San Francisco Opera Center and the Merola Opera Program present the 34th season of the Schwabacher Debut Recitals, opening on March 26 and continuing through April 30.
San Francisco Opera Center and the Merola Opera Program present the 34th season of the Schwabacher Debut Recitals, opening on March 26 and continuing through April 30. The four-recital series offers music lovers an opportunity to hear opera's next generation of stars in the intimate and state-of-the-art Taube Atrium Theater in San Francisco.
Florida Grand Opera (FGO) General Director and CEO Susan T. Danis today unveiled plans for the company's 2017-18 season. Anchored by the theme 'Divas to Die For,' FGO's seventy-seventh season will boast a diverse range of works about women on dangerous emotional journeys.
Next up at McCaw Hall is a piece that Seattle Opera General Director Aidan Lang calls the perfect first-time opera experience. Katya Kabanova, the story of a young woman longing to be free from an oppressive small town and her monstrous mother-in-law, is told through music that's as lush and gorgeous as it is highly emotional.
Next up at McCaw Hall is a piece that Seattle Opera General Director Aidan Lang calls the perfect first-time opera experience. Katya Kabanova, the story of a young woman longing to be free from an oppressive small town and her monstrous mother-in-law, is told through music that's as lush and gorgeous as it is highly emotional.
Pianist/composer Gregg Kallor brings his acclaimed setting of Edgar Allan Poe's short story, The Tell-Tale Heart, to SubCulture on January 14, 2017 with soprano Melody Moore and cellist Joshua Roman, featuring a semi-staging by Sarah Meyers.
Presented during The Austin's Opera's 30th anniversary season, THE FLYING DUTCHMAN commands the historic Long Center's stage with a diverse, collective cast and belting operatic sequences. The origins of the story of The Flying Dutchman are rather skewed between timelines. The story first appeared in Travels in various parts Europe, Asia, and Africa in 1790 by John MacDonald, and again when Richard Wagner's operatic rendition came to life in 1843, after being adapted from an episode of Heinrich Heine's satirical novel The Memoirs of Mister von Schnabelewopski. More modernly, the story of The Flying Dutchman is told through the highly loved film series, The Pirates of The Carribean. Regardless of the interpretations by creative minds, one fact remains true - The Flying Dutchman refers to a ghostly ship destined to sail the seas for all eternity. Richard Wagner's rendition, sure to please both critics and audiences alike, is bringing this haunted tale to life with the reputation of precision that precedes The Austin Opera.
San Francisco Opera Center Director Sheri Greenawald today announced the thirteen recipients of the 2017 Adler Fellowship. Nine singers, three pianist/apprentice coaches and one director will take part in the program-a multi-year performance-oriented residency offering advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Adler Fellows are selected from the young artists who have participated in the Merola Opera Program. The prestigious fellowship has nurtured the development of more than 175 young artists since its inception.
On October 26th and 28th, Unison Media's performance series The Crypt Sessions will celebrate Halloween early with the world premiere of pianist/composer Gregg Kallor's dramatic canata based on Edgar Allan Poe's The Tell-Tale Heart, featuring mezzo-soprano Elizabeth Pojanowski, cellist Joshua Roman, and Kallor himself at the piano.
Unity. Fellowship. Bonding. All of these sentiments create a sense of "Community." And starting in December, the San Francisco Gay Men's Chorus (SFGMC) will once again bring artistic excellence and distinction with the premiere of its 39th Season, celebrating its Northern California community.
On October 26th and 28th, Unison Media's performance series The Crypt Sessions will celebrate Halloween early with the world premiere of pianist/composer Gregg Kallor's dramatic canata based on Edgar Allan Poe's The Tell-Tale Heart, featuring mezzo-soprano Elizabeth Pojanowski, cellist Joshua Roman, and Kallor himself at the piano.
The 27th annual Bard Music Festival - an exploration of 'Puccini and His World' - opens this Today, August 5 with Weekend One: Puccini and Italian Musical Culture.
The 27th annual Bard Music Festival - an exploration of 'Puccini and His World' - opens this Friday, August 5 with Weekend One: Puccini and Italian Musical Culture.
In 2006, then Washington National Opera Artistic Director Placido Domingo announced that the Opera would take on their first complete cycle of Richard Wagner's Der Ring des Nibelungen (The Ring of the Nibelung). In the subsequent years, the opera produced the first three of the four-some, but not in quick succession. As the opera and the nation suffered an economic downturn, the complete cycle was never realized. Until now.
Thrilling theater and unforgettable music -- that's what audiences can expect from Seattle Opera's 2016/17 Season. The company today announced the operas next up at Marion Oliver McCaw Hall. They include: The Wicked Adventures of Count Ory, Hansel & Gretel, La traviata, Katya Kabanova and The Magic Flute.
WNO's season continues with the world premiere of the newly revised version of Appomattox, the first opera WNO has presented by the iconic American composer Philip Glass, with a libretto by the Academy Award-winning writer Christopher Hampton, November 14-22 in the Opera House. In the first act, we eavesdrop on history as the Civil War comes to its final resolution at the courthouse in Appomattox. Then, in the newly composed second act, we fast- forward 100 years to the time of Dr. Martin Luther King, Jr. as the struggle for civil rights continues. BroadwayWorld has a first look below!
Today, San Francisco Gay Men's Chorus (SFGMC) releases a new holiday recording Festive!: Four Years of Favorites. Nineteen stunning tracks comprise this brand-new album, recorded between 2011-2015 and conducted by Dr. Timothy Seelig, SFGMC's Artistic Director. The recording is available now atSFGMC.org, and is also available digitally on iTunes, Amazon and Google Play.
SAN FRANCISCO (October 12, 2015) –– San Francisco Opera Center Director Sheri Greenawald announced today the twelve recipients of the 2016 Adler Fellowship, a multi-year performance-oriented residency offering advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Adler Fellows are selected from the young artists who have participated in the Merola Opera Program. This prestigious training program has nurtured the development of more than 150 young artists since its inception.
Verdi's Macbeth opened at The Glimmerglass Festival July 11 in the company's first-ever production of the Shakespearean drama. Check out a first look below!