Fox Associates offers you the chance to beat the winter blues with CHRISTMAS WITH THE RAT PACK - LIVE AT THE SANDS, especially created to heat things up for the coolest kind of holiday cheer.
This year's collection of shows from Gemini CollisionWorks, The Collisionworks 2011: At The Ends (aka 3 Terminal Plays or 3 Ultimate Plays), focuses on finality, mortality, and the conclusion of all things, with the caveat that all endings bring the possibility of new beginnings.
This year's collection of shows from Gemini CollisionWorks, The Collisionworks 2011: At The Ends (aka 3 Terminal Plays or 3 Ultimate Plays), focuses on finality, mortality, and the conclusion of all things, with the caveat that all endings bring the possibility of new beginnings.
The Olivier Award-nominated The Rat Pack Live from Las Vegas is coming back to the West End for a strictly limited five-week Christmas season, at the Wyndham's Theatre from December 20 - January 21.
It's theater boiled down to its essence. Sixty Seconds from lights up to lights down. The much-anticipated short-form theatre festival comes to San Francisco in partnership with new play development center Playwrights Foundation! Curated by Dominic D'Andrea, the program will present over 80 plays all under sixty seconds by some of the most exciting emerging and established writers in the American Theatre
THE NEW YORK ONE-MINUTE PLAY FESTIVAL and ASTORIA PERFORMING ARTS CENTER are pleased to announce THE 4TH ANNUAL NEW YORK ONE-MINUTE PLAY FESTIVAL. September 25 and September26 at 8:00pm, at the Good Shepherd United Methodist Church (30-44 Crescent St, Astoria, NY 11102. Entrance on 30th Road.)
THE NEW YORK ONE-MINUTE PLAY FESTIVAL and ASTORIA PERFORMING ARTS CENTER are pleased to announce THE 4TH ANNUAL NEW YORK ONE-MINUTE PLAY FESTIVAL. September 25 and September26 at 8:00pm, at the Good Shepherd United Methodist Church (30-44 Crescent St, Astoria, NY 11102. Entrance on 30th Road.)
Brandywine Distillery Fire began as an attempt to destroy storytelling or an attempt to tell story in the way that Jackson Pollack paints landscapes. Playmakers Michael Gardner and Matthew Freeman (creators of When is A Clock and Notes from Underground) conjectured that to develop a theater work in the 'wrongest' way possible might be a liberating experience for artists and audiences alike. They proceeded with a series of workshops. In the workshops, they led a process of improvising a play from scratch. And failing. Deliberately. And writing it down. And failing further.
THE NEW YORK ONE-MINUTE PLAY FESTIVAL and ASTORIA PERFORMING ARTS CENTER are pleased to announce THE 4TH ANNUAL NEW YORK ONE-MINUTE PLAY FESTIVAL. September 25 and September26 at 8:00pm, at the Good Shepherd United Methodist Church (30-44 Crescent St, Astoria, NY 11102. Entrance on 30th Road.)
Brandywine Distillery Fire began as an attempt to destroy storytelling or an attempt to tell story in the way that Jackson Pollack paints landscapes. Playmakers Michael Gardner and Matthew Freeman (creators of When is A Clock and Notes from Underground) conjectured that to develop a theater work in the 'wrongest' way possible might be a liberating experience for artists and audiences alike. They proceeded with a series of workshops. In the workshops, they led a process of improvising a play from scratch. And failing. Deliberately. And writing it down. And failing further.
Brandywine Distillery Fire began as an attempt to destroy storytelling or an attempt to tell story in the way that Jackson Pollack paints landscapes. Playmakers Michael Gardner and Matthew Freeman (creators of When is A Clock and Notes from Underground) conjectured that to develop a theater work in the 'wrongest' way possible might be a liberating experience for artists and audiences alike. They proceeded with a series of workshops. In the workshops, they led a process of improvising a play from scratch. And failing. Deliberately. And writing it down. And failing further.
Formerly a project of the Ontological-Hysteric Theater, the Incubator Arts Project supports independent, experimental performing artists through a series of programs aimed at offering production opportunities and guidance with long-term growth and artistic sustainability. (More info at the end of this announcement.)
Playwright Matthew Freeman, director Kyle Ancowitz, and Blue Coyote Theater Group return to The Brick with THAT OLD SOFT SHOE, a redacted comedy. Their previous appearances include the much-ballyhooed productions of Glee Club and An Interview with the Author. In THAT OLD SOFT SHOE, a Senator from the Pacific Northwest arrives to inspect the goings-on in an undisclosed location, throwing the staff into turmoil. Will they all wind up working at a phone bank in Dallas? After all, it's a new administration.
Tickets are now on sale to the latest entry in The Brick's legendary Summer Theme Festival Series, THE TOO SOON FESTIVAL, an ode to half-baked notions, frustrated youth, uncomfortable trends, traumatic events, terrifying predictions, raw nerves and un-come-upon comeuppances, performed and presented before their time.
In theater, audiences and artists are always confronted with the immediate moment - the perpetual 'now.' But what if we're not ready? What if we need a few more minutes to take a deep breath and ask ourselves: Is it too soon to make jokes about your friend's abortion? Is it too soon to give up on a failed government?
Playwright Matthew Freeman, director Kyle Ancowitz, and Blue Coyote Theater Group return to The Brick with THAT OLD SOFT SHOE, a redacted comedy. Their previous appearances include the much-ballyhooed productions of Glee Club and An Interview with the Author. In THAT OLD SOFT SHOE, a Senator from the Pacific Northwest arrives to inspect the goings-on in an undisclosed location, throwing the staff into turmoil. Will they all wind up working at a phone bank in Dallas? After all, it's a new administration.
Tickets are now on sale to the latest entry in The Brick's legendary Summer Theme Festival Series, THE TOO SOON FESTIVAL, an ode to half-baked notions, frustrated youth, uncomfortable trends, traumatic events, terrifying predictions, raw nerves and un-come-upon comeuppances, performed and presented before their time.
The Brick Theater, Inc. presents Dénouement At last on Sat, May 22 @ 8pm, Thu, May 27 @ 8pm, Fri, May 28 @ 8pm. Dénouement is a non-narrative theatrical echo of Exposition, a previous collaboration between Michael Gardner and Matthew Freeman.