Stable Cable Lab Co. has announced its 2017 season, which will launch in February with its annual reading series of new plays in process. This free reading series will feature three plays in development including HOME CHURCH PLAY by Jacob Perkins on February 17th,DOLLFACE by Emily Daly on February 20th, and LITTLEGHOST by Liza Birkenmeier on February 27th. Readings will take place at 7:30pm at South Oxford Space (138 S Oxford St, Brooklyn, NY) on February 17th and 20th, and at Simple Studios (134 W. 29th St, 2nd Floor, NYC) on February 27th. To make a reservation, e-mail StableCableLabCo@gmail.com.
Chosen as part of A.R.T./New York's inaugural season, Broken Box Mime Theater presents SEE REVERSE, a crop of new, short plays devised by its resident ensemble of innovative art-makers, which begins previews on Friday, February 17th and opens on Tuesday, February 21st at the Jeffrey and Paula Gural Theatre at the A.R.T./New York Theatres (502 West 53rd Street and 10th Avenue).
The IRT Theater presents Veronica Cooper & Adam Thomas Smith's Wake Up Call, a 90-minute contemporary play set in the lobby of a luxury boutique hotel in New York City. In the midst of an unexpected double shift (on Christmas Eve, no less) a group of degenerate hotel employees stumble their way through an unusual night of service. It's a 'coming of age when you're already of age' story. Sometimes it takes a miracle to grow the hell up. While navigating through the misadventures of the evening, from outlandish guests to unpredictable coworkers, we follow their journey into adulthood. Sort of.
East West Players (EWP), the nation's longest-running professional theatre of color in the country and the largest producing organization of Asian American artistic work, announces the hiring of three new staff members for the positions of Arts Education Director, Public Relations and Marketing Manager, and General Manager. The new hires arrive at a significant time for the organization as EWP's fourth Artistic Director Snehal Desai, who assumed his role on July 1, 2016 following an extensive nationwide search conducted by the Arts Consulting Group, paves the way for EWP's future growth.
It would be impossible to name a performer who more effectively blurred the lines between his real life and his life on stage than Seymour Fitzgerald Payne. While his fans loved adorable characters like The Purple Orange and The Bellowing Mime, Seymour was also involved in a series of public confrontations that left his public wondering if these incidents were rehearsed routines or spontaneous tantrums. But just as his career was beginning to soar, his life reportedly ended. Was his mysterious demise an unavoidable and calamitous tragedy? Or the latest, and most elaborate, of Seymour's hoaxes?
Once Upon A Time… In a far off kingdom on some cloud or something an insane Monster possesses a cowardly castle maid. They must battle gods and demons to resurrect the King they murdered. This experimental, absurdist comedy revels in clowns, confetti, and blood. So shield those precious eyes, you cowards.
Who is the rightful king of England? Eight actors perform over 40 roles in a condensed adaptation of Shakespeare's play cycle chronicling over a hundred years of war, murder, seduction, and betrayal as one family tries to answer the most hotly contested political question of the middle ages.
In the Event of My Death is about eight small-town twenty-somethings, who know each other from high school, who share an impromptu time of mourning and celebration after the suicide of a mutual friend. This play was originally developed through The Farm Theater's College Collaboration program, under the artistic direction of Padraic Lillis.
This August, ensemble theater company The Syndicate will bring Civility! to the Hamlin Park Fieldhouse Theater in the company's first performance in Chicago.
This August, ensemble theater company The Syndicate will bring Civility! to the Hamlin Park Fieldhouse Theater in the company's first performance in Chicago.
NYIT award-winning company members of spit&vigor are thrilled to announce their upcoming production of THE EXECUTION OF MRS. COTTON, written by Sara Fellini and directed by Samuel Adams. THE EXECUTION OF MRS. COTTON will be presented Thursdays-Saturdays at 8 PM July 14-31 with one 3PM matinee on Sunday, July 24th (there will no evening performance on July 24th). The performances will be held at IRT Theater (154 Christopher Street, Manhattan, buzzer 3B, off the Christopher Street Path Station, or a few blocks from the Christopher Street 1 stop) as part of IRT Theater's 3B Residency series. Tickets are $15. For advance reservations, email spitnvigor@gmail.com or visit http://www.brownpapertickets.com/event/2562944.
F*It Club, the New York Innovative Award-winning film and theatre company, continues its annual series of short, commissioned world-premiere plays at the IRT Theater as part of their 3B Development Series in Manhattan's West Village with The Spring Fling: Crush, six new short plays by Kevin Artigue (The Forcings), Stephanie Del Rosso (Flee), Catya McMullen (Everything is Probably Going to be Okay), Seth Moore (Seawife), Gregory S. Moss (Billy Witch), and Ariel Stess (Heartbreak).
H&G, a public outcry is a hyperbolic performance placing the audience in the shoes of Hansel & Gretel, to wander through America's blooming new fear of extreme weather in a dreamlike, wild, and surprising journey. Poised in a poetic landscape, this powerful live-music performance is comprised of a distorted Suburbanite and other amplified characters, illuminated puppets, dark dancing shadows, and a lot of meat. Drawing from the third worst drought in US history and Hurricane Sandy, source material includes Hansel and Gretel, newspaper articles, American folk and rock songs, and text generated by John Michael Johnson.
IRT and Ricochet Collective present the World Premiere of GORDY CRASHES, by Sam Byron. Directed by Sherri Eden Barber, previews begin June 5 at IRT Theater with opening night slated for Friday, June 12.
Stolen Chair presents KILL ME LIKE YOU MEAN IT, a film noir for the stage, written by Kiran Rikhye and directed by Jon Stancato with a score composed by Sean Cronin. Previews run tonight, February 5, through the 8th and February 12-15, with a press opening slated for February 16, 2015.
Stolen Chair presents KILL ME LIKE YOU MEAN IT, a film noir for the stage, written by Kiran Rikhye and directed by Jon Stancato with a score composed by Sean Cronin. Previews run February 5-8 and February 12-15, with a press opening slated for February 16, 2015.
Obie and Bessie Award-winning Circus Amok, New York City's only one-ring, traveling political circus, once again lands in neighborhood parks throughout the city for the world premiere of its new 2014 production. All performances have a running-time of one hour and are free to the public, playing Saturdays and Sundays, September 6 - 28, 2014.
Second Generation Productions (2g), a major incubator and producer of Asian American theater, announced today that Julian Cihi (Romeo and Juliet, Classic Stage Company) and Diane Phelan (Bernarda Alba, Lincoln Center) lead the cast of 2g's commissioned musical, Galois, by Sung Rno and Aaron Jones, directed by Victor Maog and produced by Jane Jung. The creative team also includes Music Director J. Oconer Navarro (The Adding Machine), Choreographer Camille A. Brown (tick, tick...BOOM!) and Fight Director Jacob Grigolia-Rosenbaum (Peter and the Starcatcher).
