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Review Roundup: STEPHEN SONDHEIM'S OLD FRIENDS in London

Following the unforgettable all-star gala performance to celebrate the life and work of the great Stephen Sondheim at the theatre named after him in May 2022, Stephen Sondheim's Old Friends, devised and produced by Cameron Mackintosh, will play until 6 January 2024 at the Gielgud Theatre with many of that Gala cast.

Review Roundup: What Did the Critics Think of the UK Premiere of NEXT TO NORMAL?

Critically acclaimed Broadway musical Next to Normal has now opened at London's Donmar Warehouse. Caissie Levy stars as Diana, a suburban wife and mother living with bipolar disorder and haunted by her past. Donmar Artistic Director Michael Longhurst directs the long-awaited UK première of this powerful musical about a far from average family.

Review Roundup: What Did the Critics Think of THE WIZARD OF OZ at the London Palladium?

Starring Georgina Onuorah as Dorothy, award-winning comedian and musical theatre star Jason Manford as The Cowardly Lion, Diversity star Ashley Banjo as The Tin Man in his West End musical debut and The London Palladium legend Gary Wilmot as The Wizard and Professor Marvel, Andrew Lloyd Webber's The Wizard of Oz has now opened at the London Palladium.

Review Roundup: DEAR ENGLAND, Starring Joseph Fiennes

The National Theatre is now presenting Dear England, a new play by James Graham, directed Rupert Goold, telling the story of the England men's football team under Gareth Southgate's management. Let's see what the critics had to say...

Review Roundup: What Did the Critics Think of THE CRUCIBLE, Starring Milly Alcock?

The National Theatre’s acclaimed new production of The Crucible has now opened in the West End for a strictly limited season. Featuring Milly Alcock (House of the Dragon) as Abigail Williams, Caitlin FitzGerald (Masters of Sex) as Elizabeth Proctor, and Brian Gleeson (Bad Sisters) as John Proctor.

Review Roundup: What Did the Critics Make of the OKLAHOMA! West End Transfer?

OKLAHOMA! tells a story of a community banding together against an outsider, and the frontier life that shaped America. Seventy-five years after Rodgers & Hammerstein reinvented the American musical, this visionary production is funny and sexy, provocative and probing, without changing a word of the text. What did the critics think?

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