?The Fielding Studio Series continues on February 4 with the award-winning play An Iliad, written by Lisa Peterson and Denis O'Hare, based on Homer's The Iliad, translated by Robert Fagles and directed by Jerry Genochio.
Kansas City Repertory Theatre Artistic Director Eric Rosen is pleased to announce that the Andrew W. Mellon Foundation has renewed its support of KC Rep's three-year playwright residency program for Nathan Louis Jackson through the National Playwright Residency Program. The grant totals $232,000 and will enable KC Rep's Playwright in Residence Nathan Louis Jackson to continue his significant contributions to new works, a key component of KC Rep's mission.
Marissa Wolf, Kansas City Repertory Theatre's Director of New Works, today announced additional programing and dates for KC Rep's new play program, Origin KC. Featuring the Monday Night Playwright Series, Playwright Slams, the Origin KC New Works Festival and the Mainstage, Origin KC offers audiences a unique experience to engage with the process of creating theater, and gives emerging and established writers the resources to develop plays for future seasons at KC Rep and beyond.
The Kennedy Center, in association with the Kennedy Center American College Theater Festival, the National New Play Network (NNPN)-the country's alliance of non-profit theaters that champions the development, production, and continued life of new plays-and with Stanford University's National Center for New Plays, will host more than 50 playwrights, directors, and dramaturgs from July 25 to August 2, 2015 as part of the 10th annual weeklong MFA Playwrights' Workshop featuring new works by MFA students from Columbia University, Northwestern University, Fordham University, Yale School of Drama, the Juilliard School, New York University-Tisch School of the Arts, University of California-San Diego, and the Juilliard School.
Kansas City Repertory Theatre continues its 50th anniversary season with Sticky Traps, a powerful new play by KC Rep's Playwright in Residence, Nathan Louis Jackson, Directed by Resident Director, Kyle Hatley. Sticky Traps focuses on a small town not far from Kansas City, where a mother protects her gay son's honor when his funeral is protested by a local church. Her actions have unintended consequences that will test her whole family - and the power of their love -- in the face of hate. The production begins tonight, April 24th and runs through Sunday, May 24th at Copaken Stage in downtown Kansas City.
The Douglas Morrisson Theatre (DMT) announces the new 2015-2016 season 'REVELATIONS,' four compelling plays including two regional premieres and a new solo artists festival.
Kansas City Repertory Theatre continues its 50th anniversary season with Sticky Traps, a powerful new play by KC Rep's Playwright in Residence, Nathan Louis Jackson, Directed by Resident Director, Kyle Hatley. Sticky Traps focuses on a small town not far from Kansas City, where a mother protects her gay son's honor when his funeral is protested by a local church. Her actions have unintended consequences that will test her whole family - and the power of their love -- in the face of hate. The production begins Friday, April 24th and runs through Sunday, May 24th at Copaken Stage in downtown Kansas City.
Eric Rosen, artistic director of Kansas City Repertory Theatre has announced the 2014-15 season, continuing its tradition of presenting stirring classics and evocative new works created by the finest local and national talent available.
Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) announce recent recipients of the Alfred P. Sloan Foundation Initiative commissions for Manhattan Theatre Club. The commissioned writers are Jeff Augustin (Little Children Dream of God), Courtney Baron (A Very Common Procedure) and Juliana Nash (Murder Ballad), Nell Benjamin (The Explorers Club), Madeline George (The (curious case of the) Watson Intelligence), Tom Holloway (And No More Shall We Part), Nathan Jackson (Broke-ology), Branden Jacobs-Jenkins (An Octoroon), Greg Pierce (Slowgirl), and Alexandra Wood (The Initiate).
The LCT3/Lincoln Center Theater production of brownsville song (b-side for tray), a new play by Kimber Lee, directed by Patricia McGregor, makes its New York premiere at the Claire Tow Theater (150 West 65 Street), featuring Sheldon Best, Sun Mee Chomet, Lizan Mitchell, Chris Myers and Taliyah Whitaker. The show opens tonight, October 20, and will play a 6-week limited engagement through Sunday, November 16.
Previews begin this Saturday, October 4 at 7pm for the LCT3/Lincoln Center Theater production of brownsville song (b-side for tray), a new play by Kimber Lee, directed by Patricia McGregor, at the Claire Tow Theater (150 West 65 Street). This New York premiere, which features Sheldon Best, Sun Mee Chomet, Lizan Mitchell, Chris Myers and Taliyah Whitaker, opens on Monday, October 20, and will play a 6-week limited engagement through Sunday, November 16.
Sheldon Best, Sun Mee Chomet, Lizan Mitchell, Chris Myers and Taliyah Whitaker will comprise the cast of the upcoming LCT3/Lincoln Center Theater New York premiere production of brownsville song (b-side for tray), a new play by Kimber Lee. The production, to be directed by Patricia McGregor, will begin performances Saturday, October 4, running for six weeks only through Sunday, November 16 at the Claire Tow Theater (150 West 65 Street). Opening night is Monday, October 20.
Eric Rosen, artistic director of Kansas City Repertory Theatre has announced the 2014-15 season, continuing its tradition of presenting stirring classics and evocative new works created by the finest local and national talent available.
Kansas City Repertory Theatre Artistic Director Eric Rosen today announced changes to its artistic staff for its 50th Anniversary Season. Associate Artistic Director Kyle Hatley, who is planning to return to Chicago over the coming year, will become Resident Director. As previously announced, his duties will include performing in An Iliad and developing and directing the world premiere of Nathan Jackson's Sticky Traps; in addition, he will support the annual production of A Christmas Carol, now directed by Jerry Genochio. Eric Rosen will direct The Santaland Diaries.
The Douglas Morrisson Theatre (DMT) proudly announces a new season of five award-winning plays, 'JOURNEYS.'
Eric Rosen, Artistic Director of Kansas City Repertory Theatre has announced his 2014-15 season, its milestone 50th anniversary.
LCT3, Lincoln Center Theater's initiative devoted to producing the work of new artists and engaging new audiences, will produce the New York premiere of brownsville song (b-side for tray), a new play by Kimber Lee, this fall. The production, to be directed by Patricia McGregor, will begin performances Saturday, October 4, running for six weeks only through Sunday, November 16 at the Claire Tow Theater (150 West 65 Street). Opening night is Monday, October 20.
From Kansas City Rep's new Playwright-in-Residence Nathan Louis Jackson (Broke-ology), comes a stunning, thought-provoking story about the power one action can have over a life and the unique precipice from which meaning and redemption can be attained. Damon Robinson, a death-row inmate, struggles to find faith and understanding about why his life has been spared after he survives a lethal injection. Befriending the prison's chaplain he sets about using his unexpected time on earth in search of answers. Appropriate for ages 13 & up.
Dramatic, powerful, and intense describes When I Come To Die now playing at the Kansas City Repertory Theatre, Copaken Stage. Nathan Louis Jackson, playwright in residence for KC Repertory, wrote the thought-provoking look at a prisoner on death roll that cheats death at his execution, only to have to relive waiting to die.
Seattle Public Theater (SPT) announces the arrival of new Managing Director, Zoe Alexis Scott. A third-generation enthusiast of the performing arts, Scott most recently served as Executive Director of The Grand, an historic theatre and nonprofit organization on the coast of Maine, from 2008 to 2013. This was a transformational time for the organization with Scott leading a community-wide restoration campaign and a turnaround in educational programming.
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