The Dessoff Choirs today announced its 2021-22 season. Marking its first live, in-person performance in almost two years, The Dessoff Choirs kick- starts its 97th season with the New York premiere of Considering Matthew Shepard co- directed by WQXR's Elliott Forrest and Rod Caspers.
General Director Khori Dastoor has announced the 2021-22 Resident Company who will be cast in leading roles for Opera San José's upcoming season, welcoming a cohort of opera talent who will be starring in this season's California Theatre mainstage productions.
Celebrating Northern Ireland's reopening of live performances for the first time in over 19 months, Noah Stewart, one of Opera's most sought after international tenors will perform Rodolfo in Cameron Menzies' enthralling production of La Bohème this September. Joining Stewart in the four principal roles are soprano Gemma Summerfield making her debut as Mimi and Northern Irish soprano Emma Morwood as Musetta who is paired with Yuriy Yurchuk's Marcello.
The Met today announced a new season of live performances with in-person audiences beginning fall 2021 and a new Artist in Residence, the acclaimed dancer and choreographer Bijayini Satpathy. Beginning in October, performances will once again take place in galleries throughout the Museum, as well as in the Grace Rainey Rogers Auditorium, and will feature MetLiveArts commissions and leading international musicians and composers.
A historic focal point in the city, this beautifully decayed church provides the perfect atmospheric backdrop to tell the story about a group of Bohemians who are all searching and desperately trying to find their way in life and love.
Whether it be a live or recorded performance, a classical, contemporary, musical theatre or spiritual song, British/Italian soprano Carly Paoli, certainly knows how to deliver and 24 September 2021 will see the release of a brand-new album, Carly Paoli & Friends on the Abiah label.
On the heels of sold-out, in-person performances of Opera Orlando’s Creole Carmen, the Company is partnering with WUCF TV to broadcast its ENCORE! presentation of Bizet’s fiery masterwork. This original take on Carmen is set in the politically tumultuous and culturally provocative reign of “Papa Doc” Duvalier in 1960s Haiti.
On the heels of sold-out, in-person performances of Opera Orlando's Carmen, set in 1960s Haiti, the Company is proud to present this production online via the ENCORE! series.
Due to high demand, Tulsa Opera has announced a second performance of Greenwood Overcomes featuring a program of works by 23 living Black composers performed by eight Black artists to commemorate the centennial of the 1921 Tulsa Race Massacre. The performances will be Saturday, May 1 at 7:30 p.m. CT and Sunday, May 2 at 2:30 p.m. CT at the Tulsa Performing Arts Center.
Opera Orlando welcomes an incredible cast representative of the rich culture of Haiti in the 1960s, as Georges Bizet's fiery masterwork Carmen takes the stage at Dr. Phillips Center on April 1 and 3.
This ever-popular opera captivates from its opening notes to Carmen's sultry and vivacious Habanera, to Escamillo's rousing Toreador song, and finally to Don Jose's beautifully tragic Flower Song.
Opera lovers everywhere are invited to join the acclaimed Merola Opera Program for its first-ever virtual benefit gala, Un Gala in Maschera. This musical evening honors Merola Artistic Director Sheri Greenawald (2002-2020), celebrating her nearly two decades as Director of the San Francisco Opera Center and Artistic Director of the Merola Opera Program.
This October audiences across Ireland and around the world will have a chance to experience a taste of the magic of Wexford Festival Opera at home.
MasterVoices continues its 2019-20 season on Thursday April 2, at the Rose Theater at Jazz at Lincoln Center. Artistic Director Ted Sperling will lead a concert staging of Bizet's Carmen in its original Opéra Comique version, with dialogue rather than recitative, sung in English translation by award-winning Broadway lyricist Sheldon Harnick. His translation of Carmen was commissioned and premiered by the Houston Grand Opera in 1981 and served as the English text for Peter Brook's ingenious 90-minute La tragédie de Carmen which was performed at the Vivian Beaumont Theater in New York in 1984. The MasterVoices performance will mark the New York premiere of the full translation.
Orchestra of St. Luke's (OSL) 2020 winter-spring season will run from February 6 through the end of June, bringing music to over a dozen venues across the five boroughs of New York City. The season includes two Carnegie Hall subscription series concerts led by Principal Conductor Bernard Labadie; OSL's signature Chamber Music Series with two all-Beethoven programs; a collaboration with New York's MasterVoices in Sheldon Harnick's English language version of Bizet's Carmen; and Music in Color: Eleanor Alberga, OSL's annual five borough free concert tour highlighting the works and lives of classical composers of color.
Ted Sperling, Artistic Director of MasterVoices, announced details of the acclaimed ensemble's 78th season, celebrating the joy of choral singing and the power of the human voice to unite, inspire and connect since 1941. Highlights include three major musical presentations at top venues, including a New York premiere, and the World Premiere of a new work, commissioned by the Company. Throughout the season there will be collaborations with leading singers, artists, ensembles and organizations, some who are familiar with and others who are new to the Company.
San Francisco Opera Center Director Sheri Greenawald today announced the 12 recipients of the 2019 Adler Fellowship. Selected from participants of the Merola Opera Program, the ten singers and two pianist/apprentice coaches begin their fellowships in January 2019. The multi-year performance-oriented residency offers advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Since its inception in 1977, the prestigious fellowship has nurtured the development of more than 180 young artists, introducing many budding stars to the international opera stage and launching active careers throughout the world as performers, production artists, arts professionals and educators.
Milwaukee families can enjoy an opera classic with the Florentine Opera at The Magic Flute, May 11 and 13 in Uihlein Hall at the Marcus Center for the Performing Arts. Originally written in German, this Florentine production will be performed in English to be accessible to audiences of all ages.
San Francisco Opera Center Director Sheri Greenawald today announced the eleven recipients of the 2018 Adler Fellowship. Eight singers, two pianist/apprentice coaches and one director will take part in the program. The multi-year performance-oriented residency offers advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Adler Fellows are selected from the artists who have participated in the Merola Opera Program. The prestigious fellowship has nurtured the development of more than 175 young artists since its inception.
It's the first day of production rehearsals for the Opera Holland Park 2017 season. Following months of preparation, from countless meetings and costume fittings to music rehearsals and props buying, today is the day everyone - the conductor, director, designer, principal singers, chorus, lighting designer, stage management, wardrobe and costume staff and technical staff - all start work full time.
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