Utah Opera Artistic Director Christopher McBeth today announced Utah Opera's 2018-19 season. Featuring two new productions by the company's in-house Production Studios, Utah Opera's 41st season runs from October 2018 to May 2019 and comprises three main-stage productions at Janet Quinney Lawson Capitol Theatre and a semi-staged production at Abravanel Hall.
Students at the UK's most prestigious performing arts school, once attended by actors Lily James (Disney's Cinderella, Downton Abbey, War and Peace) and Daisy Ridley (Star Wars: The Force Awakens and The Last Jedi), will put on an ambitious six plays in 10 days in February and March this year - in a bid to explore contemporary theatre.
After a season that saw some triumphant returns of classic operas, such as the magnificent revival Jonathan Miller's The Barber of Seville, the ENO has taken another gamble on bringing a brand new production to the stage of the London Coliseum. Following Two Boys in 2011, Marnie is the young composer Nico Muhly's second world premiere for ENO.
Joseph V. Melillo, executive producer of the Brooklyn Academy of Music, today announced programming for the BAM 2018 Winter/Spring Season. The season runs from January 15 through June 23 and includes theater, dance, music, and other live events in the BAM Howard Gilman Opera House, BAM Harvey Theater, and BAM Fisher. Scroll down for highlights!
We're back in the world of ration books, blackouts and spam fritters, as Nicholas Wright delves into the home front via his adaptation of Patrick Hamilton's 1947 novel. Though there's a certain period chintz about Jonathan Kent's production, darker undercurrents make this a more complex proposition than it first appears.
Actress Fenella Woolgar's work ranges from Handbagged and Circle Mirror Transformation to Home Fires and Doctor Who. She's currently starring in the stage adaptation of Patrick Hamilton's The Slaves of Solitude, about a boarding house in 1943 Henley-on-Thames, where Miss Roach, who endures daily torment from a fellow occupant, becomes involved with an American serviceman. The play is now in previews at Hampstead Theatre.
Hampstead Theatre presents the world premiere of Nicholas Wright's The Slaves of Solitude directed by Jonathan Kent, opening 30 October 2017. BroadwayWorld has a first look at the cast in action below!
Hampstead Theatre presents the world premiere of Nicholas Wright's The Slaves of Solitude, directed by Jonathan Kent. Adapted from Patrick Hamilton's much-loved story, this new play weaves a fascinating blend of dark hilarity and melancholy in a story about an improbable heroine in wartime Britain. The production begins previews tonight 20 October for an opening on Monday 30 October 2017, and BroadwayWorld has a sneak peek at the company in rehearsal below!
Hampstead Theatre presents the world premiere of Nicholas Wright's The Slaves of Solitude, directed by Jonathan Kent. Adapted from Patrick Hamilton's much-loved story, this new play weaves a fascinating blend of dark hilarity and melancholy in a story about an improbable heroine in wartime Britain. The production begins previews Friday 20 October for an opening on Monday 30 October 2017, and BroadwayWorld has a sneak peek at the company in rehearsal below!
Hampstead Theatre presents the world premiere of Nicholas Wright's The Slaves of Solitude directed by Jonathan Kent.
Following its sold out run as part of Bristol Old Vic's 250th Anniversary season, Jeremy Irons and Lesley Manville will reprise their roles in Richard Eyre's acclaimed production of Eugene O'Neill's Long Day's Journey Into Night.
It's uncanny the way that Upstream Theater is able to produce plays that consistently tackle issues that, while often international in scope, often resonate with situations we face in our own country and, in particular, the current political climate we find ourselves in. A HUMAN BEING DIED THAT NIGHT is a very intriguing and powerful work by Nicholas Wright (adapted from a book by Pumla Gobodo-Madikizela) that focuses our attention on post-apartheid South Africa, and which delves into the institutionalized racism that gripped that area of the world for many, many years. It's a subject that it is abhorrent in nature, but one which we seem to see America headed toward with the rise of white nationalist actions and policies. The seeds seem to have been sown with the cultural backlash from certain quarters following the election of Barack Obama, our first African American president, and which are starting to become more dangerously vocal and violent since he left office and was replaced by our current president, who surrounds himself with people whose agendas and ideologies are in direct conflict with the progress that has occurred since the Civil Rights movement of the 1960's. This work, though it deals mainly with conciliatory efforts, is one that needs to be seen as a reminder that, if we are to continue to progress as an open society, we need to remain vigilant as citizens to ensure we do not take steps backwards in this regard. There's a lot to contemplate here, and this production is decidedly must-see theatre.
Hampstead Theatre announces its Autumn season 2017 for the Main Stage: The world premiere of Prism, based on the life of legendary cinematographer Jack Cardiff, is written and directed by Terry Johnson and will star Robert Lindsay and Claire Skinner.
One of the theater world's most prestigious playwriting prizes, the Yale Drama Series Prize, will be given to Jacqueline Goldfinger for her play Bottle Fly. The 2017 award recipient was chosen by playwright Nicholas Wright. This year's ceremony will be held in London, with the play receiving a staged reading in November at the National Theatre Studio.
Today's subjects, Joy Zinoman and Logan Vaughn, are currently living their theatre lives over on H Street at Mosaic Theater Company. They are the directors for the company's current South Africa: Then & Now repertory, which is comprised of the Athol Fugard's classic Blood Knot and the newer A Human Being Died That Night by Pumla Gobodo-Madikizela and adapted for the stage by Nicholas Wright. The rep represents the old and the new. It's appropriate that Mosaic's genius Artistic Director Ari Roth has enlisted a veteran director of over 50 years and a hot up-and-coming director to bring the plays to vivid life onstage at the Atlas Performing Arts Center.
The riveting, ready-made drama of South Africa's Truth and Reconciliation Commission hearings animate a new production at the Mosaic Theater Company of DC.
During the 1990s, psychologist Pumla Gobodo-Madikizela interviewed Eugene de Kock, commanding officer of the South African government's death squad stationed at Vlakplaas--a man who had ordered and carried out the torture and murder of dozens of anti-apartheid activists, earning the nickname "Prime Evil." De Kock was serving a 212-year prison sentence for crimes against humanity.
Mosaic Theater Company of DC presents South Africa: Then & Now, a dynamic spring repertory that takes audience members back to the depths of Apartheid, before moving forward to the ongoing search for truth and reconciliation in a wounded country. Logan Vaughn returns to Mosaic for the second time this season to stage a companion South African drama, A HUMAN BEING DIED THAT NIGHT (April 6-30, 2017).
BLOOD KNOT is an apartheid-era Cain and Abel tale of half-brothers, Morris and Zachariah, who share a mother and a history, but have been separated by color and opportunity. Morris, whose light skin has allowed him to pass as white within South Africa's codified racial stratification, has benefited from opportunities unavailable to his darker-skinned brother.
Photo Flash: Mosaic Theater Co Launches Rep with BLOOD KNOT
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