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BWW Review: Company XIV's NUTCRACKER ROUGE Displays The Subversive Genius of Austin McCormick
by Michael Dale - Dec 14, 2019


At least once a year, this reviewer feels compelled to take to his keyboard and urge any representatives of the MacArthur Foundation to bestow one of their a?oeGenius Granta?? fellowships to Company XIV's founding artistic director Austin McCormick, who throughout this young century has conceived, directed and choreographed some of the most joyfully thrilling theatre to be experienced in New York.

Review Roundup: GREATER CLEMENTS at Lincoln Center Theater - Read the Reviews!
by Stephi Wild - Dec 10, 2019


Lincoln Center Theater presents GREATER CLEMENTS a New Play by Samuel D. Hunter at the Mitzi E. Newhouse Theater.

BWW Review: Judith Ivey and Edmund Donovan Extraordinary in Samuel D. Hunter's GREATER CLEMENTS
by Michael Dale - Dec 10, 2019


As played by Judith Ivey and Ken Narasaki in Samuel D. Hunter's touching and emotion-twisting drama Greater Clements, Maggie and Billy seem like the kind of couple who would have spent many happy decades together after being high school sweethearts, had Maggie's father, a World War II veteran who fought in the Pacific, not forbidden her from getting further involved with the Japanese-American young man.

BWW Review: THE ILLUSIONISTS Return to Broadway With MAGIC OF THE HOLIDAYS
by Michael Dale - Dec 9, 2019


'Don't worry, you can laugh. Your children don't get the jokes,' the wise guy British comic Paul Dabeck, a/k/a The Trickster glibly remarks after a slightly naughty comment as he hosts THE ILLUSIONISTS: MAGIC OF THE HOLIDAYS.

BWW Review: Diane Paulus and Diablo Cody's Issue-Infused Alanis Morissette Musical JAGGED LITTLE PILL
by Michael Dale - Dec 6, 2019


Late in the second act of Jagged Little Pill, the new musical with a score derived primarily from Alanis Morissette's same-titled 1995 album, a group of young people, outraged at both the occurrence of a rape at a recent party and the existence of a culture that discourages the victim from telling her side of the story and a witness from revealing what he saw, hold a protest rally, carrying signs with slogans about believing those who say they were raped, respecting the refusal (or the incapability) of consent and how rape and rape culture effects all people, regardless of gender.

Review Roundup: JAGGED LITTLE PILL Opens On Broadway - See What The Critics Are Saying!
by A.A. Cristi - Dec 5, 2019


Following its record-breaking, sold-out world premiere at American Repertory Theater last summer, Jagged Little Pill the musical celebrates opening night tonight, December 5, at the Broadhurst Theatre.

Review Roundup: HARRY TOWNSEND'S LAST STAND - What Did the Critics Think?
by Stephi Wild - Dec 5, 2019


Harry Townsend's Last Stand (www.HarryTownsendsLastStand.com) a new play written by George Eastman (The Snow Job; Bitter Exchange) and directed by Karen Carpenter (Love, Loss and What I Wore; Handle With Care), premieres at New York City Center Stage II (131 West 55th Street between 6th and 7th Avenues).

BWW REVIEW: Len Cariou and Craig Bierko as Bantering Father and Son in George Eastman's HARRY TOWNSEND'S LAST STAND
by Michael Dale - Dec 5, 2019


'We're going to bond, Alan, and that means you have to pay attention to everything I say,' the title character of George Eastman's HARRY TOWNSEND'S LAST STAND informs his son a minute or so into the proceedings.

BWW Review: Will Eno's Charming and Sweetly Philosophical THE UNDERLYING CHRIS
by Michael Dale - Dec 2, 2019


Time stands still but life goes on might be one way of looking at Will Eno's charming and sweetly philosophical The Underlying Chris, receiving a fine premiere production directed by Kenny Leon at Second Stage.

BWW Review: Kate Mulgrew and Francesca Faridany Muse Over Science and Sexism in Lauren Gunderson's THE HALF-LIFE OF MARIE CURIE
by Michael Dale - Nov 30, 2019


Roughly two months ago American Theatre announced that for the second time in the past three seasons, Lauren Gunderson has topped their list of the most-produced playwrights in the country, her 33 professional productions among the 385 Theatre Communications Group's member theatres easily surpassing second place finisher Lauren Yee's 18, Tennessee Williams' 17 and more than doubling the totals of August Wilson and Neil Simon. She came in at #2 on last year's list after her first #1 finish the year before. (For the record, Shakespeare, who would surely rank #1 every season, is excluded.)

