Nicholas Hussong News

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for George Brant's tour de force production, Grounded. Director Jackson Gay collaborates with Alley Company Artist Elizabeth Bunch in this riveting one-woman show about a female fighter pilot's struggle to return to civilian life.

The New York premiere of Pulitzer Prize finalist and Emmy Award nominated writer Rolin Jones and Tony Award nominee and Grammy Award winning Green Day front man Billie Joe Armstrong's new play with music THESE PAPER BULLETS!, directed by Jackson Gay, opens tonight, December 15, at Atlantic Theater Company.

The New York premiere of Pulitzer Prize finalist and Emmy Award nominated writer Rolin Jones and Tony Award nominee and Grammy Award winning Green Day front man Billie Joe Armstrong's new play with music THESE PAPER BULLETS!, directed by Jackson Gay, begins tonight, November 20, at Atlantic Theater Company.

BroadwayWorld is excited to report complete casting for the New York premiere of Pulitzer Prize finalist and Emmy Award nominated writer Rolin Jones and Tony Award nominee and Grammy Award winning Green Day front man Billie Joe Armstrong's new play with music THESE PAPER BULLETS!, directed by Jackson Gay at Atlantic Theater Company. Much of the company carries over from the show's Los Angeles premiere.

Berkshire Theatre Group and Artistic Director/CEO Kate Maguire are pleased to announce the world premiere co-production with New Neighborhood of I Saw My Neighbor On the Train and I Didn't Even Smile by Suzanne Heathcote, directed by Jackson Gay. Opening night is Saturday, July 18. Preview performances begin on Thursday, July 16 at 7pm and the production closes Saturday, August 15 at 8pm.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Take one of his classic comedies, throw in a Fab Four group sort of like the Beatles and let Green Day front man Billie Joe Armstrong (AMERICAN IDIOT) write the music and presto: you have a modern, interesting show called THESE PAPER BULLETS.

Yale Repertory Theatre presents the world premiere of THESE PAPER BULLETS!, a modish ripoff of William Shakespeare's Much Ado About Nothing, adapted by Rolin Jones, with songs by Billie Joe Armstrong, and directed by Jackson Gay, March 14-April 5 at the University Theatre (222 York Street). Opening Night is tonight, March 20. Click below to watch highlights from the show!

Yale Repertory Theatre presents the world premiere of THESE PAPER BULLETS!, a modish ripoff of William Shakespeare's Much Ado About Nothing, adapted by Rolin Jones, with songs by Billie Joe Armstrong, and directed by Jackson Gay, March 14-April 5 at the University Theatre (222 York Street). Opening Night is Thursday, March 20. BroadwayWorld has a first look at the cast in action below!

Yale Repertory Theatre presents the world premiere of THESE PAPER BULLETS!, a modish ripoff of William Shakespeare's Much Ado About Nothing, adapted by Rolin Jones, with songs by Billie Joe Armstrong, and directed by Jackson Gay, tonight, March 14 through April 5 at the University Theatre (222 York Street). Opening Night is Thursday, March 20. BroadwayWorld has a sneak peek behind the scenes below!

Yale Repertory Theatre presents the world premiere of THESE PAPER BULLETS!, a modish ripoff of William Shakespeare's Much Ado About Nothing, adapted by Rolin Jones, with songs by Billie Joe Armstrong, and directed by Jackson Gay, March 14 through April 5 at the University Theatre (222 York Street). Opening Night is Thursday, March 20. BroadwayWorld has a sneak peek behind the scenes below!

YALE REPERTORY THEATRE presents the world premiere of THESE PAPER BULLETS!, a modish ripoff of William Shakespeare's Much Ado About Nothing, adapted by Rolin Jones, with songs by Billie Joe Armstrong, and directed by Jackson Gay, March 14-April 5 at the University Theatre (222 York Street). Opening Night is Thursday, March 20.

Yale School of Drama (James Bundy, Dean; Victoria Nolan, Deputy Dean) presents SUNDAY IN THE PARK WITH GEORGE, music and lyrics by Steven Sondheim, book by James Lapine, and directed by Ethan Heard, tonight, December 14 to December 20 at the University Theatre (222 York Street). Performances are Friday-Thursday at 8pm.

Yale School of Drama (James Bundy, Dean; Victoria Nolan, Deputy Dean) presents SUNDAY IN THE PARK WITH GEORGE, music and lyrics by Steven Sondheim, book by James Lapine, and directed by Ethan Heard, December 14 to December 20 at the University Theatre (222 York Street). Performances are Friday-Thursday at 8pm.