TERMINUS wins big at this year's Toronto Theatre Critics' Awards, which were announced today (awards to be given out at a later date). The awards are determined by Toronto critics who represent five of the city's newspapers: The Globe and Mail (J. Kelly Nestruck); The Grid (Martin Morrow); NOW (Glenn Sumi); The National Post (Robert Cushman); and the Toronto Star (Richard Ouzounian).
On Monday April 8th, Artistic Director Andy McKim announced Theatre Passe Muraille's 2013/14 season at the company's annual fundraising gala event. The season presents a balanced approach of fresh new voices (Rob Kempson, Rosamund Small, Mitchell Cushman) and established theatrical powerhouses (Louise Pitre, George F. Walker, Linda Griffiths). It also features more than a dash of song and dance.
A transfer of this season's production of Possible Worlds to Munich, Germany, a co-production of the haunting musical Floyd Collins and a new conceptual adaptation of Shakespeare's Romeo and Juliet set in a retirement home are among the highlights. Today Artistic Producer Arkady Spivak announced details of the upcoming season for Talk Is Free Theatre (TIFT), which sees the company producing a wide range of new and re-imagined material in Barrie, Ontario and beyond.
After a triumphant fundraising performance of The Producers for the Actors' Fund in 2010, Talk Is Free Theatre (TIFT) followed up with a fundraising, concert performance of You're a Good Man, Charlie Brown. The performance was held on Sunday, February 10 at 8PM at the Young Centre for the Performing Arts, Historic Distillery District in Toronto and raised over 30k! Scroll below for photos from the event!
After a triumphant fundraising performance of The Producers for the Actors' Fund in 2010, Talk Is Free Theatre (TIFT) is delighted to follow up with a fundraising, concert performance of You're a Good Man, Charlie Brown. The performance will be held on Sunday, February 10 at 8PM at the Young Centre for the Performing Arts, Historic Distillery District in Toronto.
The Stratford Festival welcomes six directors to the 2013 Michael Langham Workshop for Classical Direction: Kevin Bennett, Mitchell Cushman, Andrea Donaldson, Kevin Hammond, Birgit Schreyer Duarte and Ken Schwartz.
Terminus was the smash-hit of this year's Summerworks Festival and is now the inaugural presentation in the Off-Mirvish Season. Directed by Mitchell Cushman and written by Mark O'Rowe, the story is a unique type of 'Irish Rap Opera' which involves three interconnected tales told in a 'campfire' format. Starring Maev Beaty, Ava Jane Markus and Adam Kenneth Wilson, the show explores some dark and harrowing subject matter using descriptive rhyme.
Sit back and enjoy a recap of this week's most-read stories in BroadwayWorld's regional markets! Browse over to your favorite far-away city/country to see what's making news, see what productions are playing around the country and overseas and get to know new performers!
Terminus was a smash-hit at last year's Summerworks Festival, and now it is the first offering in the inaugural Off-Mirvish Season. The new endeavour from Mivish Productions aims to showcase smaller, independent works to a larger audience within Toronto. BWW spoke to Terminus director Mitchell Cushman about the show, and about how he feels getting the chance to showcase it to a larger audience.
The Mirvish Second Stage Series will bring four exciting plays to Toronto audiences over the next year, and will be offered in a unique subscription series all its own. The inaugural season will feature three Canadian productions and a critically acclaimed one-man show fresh off The New York Musical Theatre Workshop and Edinburgh Fringe.
Outside the March, the creative force behind last year's Mr. Marmalade, is teaming up with Dora Award-winning performer David Ferry and Theatre Passe Muraille to present the Canadian Premiere of Mike Daisey's The Agony and the Ecstasy of Steve Jobs. The production will premiere in Toronto in May 2012, directed by OtM Co-Artistic Director Mitchell Cushman.
In their sophomore season, Obstructed View Productions tackles David Mamet's classic play, GLENGARRY GLEN ROSS. Despite being too young for the characters the talented cast give fine performances and the play retains its power. * * * ½ (out of five)
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