BroadwayWorld has a first look at Aaron Posner's JQA, recipient of an Edgerton Foundation New Play Award. The first of Posner's plays that is not adapted from an existing work, JQA shines a spotlight with humor and care on an ineffectual presidency, the idea of government and how a society lives in relationship to it, and the American experiment as it continues to evolve. Directed by Posner as well, JQA runs March 1 through April 14, 2019 in the Arlene and Robert Kogod Cradle.
Arena Stage at the Mead Center for American Theater announces the full company for the world premiere of Aaron Posner's JQA, recipient of an Edgerton Foundation New Play Award. The first of Posner's plays that is not adapted from an existing work, JQA shines a spotlight with humor and care on an ineffectual presidency, the idea of government and how a society lives in relationship to it, and the American experiment as it continues to evolve. Directed by Posner as well, JQA runs March 1 through April 14, 2019 in the Arlene and Robert Kogod Cradle.
Arena Stage at the Mead Center for American Theater announces the full company for the world premiere of Aaron Posner's JQA, recipient of an Edgerton Foundation New Play Award. The first of Posner's plays that is not adapted from an existing work, JQA shines a spotlight with humor and care on an ineffectual presidency, the idea of government and how a society lives in relationship to it, and the American experiment as it continues to evolve. Directed by Posner as well, JQA runs March 1 through April 14, 2019 in the Arlene and Robert Kogod Cradle.
Round House Theatre continues its 2017-2018 Season with Athol Fugard's "Master Harold"… and the Boys, directed by Artistic Director Ryan Rilette. "Master Harold"… and the Boys runs from April 11 - May 6, 2018. Press night is Monday, April 16, 2018. Please see below for complete program details and ticket information.
Steppenwolf presents Clare Barron's YOU GOT OLDER. Both darkly humorous and deeply touching, YOU GOT OLDER follows a young woman who moves back home to care for her cancer-stricken father, after suffering a few personal crises of her own. YOU GOT OLDER was scheduled to open February 5th, but was delayed two days due to the passing of long-time ensemble member John Mahoney. YOU GOT OLDER will run through March 11th.
The reviews are in for Steppenwolf's production of YOU GOT OLDER! After cancelling its Monday opening night due to the passing of long-time ensemble member John Mahoney, YOU GOT OLDER opened this past Wednesday at Steppenwolf, where it will continue to run through March 11th.
When it rains it pours! This saying applies to our lives when things are either going for or against us. For Mae, the central character in Clare Barron's YOU GOT OLDER now in its Chicago premiere at Steppenwolf Theatre Company, life changes have poured on her. And these changes are certainly not for the better. Or are they?
Steppenwolf Theatre Company presents the Chicago premiere production of the Obie Award-winning play You Got Older, written by Clare Barron and directed by Jonathan Berry. This bawdy, irreverent and touching play features four ensemble members Glenn Davis (Mac), Audrey Francis (Hannah), Francis Guinan (Dad) and Caroline Neff (Mae), along with Emjoy Gavino (Jenny), David Lind(Matthew) and Gabriel Ruiz (Cowboy).
Steppenwolf Theatre Company presents the Chicago premiere production of the Obie Award-winning play You Got Older, written by Clare Barron and directed by Jonathan Berry. This bawdy, irreverent and touching play features four ensemble members Glenn Davis (Mac), Audrey Francis (Hannah), Francis Guinan (Dad) and Caroline Neff (Mae), along with Emjoy Gavino (Jenny), David Lind(Matthew) and Gabriel Ruiz (Cowboy).
Steppenwolf Theatre Company presents the Chicago premiere production of the Obie Award-winning play You Got Older, written by Clare Barron and directed by Jonathan Berry. This bawdy, irreverent and touching play features four ensemble members Glenn Davis (Mac), Audrey Francis (Hannah), Francis Guinan (Dad) and Caroline Neff (Mae), along with Emjoy Gavino (Jenny), David Lind (Matthew) and Gabriel Ruiz (Cowboy).
BroadwayWorld has a full list of the Helen Hayes Awards winners updating LIVE below! Named for actor Helen Hayes - a Washington native and legendary First Lady of the American Theatre - the Helen Hayes Awards celebrates excellence in professional theatre throughout the Washington region and has become a hallmark recognized by theatre makers and theatre lovers far beyond Washington D.C.
The 2017 Helen Hayes Award nominations were announced tonight. A line-up of leading theatre artists announced nominations in 47 categories of artistic excellence. Award recipients will be announced at the Helen Hayes Awards gala event to be held at the Lincoln Theatre on Monday, May 15 with an after-party hosted at Washington's legendary 9:30 Club.
Albee's characters are shockingly volatile. They curse, they drink and they revel in inflecting pain. It's funny, heartbreaking and yes, slightly familiar. Who's Afraid of Virginia Woolf? may have debuted in 1962 but the truth it provokes still feels relevant.
DISTRICT MERCHANTS, Aaron Posner's new adaptation of Shakespeare's THE MERCHANT OF VENICE, explores the 'other-ness' of being outside the white male stations of power. Setting the work in post-Civil War Washington, D.C., the premiere takes a uniquely American look at race, religion, class and gender. DISTRICT MERCHANTS at the Folger Theatre is an important and compelling work that deftly balances humor among weightier, thought-provoking moments.
Concluding its highly successful 2015/16 season, Folger Theatre stages the world premiere of District Merchants, a variation of Shakespeare's play, The Merchant of Venice. Commissioned by Folger Theatre as part of the 2016 celebration of 400 years of Shakespeare and in tandem with the Folger exhibition America's Shakespeare, playwright Aaron Posner sets this new exploration of class and difference in our own political place of power, Washington, D.C., just after the Civil War.
Brick, the fermenting favorite son in Tennessee Williams' masterpiece, Cat on a Hot Tin Roof says that there are two ways out of life: death and liquor. Brick is trying to escape his life with the latter, while Big Daddy is facing the first. Father and son are so far away from each other that when the climax of the show occurs during the second act, you see the intersection between one who wants to live and one who wants to forget.
Tommy is a perpetually down-on-his-luck, 50-something Irishman, who rents a squalid room in his drunkard uncle Maurice's Dublin home. Estranged from his wife and children, he spends his days scraping by with Doc, his quirky best friend, occasional roommate, and fellow business schemer. One night he finds himself turned into a knight in not-so-shining armor when he rescues a prostitute damsel named Aimee after she is beaten on the street. The four misfits settle into a dysfunctional state of co-habitation and co-dependency until Aimee's abusive ex Kenneth tracks her down to begin the group's inevitable--yet miraculously uplifting--downfall.
Kansas City Repertory Theatre continues its 50th anniversary season with Sticky Traps, a powerful new play by KC Rep's Playwright in Residence, Nathan Louis Jackson, Directed by Resident Director, Kyle Hatley. Sticky Traps focuses on a small town not far from Kansas City, where a mother protects her gay son's honor when his funeral is protested by a local church. Her actions have unintended consequences that will test her whole family - and the power of their love -- in the face of hate. The production begins tonight, April 24th and runs through Sunday, May 24th at Copaken Stage in downtown Kansas City.
