Music Director Andrés Orozco-Estrada, an all-star cast of vocalists, the Houston Symphony, and the Houston Symphony Chorus unite on stage for two thrilling choral masterpieces in Mendelssohn and Mahler at 8 p.m., Oct. 4 and 5, and 2:30 p.m., Oct. 6 in Jones Hall.
There's a certain youthful feeling you get from 1960s music. Just ask the rows of ladies in front of me, who giddily sang along, tapping each other on the shoulders and giggling like they were teenagers again.
Los Angeles Opera presented the premiere performance of HANSEL AND GRETEL. The opera's original libretto is steeped in nineteenth century culture but Richard Sparks' translation, originally for the 2006 LA presentation of the opera, brought the text up to date and made it most appealing to contemporary children.
San Francisco Opera Center Director Sheri Greenawald today announced the 12 recipients of the 2019 Adler Fellowship. Selected from participants of the Merola Opera Program, the ten singers and two pianist/apprentice coaches begin their fellowships in January 2019. The multi-year performance-oriented residency offers advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Since its inception in 1977, the prestigious fellowship has nurtured the development of more than 180 young artists, introducing many budding stars to the international opera stage and launching active careers throughout the world as performers, production artists, arts professionals and educators.
Pushcart Players presents "A Cinderella Tale…happily ever after" at Tribeca Performing Arts Center, NYC on Friday and Saturday, November 2nd and 3rd. Twice nominated for an Emmy, Pushcart Players is the recipient of numerous state and private awards for excellence and innovation, and has traveled nearly three million miles nationally and abroad -- from the little red schoolhouse to White House - stirring up serious fun since 1974.
Placido Domingo, LA Opera's Eli and Edythe Broad General Director, has announced final details about the company's upcoming revival of Hansel and Gretel, composer Engelbert Humperdinck's uniquely charming classic for all ages.
Houston Grand Opera opens its 64th season with The Flying Dutchman, Wagner's eerie romance about the redeeming and transformative power of a woman's love. This new production by director Tomer Zvulun, making his HGO debut, heightens the dramatic elements of the famous legend of a cursed ghost ship. The production doubles as a welcome home for the company after being displaced by Hurricane Harvey for over an entire year.
The Angel's Share presents the world premiere of Gregg Kallor's Sketches from Frankenstein, as well as his setting of Edgar Allan Poe's The Tell-Tale Heart, October 10-12 in the Catacombs of The Green-Wood Cemetery in Brooklyn
In their astounding new opera The (R)evolution of Steve Jobs, composer Mason Bates and librettist Mark Campbell explore the spiritual evolution of one of the most influential men of modern times as he creates a revolutionary new world of technological empowerment, then discovers a larger world within himself.
Houston Grand Opera (HGO) will present its 2018-19 season in its creative home at Houston's Wortham Theater Center after a year of displacement due to damage to the building from Hurricane Harvey. The 64th season will open October 19, 2018, with HGO's first performances in 20 years of Wagner's romantic ghost story The Flying Dutchman, in a new production featuring baritoneAndrzej Dobber as the Dutchman and the role debut of award-winning American soprano and HGO Studio alumna Rachel Willis-S rensen as Senta. To close the season, the new Kasper Holten production of Mozart's Don Giovanni featuring the HGO debut of baritone Philippe Sly in the title role and the role debut of soprano Ailyn P rez as Donna Anna will be presented in repertory with The Phoenix, a world premiere about the colorful life of Lorenzo da Ponte, Mozart's librettist for the masterful Don Giovanni, The Marriage of Figaro, and Cos fan tutte. The new work, written by composer Tarik O'Regan and librettist John Caird, will star renowned baritone Thomas Hampson as Lorenzo da Ponte in a belated HGO debut and bass-baritone Luca Pisaroni as Da Ponte's son, Lorenzo. HGO will also present a revival of Daniel Cat n's ethereal Florencia en el Amazonas with internationally acclaimed soprano and HGO Studio alumna Ana Mar a Mart nez in the title role; the first HGO presentation of Bizet's The Pearl Fishers with the stellar tenor and baritone pairing of Lawrence Brownlee and Mariusz Kwiecien in the title roles along with soprano Andrea Carroll; and the return of HGO's 2012 production of Puccini's perennial classic La boh me, featuring the role debut of soprano and HGO Studio alumna Nicole Heaston as Mim .
Very few works of art retain the power to shock and disturb that they showed on their opening night decades earlier. One of those is Richard Strauss's 1905 operaSalome. When it first appeared, this steamy brew of eroticism and religion so unnerved audiences that it was banned in Vienna and London. The opera's troubles didn't end there. In 1907, at New York's Metropolitan Opera, it was yanked from the company's repertoire just days after its premiere. At a semipublic dress rehearsal, the way in which the company's Salome, soprano Olive Fremstad, planted a passionate kiss on the severed head of John the Baptist, proved too disturbing for many of the timid Met patrons. The board revolted, demanding that General Manager Heinrich Conried bring Salome'srun to a halt. A statement was issued declaring that the work itself was objectionable and detrimental to the best interests of the Metropolitan Opera House.
The Harlem School of the Arts (HSA) Theatre Alliance presents a joyous celebration of the season that is sure to have you dancing and singing in the isles.
The Harlem School of the Arts (HSA) Theatre Alliance presents a joyous celebration of the season that is sure to have you dancing and singing in the isles.
San Francisco Opera Center Director Sheri Greenawald today announced the eleven recipients of the 2018 Adler Fellowship. Eight singers, two pianist/apprentice coaches and one director will take part in the program. The multi-year performance-oriented residency offers advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Adler Fellows are selected from the artists who have participated in the Merola Opera Program. The prestigious fellowship has nurtured the development of more than 175 young artists since its inception.
Atlanta may be landlocked, but a thrilling new sailing vessel came to town on Saturday night, in the new production of Wagner's DIE FLIEGENDE HOLLANDER (THE FLYING DUTCHMAN), at the Atlanta Opera in Cobb Energy Performing Arts Centre. The company's General & Artistic Director Tomer Zvulun commanded the helm of the production--a particularly fitting description for an opera about the sea, how it taketh from and giveth to the men who call it home as well as to the women who love them.
The Atlanta Opera opens its main stage season with a stunning, all-new production of Richard Wagner's The Flying Dutchman, featuring an internationally recognized cast and extraordinary visuals to present the old folktale in a new way.
The Atlanta Opera opens its main stage season with a stunning, all-new production of Richard Wagner's The Flying Dutchman, featuring an internationally recognized cast and extraordinary visuals to present the old folktale in a new way.
Under the leadership of General Director and CEO Susan T. Danis, Florida Grand Opera's 2017-18 season continues the upward trajectory of the past few seasons.
LA Opera presents Giacomo Puccini's thrilling masterpiece, Tosca, conducted by Music Director James Conlon. The final mainstage presentation of the company's 2016/17 season, Tosca is a revival of the production staged by the company in 2013, directed by Tony and Olivier Award winner John Caird. There will be seven performances from April 22 through May 13, taking place at the Dorothy Chandler Pavilion (135 North Grand Avenue, Los Angeles CA 90012).
General Director Plácido Domingo has announced final casting details for LA Opera's upcoming production of Giacomo Puccini's thrilling masterpiece, Tosca, conducted by Music Director James Conlon.
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