Nick Fitzer News

freeFall Theatre's upcoming production of THE BURNT PART BOYS takes you out of St. Pete, Florida and deep into West Virginia's coal mines, following the very human experience of fourteen-year-old Pete, his brother Jake and their friends. As these daring young people journey into the coal mine known as "the burnt part", the same mine that took their fathers' lives, audiences are challenged to experience and perceive the streaks of light and the depths of the darkness that lie in each of us. By turns magical, inspiring, raucous, and playful it is a coming-of-age tale in the finest vein of the genre that people from all walks of life can relate to.

freeFall Theatre's upcoming production of THE BURNT PART BOYS takes you out of St. Pete, Florida and deep into West Virginia's coal mines, following the very human experience of fourteen-year-old Pete, his brother Jake and their friends. As these daring young people journey into the coal mine known as "the burnt part", the same mine that took their fathers' lives, audiences are challenged to experience and perceive the streaks of light and the depths of the darkness that lie in each of us.

freeFall Theatre's upcoming production of THE BURNT PART BOYS takes you out of St. Pete, Florida and deep into West Virginia's coal mines, following the very human experience of fourteen-year-old Pete, his brother Jake and their friends. As these daring young people journey into the coal mine known as "the burnt part", the same mine that took their fathers' lives, audiences are challenged to experience and perceive the streaks of light and the depths of the darkness that lie in each of us. By turns magical, inspiring, raucous, and playful it is a coming-of-age tale in the finest vein of the genre that people from all walks of life can relate to.

While Alexander Pushkin's original verse novel, EUGENE ONEGIN, had its protagonist at the center of attention, composer Peter Illyich Tchaikovsky and writer Konstantin Shilovsky's operatic adaptation (with an English translation by David Lloyd-Jones) instead focuses on Tatiana, the woman whose heart is broken by Onegin when he rejects her. This fundamental change in perspective actually makes for a more tragic and emotional experience, and coming from Tatiana's point of view, works perfectly for the world of opera. The Opera Theatre of St. Louis is presenting a lush and dramatic production of EUGENE ONEGIN as part of their season now playing at the Loretto-Hilton.