansas City Repertory Theatre, previously served as the Artistic Director at San Francisco's innovative Crowded Fire Theater. Wolf joins Managing Director Cynthia Fuhrman as co-leader of the city's leading professional theater and begins her role full-time on September 15, 2018.
The Public Theater has announced the Public Forum and Public Shakespeare Initiative fall line-up that will explore the intersection of art, ideas, and action. Highlights of the upcoming season include the return of the monthly Civic Salon gatherings and Election Night Hootenanny, a closer look at Shakespeare's famous tyrants and the Mobile Unit's A Midsummer Night's Dream, our post-show Speaker Series following performances of Eve's Song and Wild Goose Dreams, and a collaboration with Jazz at Lincoln Center on the intersection of Shakespeare and the work of Duke Ellington.
Miss You Like Hell will celebrate the Original Cast Recording with a special release concert at Joe's Pub at The Public on Monday, October 8 featuring members of the creative team and original cast.
The Department of Theater at Brooklyn College is one of New York City's outstanding institutions in the training of theater artists. With the assistance of a generous grant from the Tow Foundation, the Department of Theater, in conjunction with the MFA Playwriting Program, headed by co-coordinators Mac Wellman and Erin Courtney, will present the annual Weasel Festival, hosted by The Public Theater (August 17-24). This festival of new works, previously produced by the playwrights, will feature performances of full length plays written by Kate Dakota Kremer, Rachel Kauder Nalebuff, Jerry Lieblich, and April Ranger all of whom are recent graduates of the MFA Playwrighting Program at Brooklyn College.
The Department of Theater at Brooklyn College is one of New York City's outstanding institutions in the training of theater artists. With the assistance of a generous grant from the Tow Foundation, the Department of Theater, in conjunction with the MFA Playwriting Program, headed by co-coordinators Mac Wellman and Erin Courtney, will present the annual Weasel Festival, hosted by The Public Theater (August 17-24). This festival of new works, previously produced by the playwrights, will feature performances of full length plays written by Kate Dakota Kremer, Rachel Kauder Nalebuff, Jerry Lieblich, and April Ranger all of whom are recent graduates of the MFA Playwrighting Program at Brooklyn College.
After a nationwide search, Baltimore Center Stage is excited to announce Stephanie Ybarra has been tapped to become the theater's next Artistic Director. Ybarra comes to Baltimore Center Stage from The Public Theater in New York, where she currently serves as Director of Special Artistic Projects. She will transition to Center Stage beginning in October, and join the staff full-time in December.
The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) and the Onassis Foundation USA announced today six free performances of THE GOSPEL AT COLONUS, the groundbreaking re-telling of Sophocles' classic, for a limited engagement, September 4-9 at the Delacorte Theater in Central Park. With book, original lyrics, and direction by Lee Breuer and original music, adapted lyrics, and music direction by Bob Telson, the iconic musical returns to New York City for the first time since 2004 to celebrate the 35th Anniversary of the original production at the Brooklyn Academy of Music and to honor visionary director Lee Breuer for his lifetime of excellence and historic collaboration with The Public Theater.
The Public Theater announced today that the Mobile Unit, originally founded by Joe Papp in 1957 and currently touring to the five boroughs biannually, will expand in September to launch MOBILE UNIT NATIONAL with a free, four-week tour of Lynn Nottage's powerful Pulitzer Prize-winning play, SWEAT, directed by Kate Whoriskey. SWEAT, staged in its entirety, will tour to 18 Midwest cities across Michigan, Ohio, Pennsylvania, Minnesota, and Wisconsin beginning Thursday, September 27 through Tuesday, October 23, 2018.
The Amoralists (James Kautz, Artistic Director) proudly present TRIGGERED, written by Amoralists 2018/2019 'WRIGHT CLUB author Gabriel Jason Dean, and directed by Kimille Howard. TRIGGERED is PLAY 1 of RICOCHET: An Amoralists Anthology about Surviving an American Epidemic.
The late afternoon and early evening rain that had been steadily falling last Friday didn't stop the faithful from arriving at Central Park's Delacorte Theater for Shakespeare In The Park's return of the Public Works' 2016 musical version of TWELFTH NIGHT.
See first-look footage of the Red Cast, currently featured in Twelfth Night at Shakespeare in the Park!
Check out the first footage of the multi-cast Public Works production of Shakespeare's Twelfth Night, currently running at the Delacorte Theatre in Central Park. See the Red Cast in action below!
The Public Theater's production of Public Works' TWELFTH NIGHT, conceived by Kwame Kwei-Armah and Shaina Taub, music and lyrics by Shaina Taub, Choreography by Lorin Latarro, and directed by Oskar Eustis and Kwame Kwei-Armah, opened just last night, July 31, running through Sunday, August 19.
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