BWW Review: Tony Kushner Inserts Himself Into His Early Effort, A BRIGHT ROOM CALLED DAY
by Michael Dale - Nov 28, 2019


Six years before the world premiere of part one of his eventual Pulitzer-winning, monumental theatre epic ANGELS IN AMERICA, Tony Kushner was an inexperienced 26-year-old playwright who, as inexperienced 26-year-old playwrights are wont to do, wrote and directed an Off-Off Broadway play about young, optimistic bohemians living in Berlin during the rise of Adolf Hitler, which was regularly interrupted by a then-contemporary character offering commentary on the parallels between the emergence of the Third Reich and what was going on in America at the present time.

BWW Review: 1979's Rebellious Mardi Gras Inspires Mobile Unit's MEASURE FOR MEASURE
by Michael Dale - Nov 25, 2019


In 1979 a strike by the New Orleans Police Department led to the city's official cancellation of that year's public Mardi Gras celebration. The people of New Orleans had something else in mind.

BWW Review: Bryce Pinkham Overthrows The Government as MasterVoices Presents Gershwin Satire LET 'EM EAT CAKE
by Michael Dale - Nov 23, 2019


'I've got a little favor to ask of you,' an American president asks the members of the Supreme Court on the night he's lost his re-election bid.

Review Roundup: A CHRISTMAS CAROL Opens On Broadway! See What The Critics Are Saying!
by A.A. Cristi - Nov 20, 2019


The holiday masterpiece, A Christmas Carol, opens tonight on Broadway, following critically acclaimed runs at The Old Vic, London. Playwright Jack Thorne and director Matthew Warchus offer a magical new interpretation of Charles Dickens' classic story. 

BWW Review: Jack Thorne Rewrites The Dickens Out Of A CHRISTMAS CAROL
by Michael Dale - Nov 21, 2019


Marley is still dead to begin with, and near the end we're still reminded of Tiny Tim's observation, 'God bless Us, Every One!' But in between... Let's just say I never thought I'd have to fact-check the plot before reviewing a production of A Christmas Carol.

BWW Review: Small Town Lives Yearning For Something More In Abbie Spallen's PUMPGIRL
by Michael Dale - Nov 19, 2019


'In this town you're either a slut or a snob, no in-betweens,' explains the put-upon wife of a local celeb racecar driver in Abbie Spallen's tryptic of character studies, Pumpgirl, now getting a very well-acted production at the Irish Rep.

BWW Review: Beautifully Realized Chamber Musical BROADBEND, ARKANSAS Examines A Family's Legacy From The 60s Civil Rights Movement
by Michael Dale - Nov 18, 2019


There is a firm, but understated strength that permeates the atmosphere during Broadbend, Arkansas, the beautifully realized two-person chamber musical created by composer Ted Shen and librettists Ellen Fitzhugh and Harrison David Rivers, depicting an event during the 1960s Civil Rights Movement in one act and its legacy in the next.

Review Roundup: THE INHERITANCE Opens on Broadway - What Did the Critics Think?
by Stephi Wild - Nov 17, 2019


The Inheritance officially opened tonight on Broadway! Read the reviews here!

BWW Review: In Matthew Lopez's Exhilarating THE INHERITANCE Gay Men Strive For Generational Connection
by Michael Dale - Nov 18, 2019


'He thought of all the men who died in those years and what they might have become, what the world would look like today had they been allowed to end their story on their own terms. Eric wondered what his life would be like if he had not been robbed of a generation of mentors, of poets, of friends and, perhaps even lovers.'

BWW Review: New York City Center Presents EVITA In A Time When News Commentators Outshine Newsmakers
by Michael Dale - Nov 17, 2019


Great comedy is often the byproduct of political scandal and those who humorously comment on the news often overshadow the newsmakers themselves.  You might say that more Americans learned about the controversies of Presidents Lyndon Johnson and Richard Nixon from watching The Smothers Brothers and Mort Saul, rather than Walter Cronkite.  For over forty years our perceptions of world leaders have been defined more by the impersonations seen on Saturday Night Live than by actual news clips.  And today there are a multitude of television hosts combining comedy with deep analysis and investigative journalism to editorialize on the goings-on of the current administration.

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