BWW Review: Company XIV's NUTCRACKER ROUGE Displays The Subversive Genius of Austin McCormick
by Michael Dale
- Dec 14, 2019
At least once a year, this reviewer feels compelled to take to his keyboard and urge any representatives of the MacArthur Foundation to bestow one of their a?oeGenius Granta?? fellowships to Company XIV's founding artistic director Austin McCormick, who throughout this young century has conceived, directed and choreographed some of the most joyfully thrilling theatre to be experienced in New York.
BWW Review: Judith Ivey and Edmund Donovan Extraordinary in Samuel D. Hunter's GREATER CLEMENTS
by Michael Dale
- Dec 10, 2019
As played by Judith Ivey and Ken Narasaki in Samuel D. Hunter's touching and emotion-twisting drama Greater Clements, Maggie and Billy seem like the kind of couple who would have spent many happy decades together after being high school sweethearts, had Maggie's father, a World War II veteran who fought in the Pacific, not forbidden her from getting further involved with the Japanese-American young man.
BWW Review: Diane Paulus and Diablo Cody's Issue-Infused Alanis Morissette Musical JAGGED LITTLE PILL
by Michael Dale
- Dec 6, 2019
Late in the second act of Jagged Little Pill, the new musical with a score derived primarily from Alanis Morissette's same-titled 1995 album, a group of young people, outraged at both the occurrence of a rape at a recent party and the existence of a culture that discourages the victim from telling her side of the story and a witness from revealing what he saw, hold a protest rally, carrying signs with slogans about believing those who say they were raped, respecting the refusal (or the incapability) of consent and how rape and rape culture effects all people, regardless of gender.
Review Roundup: HARRY TOWNSEND'S LAST STAND - What Did the Critics Think?
by Stephi Wild
- Dec 5, 2019
Harry Townsend's Last Stand (www.HarryTownsendsLastStand.com) a new play written by George Eastman (The Snow Job; Bitter Exchange) and directed by Karen Carpenter (Love, Loss and What I Wore; Handle With Care), premieres at New York City Center Stage II (131 West 55th Street between 6th and 7th Avenues).
BWW Review: Kate Mulgrew and Francesca Faridany Muse Over Science and Sexism in Lauren Gunderson's THE HALF-LIFE OF MARIE CURIE
by Michael Dale
- Nov 30, 2019
Roughly two months ago American Theatre announced that for the second time in the past three seasons, Lauren Gunderson has topped their list of the most-produced playwrights in the country, her 33 professional productions among the 385 Theatre Communications Group's member theatres easily surpassing second place finisher Lauren Yee's 18, Tennessee Williams' 17 and more than doubling the totals of August Wilson and Neil Simon. She came in at #2 on last year's list after her first #1 finish the year before. (For the record, Shakespeare, who would surely rank #1 every season, is excluded.)
BWW Review: Tony Kushner Inserts Himself Into His Early Effort, A BRIGHT ROOM CALLED DAY
by Michael Dale
- Nov 28, 2019
Six years before the world premiere of part one of his eventual Pulitzer-winning, monumental theatre epic ANGELS IN AMERICA, Tony Kushner was an inexperienced 26-year-old playwright who, as inexperienced 26-year-old playwrights are wont to do, wrote and directed an Off-Off Broadway play about young, optimistic bohemians living in Berlin during the rise of Adolf Hitler, which was regularly interrupted by a then-contemporary character offering commentary on the parallels between the emergence of the Third Reich and what was going on in America at the present time.
BWW Review: Jack Thorne Rewrites The Dickens Out Of A CHRISTMAS CAROL
by Michael Dale
- Nov 21, 2019
Marley is still dead to begin with, and near the end we're still reminded of Tiny Tim's observation, 'God bless Us, Every One!' But in between... Let's just say I never thought I'd have to fact-check the plot before reviewing a production of A Christmas Carol.
BWW Review: New York City Center Presents EVITA In A Time When News Commentators Outshine Newsmakers
by Michael Dale
- Nov 17, 2019
Great comedy is often the byproduct of political scandal and those who humorously comment on the news often overshadow the newsmakers themselves. You might say that more Americans learned about the controversies of Presidents Lyndon Johnson and Richard Nixon from watching The Smothers Brothers and Mort Saul, rather than Walter Cronkite. For over forty years our perceptions of world leaders have been defined more by the impersonations seen on Saturday Night Live than by actual news clips. And today there are a multitude of television hosts combining comedy with deep analysis and investigative journalism to editorialize on the goings-on of the current administration.
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