Preview performances begin at The Pasadena Playhouse (39 S. El Molino Avenue in Pasadena) today, June 2, 2016 with the official press opening on June 5, 2016 at 7 p.m. THE MADWOMAN IN THE VOLVO will play through June 26, 2016.
New York City theater collective The Assembly will present a curated conversation series to accompany the West Coast premiere of HOME/SICK, a theatrical re-imagining of the history of the Weather Underground. Select performances of The New York Times 'Critic's Pick' production, which is set for a limited, four-week engagement in a co-production with West L.A.'s Odyssey Theatre from June 11 through July 3, will be followed by discussions with former Weathermen, historians, activists and artists engaged with today's political struggles.
The suit has been described as a test of the legality of Equity's 99-Seat Plan, which allows for actors to volunteer their services.
Renowned British actor/writer/director Steven Berkoff directs a rare production of Eugene O'Neill's 1922 expressionist play THE HAIRY APE. The production opened on May 14 at West L.A.'s Odyssey Theatre, and BroadwayWorld has a first look at the cast in action below!
Professional Los Angeles intimate theater companies and their friends sold out Los Angeles Theatre Center to support the second-ever STAGE RAW THEATRE AWARDS. Picking up where the LA WEEKLY Awards left off, and hosted by the Independent Shakespeare Co. and Dr. Pinch and Pinchtones, the best of 99-seat theatre was celebrated in an exuberant and emotional evening that put a "Raw" spotlight on the year's best work.
Renowned British actor/writer/director Steven Berkoff will direct a rare production of Eugene O'Neill's 1922 expressionist play The Hairy Ape, opening May 14 at West L.A.'s Odyssey Theatre.
The Los Angeles Drama Critics Circle named the multi-nominated Hit the Wall and Mojada: A Medea in Los Angeles as 2015's Outstanding Productions at the organization's 47th annual awards event, held on Monday evening, March 14 at the Moss Theatre of New Roads School in Santa Monica.
The answer to last year's question of whether the digital arts venture STAGE RAW could bring back its awards ceremony celebrating the best of LA's up-to-99-seat theaters, the answer is YES. STAGE RAW is pleased to announce the SECOND ANNUAL STAGE RAW LOS ANGELES THEATER AWARDS, championing the best work of 2015 in L.A.'s still-embattled theaters of up to 99-seats.
Radical Gags Theatrics will present the World Premiere of LIKE MONEY IN THE BANK, the first romantic comedy about the founding of the Federal Reserve Bank, by Jerry Polner. Directed by Shana Solomon, previews begin April 7 at Theatre Row Studio Theatre. Opening night is slated for Thursday, April 14.
Odyssey Theatre Ensemble and The New American Theatre celebrate El Niño with a perfect storm of comedy, romance, mystery and magic. Adapted, directed and choreographed by John Farmanesh-Bocca and starring New American Theatre artistic director Jack Stehlin (Weeds) as Prospero, Tempest Redux opens at West L.A.'s Odyssey Theatre on February 20.
The Pasadena Playhouse presents South Coast Repertory's production of THE MADWOMAN IN THE VOLVO written by and starring Sandra Tsing Loh and directed by Lisa Peterson as the final production of the 2015-2016 season.
The Los Angeles Drama Critics Circle (LADCC) has announced its nominations and special awards for excellence in Los Angeles and Orange County theatre for the year 2015 (Dec. 1, 2014 - Nov. 30, 2015).
An expanded version of My Sister, a smash hit at last season's Hollywood Fringe Festival, will receive a full production at the Odyssey Theatre beginning January 16. Ron Sossi and Paul David Story co-direct identical twins Elizabeth Hinkler and Emily Hinkler in Janet Schlapkohl's poignant tale of two sisters in pre-war Germany.
The magic begins again when one of L.A.'s most beloved and longest running shows, SMOKE AND MIRRORS returns to the Odyssey Theatre tonight, Oct. 24 through Dec. 20.
Anton Chekhov's Uncle Vanya bursts with passion and fierce humor in Pulitzer Prize and three-time Obie Award-winning playwright Annie Baker's colloquial translation, adapted from a literal translation by Margarita Shalina and the original Russian text. The Antaeus Theatre Company presents the West Coast premiere of Baker's fresh new version, hailed as one of the top 10 shows of 2012 by both The New York Times and New York magazine, in a fully partner-cast production. Robin Larsen directs for tonight's October 15 opening at the Antaeus Theater in NoHo.
The magic begins again when one of L.A.'s most beloved and longest running shows, SMOKE AND MIRRORS returns to the Odyssey Theatre on Oct. 24 through Dec. 20.
Anton Chekhov's Uncle Vanya bursts with passion and fierce humor in Pulitzer Prize and three-time Obie Award-winning playwright Annie Baker's colloquial translation, adapted from a literal translation by Margarita Shalina and the original Russian text. The Antaeus Theatre Company presents the West Coast premiere of Baker's fresh new version, hailed as one of the top 10 shows of 2012 by both The New York Times and New York magazine, in a fully partner-cast production. Robin Larsen directs for an October 15 opening at the Antaeus Theater in NoHo, with low-priced previews beginning October 8.
Gritty, passionate, funny and heartbreaking, Awake and Sing! by Clifford Odets continues to resonate 80 years after its 1935 premiere by the Group Theatre. Director Elina de Santos and lead actress Marilyn Fox return to the Odyssey Theatre Ensemble with a 20th anniversary revival of the smash Odyssey production that ran for nine months in 1994-95. Also returning from that production are Richard Fancy and Dennis Madden; the three will be joined onstage by David Agranov, Robert Lesser, Allan Miller, James Morosini, Melissa Paladino and Gary Patent. Awake and Sing! opens at the Odyssey Theatre on Sept. 26.
Like modern soap operas, THE FALSE SERVANT centers on a love triangle between two women and one man. Each plans to marry him, but he is only interested in which woman can bring him the best financial arrangement. And we are told from the beginning that if your mind has room for reason, there is no room for love. Thus is set up the battle of the sexes with the only reason for love being the acquisition of money.
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