Voting is now underway for Austin! We have a record number of votes in already, but if you haven't voted yet, click here to vote! If you have voted already, tell your friends.
Voting is now underway for Austin! We have a record number of votes in already, but if you haven't voted yet, click here to vote! If you have voted already, tell your friends.
Part of Redtwist's late-night series called DARK RED. Performed in rotating rep with Redtwist's MAIN season show, Elemeno Pea, and its MORE RED off-night series show, Shipwrecked.
Voting is now underway for Austin! We have a record number of votes in already, but if you haven't voted yet, click here to vote! If you have voted already, tell your friends.
It's not what you say, it's how you say it. That adage often runs through my head, both in my personal life and in my work as a theater critic. It also runs through my head when viewing productions, especially ones like Blood Wedding. With plays not originally in English, attention must be paid to the translation. Blood Wedding, originally written in Spanish by Frederico Garcia Lorca, offers an additional challenge in Lorca's poetic style. It's not what he says but how he says it that makes Lorca's Blood Wedding an interesting and engaging piece of theatre. While the current production at St. Edwards University manages to visually capture Lorca's poetry, the translation by James Graham Lujan and Richard O'Connell is less successful.
Voting is now underway for Austin! We have a record number of votes in already, but if you haven't voted yet, click here to vote! If you have voted already, tell your friends.
Musicals rarely reach the phenomenal success of Les Miserables. It's played in London's West End for 28 years and counting. The Original Broadway production ran for over 6,500 performances and played for over 16 years, and the recent film adaptation won 3 Academy Awards and earned over $440 million worldwide. Whether you're a longtime fan of the musical or a newcomer to it, Zach Theatre's current production of it certainly does it justice and shows exactly why Les Miserables is an international hit that others are measured against. This is a solid, soaring production of one of the most beloved musicals of all time.
The recent release of a list of the 100 greatest musicals of all times has brought about much controversy in the theatre community. Though there has been conflict created by the plays on the list, there was no controversy over who was the best composer. Stephen Sondheim was the only writer/lyricist/composer who had five selections in the top sixteen. GYPSY placed number one, SWEENEY TODD 3rd, WEST SIDE STORY 8th, COMPANY 15th and SUNDAY IN THE PARK WITH GEORGE was 16th.
The titular Guys and Dolls of Frank Loesser's classic show in Cleveland have become decidedly more fly this week, releasing a music video of 'Suit and Tie' by Justin Timberlake. Click below to watch!
The Most Christmassy Christmas Morning, a Christmas Benefit with tunes by Sam Salmond, Jenny Stafford, Alana Jacoby, will be presented on Wednesday, December 19 at The Laurie Beechman Theatre. Show time is 9:30pm. All proceeds will go to TOYS FOR TOTS.
Stand Alone: Songs About and Written By Losers, an evening of new songs by Sam Salmond, will be presented on Monday, November 12 at The Laurie Beechman Theatre. Show time is 9:30pm.
Village Theatre was back this last weekend with their 12th Annual Village Originals Festival of New Musicals. A weekend packed with five new musicals presented as script in hand, staged reading workshops; the festival aids in the fostering and growth of these exciting new works. Some previous works have even gone on to Broadway success as "Next to Normal" (previous title "Feeling Electric") and "Million Dollar Quartet" had their start through the Village Originals Festival of New Musicals and went on to win multiple Tony Awards and a Pulitzer Prize ("Next to Normal"). And, as they did with last year's "Cloaked" Village also took a previous festival entry and gave it a larger production as "Lizzie Borden" had a three performance off book workshop of it's own at the First Stage Theatre down the street from their main stage Francis J. Gaudette Theatre.
Over one jam packed weekend, August 10-12, six new musicals will be brought to life with help from more than 100 artists and one dozen directors and authors from across the country.
Over one jam packed weekend, August 10-12, six new musicals will be brought to life with help from more than 100 artists and one dozen directors and authors from across the country.
When all is said and done, Great Lakes Theater should be extremely proud of its first collaboration of PlayhouseSquare as part of the annual Key Bank Broadway Series. The production is on par with the touring shows that stop in Cleveland. Just because SONDHEIM ON SONDHEIM is considered a regional production shouldn't stop people from going to see it. You'll leave the theatre with a deeper appreciate of the theatre process, more knowledge of the amazing Stephen Sondheim and a song or two stuck in your head.
"Lizzie Borden took an ax, gave her mother forty whacks, when she saw what she had done, gave her father forty-one." That line from a caustic poem not only attempted to describe the 1892 murder of Borden's parents, but became a limerick used gleefully by girls for jumping rope.
One More Sleep 'Til Christmas, an evening of new holiday songs to benefit Toys for Tots, features the talents of Charlie Brady (The Burnt Part Boys/South Pacific), Claybourne Elder (Bonnie and Clyde), Hannah Elless (Mamma Mia!), Gideon Glick (Wild Animals You Should Know), Jaclyn Huberman (I Love You Because), Rebecca Naomi Jones (American Idiot/Passing Strange), Alyse Alan Louis (Mamma Mia!), Christianne Tisdale (On a Clear Day…), Taylor Trensch (Little Miss Sunshine), and Paul Wyatt (Sessions) on Monday, December 12 at 9:30pm at the Laurie Beechman Theatre (at the West Bank Café), 407 West 42nd Street.
One More Sleep 'Til Christmas, an evening of new holiday songs to benefit Toys for Tots, features the talents of Charlie Brady (The Burnt Part Boys/South Pacific), Claybourne Elder (Bonnie and Clyde), Hannah Elless (Mamma Mia!), Gideon Glick (Wild Animals You Should Know), Jaclyn Huberman (I Love You Because), Rebecca Naomi Jones (American Idiot/Passing Strange), Alyse Alan Louis (Mamma Mia!), Christianne Tisdale (On a Clear Day…), Taylor Trensch (Little Miss Sunshine), and Paul Wyatt (Sessions) on Monday, December 12 at 9:30pm at the Laurie Beechman Theatre (at the West Bank Café), 407 West 42nd Street.