Audiences have Six Weeks Left to See the Critically Acclaimed 1984
by Liz Cearns
- Sep 15, 2016
Audiences have just six weeks left to see the critically acclaimed Headlong, Nottingham Playhouse and Almeida Theatre production of 1984. Since opening at the Nottingham Playhouse in 2013, the production has played almost 700 performances across the globe and, by the end of this run, over 380,000 people will have seen the show. Directed by Robert Icke and Duncan Macmillan with Daniel Raggett, the limited run at the Playhouse Theatre must end on 29 October 2016.
BWW Review: 1984, Playhouse Theatre, 28 June 2016
by Liz Cearns
- Jul 1, 2016
Robert Icke and Duncan Macmillan's brilliant adaptation of George Orwell's formidable novel has returned the West End, following international tours and its very successful London run last summer. Perhaps not typical summer-viewing, this production combines the fantastic and too-true to create something really thought-provoking.
Photo Flash: West End Production of 1984 Extends Booking Period
by Marianka Swain
- Jun 15, 2016
Following the return of 1984 to the Playhouse Theatre last night, the booking period for the West End run has been extended until 29 October 2016. Directed by Robert Icke and Duncan Macmillan with Daniel Raggett, this year will see an entirely new cast take to the stage in George Orwell's dystopian masterpiece. Production images have also been released today ahead of official opening night at the Playhouse Theatre on 28 June 2016. Tickets for this critically and publically acclaimed production are now on sale and available: http://1984theplay.co.uk/
Photo Flash: Ben Miles and Elizabeth McGovern Open in SUNSET AT THE VILLA THALIA at the National Theatre
by Marianka Swain
- Jun 2, 2016
Last night Alexi Kaye Campbell's new play, SUNSET AT THE VILLA THALIA, directed by Simon Godwin, had its press night at the National's Dorfman Theatre. The show features design by Hildegard Bechtler, lighting design by Natasha Chivers, music by Michael Bruce, movement by Jonathan Goddard and sound design by Tom Gibbons. The cast includes Christos Callow, Sam Crane, Glykeria Dimou, Elizabeth McGovern, Ben Miles, Pippa Nixon and Eve Polycarpou.
Photo Flash: First Look at Rosie Ede, Andrew Gower and More in Rehearsals for 1984
by Christina Mancuso
- May 26, 2016
Rehearsal images have today been released of an entirely new cast in rehearsals for Robert Icke and Duncan Macmillan's adaptation of 1984. The cast for the hit West End production of George Orwell's dystopian masterpiece will be:Rosie Ede, Andrew Gower, Joshua Higgott, Richard Katz, Anthony O'Donnell, Daniel Rabin, Catrin Stewart and Angus Wright alongside Eve Benioff Salama, Cleopatra Dickens, Amber Fernee and India Fowler who will alternate the role of Child. Check out the photos below!
Mark Rylance, GREAT COMET & More Win Boston's Elliot Norton Awards!
by Nicole Rosky
- May 24, 2016
More than 25 nominations of outstanding actors, directors, designers and ensembles were announced today by The Boston Theater Critics Association (BTCA), with winners to be revealed at the 34th Annual Elliot Norton Awards on Monday, May 23, 2016 at 7 PM, at Boston's Citi Performing Arts Center Shubert Theatre.
1984 to Return to the West End at Playhouse Theatre
by Tyler Peterson
- Apr 5, 2016
Following a sell-out international tour, this critically and publicly acclaimed production of 1984 will return to the Playhouse Theatre in London's West End this summer. George Orwell's dystopian masterpiece, adapted by Olivier Award-winner Robert Icke and Olivier Award-nominee Duncan Macmillan, will preview from 14 June 2016, with the press night on 28 June 2016.
BWW Review: 1984 is Inventive and Immediate at Shakespeare Theatre Company
by Barbara Johnson
- Mar 16, 2016
"War is peace. Freedom is slavery. Ignorance is strength." Most of us are familiar with the slogans of the bleak, dystopian society George Orwell constructed in his novel 1984. The inventive production of 1984 at Shakespeare Theatre Company takes these phrases and makes them more relevant than ever to a contemporary Washington, DC, audience.
Shakespeare Theatre Company to Stage 1984
by Tyler Peterson
- Mar 1, 2016
Next up in the 2015-2016 season The Shakespeare Theatre Company (STC) presents 1984 as part of an ongoing initiative to include productions by international companies on its mainstage.
2016 Olivier Award Nominations Announced; GYPSY & KINKY BOOTS Lead the Pack
by Robert Diamond
- Feb 29, 2016
The nominations for the Olivier Awards 2016 with MasterCard, the most prestigious event in the UK's theatrical calendar, were announced today (Monday 29 February) by past winners Michael Ball and Imelda Staunton at Rosewood London, the awards' official hotel partner.
BWW REVIEW: What's Scarier than George Orwell's 1984? Politics in 2016.
by Jan Nargi
- Feb 27, 2016
The horrific future depicted in George Orwell's cautionary tale '1984' feels that much more frightening in 2016 because so much of the oligarchical world predicted by the visionary author in his dystopian 1949 novel has come to fruition. The power gap between the haves and the have-nots is alarming. Politicians use doublethink to twist hypocrisies into mind-numbing (and brainwashing) campaign slogans. Three-second sound bites and 140-character tweets are the newspeak that distills thought into easily regurgitated propaganda.
BWW Reviews: BALLETBOYZ at Winspear Opera House, Men Take Center Stage
by Christina Hoth
- Feb 16, 2016
Upon hearing the term 'ballet' one typically envisions fluffy tutus and satin pointe shoes: the very epitome of girlish grace and beauty showcased in lithe bodies adorned in tulle and rhinestones. Ballerinas are given the stage as the protagonists, while oft times the men are utilized simply as support systems to drive the plot and lift the girls. Balletboyz, an all male company from the United Kingdom, is making great strides to break the streak of heternomativity in the dance world by giving men the right to all the 'good parts' of ballet. Company founders and Co-Artistic Directors, Michael Nunn and William Trevitt, spearheaded this company with the revolutionary plan to bring men to the forefront of the ballet stage, not simply as backup to the female roles. In doing so, the hope of these collaborators is to bring the art and athleticism of ballet to broader audiences.
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