This year's collection of shows from Gemini CollisionWorks, The Collisionworks 2011: At The Ends (aka 3 Terminal Plays or 3 Ultimate Plays), focuses on finality, mortality, and the conclusion of all things, with the caveat that all endings bring the possibility of new beginnings.
ObJects (and, yes, the odd spelling is intentional) attempts to meld Heartbreak House with Brazil by way of a David Cronenberg gene splicer, presenting the horrific end of the USA as a matter of no great importance to those who cause it, as class will always have its privileges, including the ability to escape the evil it sows.Antrobus - At the end of the world, or soon after, or soon before, as the ice rises and the food grows scarce, the six members of a "family" that has banded together for survival begin to turn on each other as the years of hardship, cabin fever, and resentment catch up with them, and neither the old or young members of the family are sure what to do next: stay still and avoid risk, or move forward and search for other people and ways of living in a changed world. The one thing they have to hold onto are the pages of a thick history book, telling the story of how the world came apart, which mysteriously comes apart itself every night and must be ritually restored, every single day . . .Amuse Bouche: A NY Clown Theatre Festival Hors d'Oeuvre
September 7 - 25, 2011
PUPPETONIA!
Interactive Puppet Show for Babies!
September 1 - 29, 2011
A tiny performance festival presented by The Brick (originated in 2006 by the Ontological-Hysteric Incubator).
TINY THEATER = theater / dance / dance-theater / puppet-theater / object-theater / installation that takes place in a 6' x 6' x 6' space - performers and scenic elements must not exist outside the box at any point during each piece - and in under 10 mins.
More to come!
Through the use of opera, sequins, slapstick, devil horns, angel wings, banjos, fake beards, magic, men in skirts, sex, religion, politics, fireworks, whips, Helen of Troy and the Seven Deadly Sins themselves, Theater Reconstruction Ensemble tells the ultimate tale of good vs. evil. Hold on to your soul, cause the devil is on the prowl!
For more, visit www.reconstructionensemble.org
This holiday season, a scraggly group of fugitive theater-makers perform what's left of their legendary 2009 production of Victor Herbert's Mother Goose-inspired operetta. As the motley cast tries desperately to salvage the decayed remains of their theatrical dreams, Little Lord's BABES IN TOYLAND becomes a claustrophobic celebration of mandatory make-believe and enforced nostalgia.
Little Lord's adaptation of BABES IN TOYLAND received a developmental workshop production as part of the OHIO Theatre's Ice Factory Festival in July 2009. That production was in part a re-imagining of the original (deeply flawed) operetta: staged as a "recession spectacular," its world was one of brightly painted cardboard and shoddy spectacle. In this incarnation, BABES becomes stripped-down, though no less fantastical, making the most of the original script's absurd, nonsensical plot and the frantic desperation of its creators. In Little Lord's signature anarchic, jolly, and awkwardly sincere manner, BABES is a lost theater piece teetering on its very last legs.Hi Resolution Pics here: www.littlelord.org/Little_Lord/photos/Pages/Babes_in_Toyland_album.htmlPLUS
NERDLESQUE
Bi-Monthly. Schedule TBA
Winner of The New York Innovative Theatre Awards' 2009 Caffe Cino Fellowship Award!
The Brick is located at 575 Metropolitan Avenue (between Union Avenue and Lorimer Street) in Williamsburg, Brooklyn on the L & G subway lines (L: Lorimer stop; G: Metropolitan stop). For more detailed directions & further information, see http://www.bricktheater.com. The Brick and its non-profit company, The Brick Theater, Inc. were founded in September of 2002 by Robert Honeywell and Michael Gardner. Formerly an auto-body shop, a storage space and a yoga center, this brick- walled garage was completely refurbished into a state-of-the-art theater complex, with a large sprung floor and professional lighting and sound package. Winner of THE 2009 CAFFE CINO FELLOWSHIP AWARD, The Brick is Williamsburg, Brooklyn's destination for cutting-edge theatrical experience. Home to the critically acclaimed premieres of Bouffon Glass Menajoree (NY IT Award Winner-Outstanding Play), Samuel & Alasdair: A Personal History of the Robot War (NY IT Award Winner-Outstanding Play), Craven Monkey and the Mountain of Fury (NY IT Award Nominee-Outstanding Performance Art Production), Greed: A Musical Love $tory (NY IT Award Nominee-Outstanding Musical), Red Cloud Rising, Theatre of the Arcade and Suspicious Package (NY IT Award Nominee-Outstanding Play), The Brick has hosted some of downtown theater's most innovative artists, including Annie Baker, Young Jean Lee, The Debate Society, Banana Bag & Bodice, Thomas Bradshaw, and Jollyship the Whiz-Bang's Nick Jones. The Brick has also hosted The Iranian Theater Festival, The Comic Book Theater Festival, Fight Fest, Game Play: A Celebration of Video Game Theater, five years of the international NY Clown Theatre Festival, Gemini CollisionWorks' August repertory festival (The Collisionworks), The Too Soon Festival, The Antidepressant Festival, You're Welcome, Adventure Quest, The Nosemaker's Apprentice, The Protestants, The Granduncle Quadrilogy, Lord Oxford Presents the Second American Revolution, Live!, Third Lows' 2-year Penny Dreadful serial, Richard Foreman's Harry in Love, The Film Festival: A Theater Festival, Babylon Babylon, Notes from Underground, Bitch Macbeth, A Thought about Raya, World Gone Wrong, The Pretentious Festival (including Every Play Ever Written and Macbeth without Words), Strom Thurmond Is Not a Racist/Cleansed, The Death of Griffin Hunter, Untitled Theater Co. #61's Havel Festival, Sexadelic Cemetery, The Kung Fu Importance of Being Earnest, The $ellout Festival, Adventures of Caveman Robot, The Baby Jesus One-Act Jubilee, Memoirs of My Nervous Illness, The Moral Values Festival, World Gone Wrong, Tupperware Orgy, Bizarre Science Fantasy, Who Is Wilford Brimley? The Musical, Jenna is nuts, Habitat, In a Strange Room (based on William Faulkner's As I Lay Dying), Assurbanipal Babilla's Assyrian Monkey Fantasy and Stanislaw Witkiewicz's The Pragmatists.
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