Nathan Hosner News

Goodman Theatre's THE WINTER'S TALE is one of the most inventive and playful productions of Shakespeare I've seen.

No modern American director is better at making a play's iconic moments pop with fresh irreverence' (Chicago Tribune). Artistic Director Robert Falls reimagines The Winter's Tale-one of William Shakespeare's final and most wildly theatrical works-following his celebrated revivals of Measure for Measure (2013) and King Lear (2006) at Goodman Theatre. 

Court Theatre, under the leadership of Charles Newell, Marilyn F. Vitale Artistic Director, and Executive Director Angel Ysaguirre, announces additional performances of Photograph 51 by Anna Ziegler and directed by Vanessa Stalling. Photograph 51 now runs through February 23, 2019, at Court Theatre, 5535 S. Ellis Ave.

When Dr. Rosalind Franklin, portrayed by the formidable Chaon Cross, makes her first entrance in Court Theatre's PHOTOGRAPH 51, it's immediately clear that she inhabits a world dominated by men. Director Vanessa Stalling arranges the rest of the cast-who are all male-on the upper level of Arnel Sancianco's two-story set so that they literally look down on Franklin as she appears, last, on the ground floor. This striking image sets the tone for playwright Anna Ziegler's imaginative rendering of an often-overlooked piece of history: the essential contributions of chemist Rosalind Franklin to the discovery of DNA's configuration in the 1950s.

Court Theatre, under the leadership of Charles Newell, Marilyn F. Vitale Artistic Director, and Executive Director Angel Ysaguirre, continues its 2018/19 season with Photograph 51 by Anna Ziegler and directed by Vanessa Stalling. Photograph 51 runs January 17 - February 17, 2019 at Court Theatre, 5535 S. Ellis Ave. The press opening is Saturday, January 26, 2019 at 7:30pm.

Court Theatre, under the leadership of Charles Newell, Marilyn F. Vitale Artistic Director, and Executive Director Angel Ysaguirre, continues its 2018/19 season with Photograph 51 by Anna Ziegler and directed by Vanessa Stalling. Photograph 51 runs January 17 - February 17, 2019 at Court Theatre, 5535 S. Ellis Ave. The press opening is Saturday, January 26, 2019 at 7:30pm.

Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, continues its 2017-18 season with The Beauty Queen of Leenane, written by Martin McDonagh and directed by BJ Jones.  The Beauty Queen of Leenane runs March 15 - April 22, 2018 at Northlight Theatre, 9501 Skokie Blvd in Skokie. The press opening is scheduled for Friday, March 23, 2018 at 8pm.

Lookingglass Theatre Company announces a partnership with TodayTix-the free mobile app that provides on-demand access to theater tickets-to offer exclusive $25 Lottery tickets to the return of the award-winning, circus-infused Hard Times, adapted and directed by Artistic Director and Ensemble Member Heidi Stillman from the book by Charles Dickens and in association with The Actors Gymnasium.

Lookingglass Theatre Company opens its 30th Anniversary Season with the return of the award-winning, circus-infused Hard Times, adapted and directed by Artistic Director and Ensemble Member Heidi Stillman from the book by Charles Dickens and in association with The Actors Gymnasium. Hard Times runs now through January 14, 2018 at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N Michigan Ave at Pearson. BroadwayWorld has highlights from the show below!

HARD TIMES runs at Lookingglass Theatre through January 14, and the critics are weighing in!

Watch as director Heidi Stillman and other cast and creative team members discuss this adaptation of HARD TIMES!

Lookingglass Theatre Company opens its 30th Anniversary Season with the return of the award-winning, circus-infused Hard Times, adapted and directed by Artistic Director and Ensemble Member Heidi Stillman from the book by Charles Dickens and in association with The Actors Gymnasium. Hard Times runs now through January 14, 2018 at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N Michigan Ave at Pearson. The Press Opening is this Saturday, October 14, 2017, and BroadwayWorld has a first look at the cast in action below!

Lookingglass Theatre Company opens its 30th Anniversary Season with the return of the award-winning, circus-infused Hard Times, adapted and directed by Artistic Director and Ensemble Member Heidi Stillman from the book by Charles Dickens and in association with The Actors Gymnasium.

Lookingglass Theatre Company announces complete casting for its 2017 2018 Season lineup.

Lookingglass Theatre Company announces complete casting for the return of the award-winning, circus-infused Hard Times, adapted and directed by Artistic Director and Ensemble Member Heidi Stillman from the book by Charles Dickens and in association with The Actors Gymnasium.

Lookingglass Theatre Company announces complete casting for its 2017 2018 Season lineup.

Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, announces casting for the full 2017-2018 season, which includes The Legend of Georgia McBride by Matthew Lopez, The Book of Will by Lauren Gunderson, Skeleton Crew by Dominique Morisseau, The Beauty Queen of Leenane by Martin McDonagh and Cry It Out by Molly Smith Metzler.

Lookingglass Theatre Company announces complete casting for the return of the award-winning, circus-infused Hard Times, adapted and directed by Artistic Director and Ensemble Member Heidi Stillman from the book by Charles Dickens and in association with The Actors Gymnasium.

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature MATILDA, OKLAHOMA, CHICAGO, and more!

Following a successful 2015 run, that great white whale MOBY DICK has returned to Lookingglass in a highly physical, inventive, and visually compelling production that's fully in keeping with the company's aesthetic. David Catlin's adaptation of Herman Meville's sprawling novel surrounds audiences in the universe of those whalers on board the Pequod in search of that elusive creature. With Courtney O'Neill's artful and hand-crafted set design, the stage and audience reside in a whale 'skeleton,' which cleverly also becomes the structure of the ship. As is common with Lookingglass productions, MOBY DICK also makes use of some talented, athletic performers who take on stunning acrobatic feats (choreography by The Actors Gymnasium's Sylvia Hernandez-DiStasi). But like any voyage, Catlin's script has a number of slower, narration-heavy moments that lack much action. MOBY DICK vacillates between moments of captivating artistry combined with heightened physicality and lengthy stretches of pure narration.