Matthew Day Jackson News

Baryshnikov Arts Center (BAC) will host its annual benefit to support BAC's programs on Monday, October 7, 2019, in the Jerome Robbins Theater and Howard Gilman Performance Space (450 West 37th Street, Manhattan).

The Board of Directors of the Institute of Contemporary Art, Los Angeles announced today the appointment of Anne Ellegood as the museum's next executive director. Ellegood is currently the senior curator at the Hammer Museum. She succeeds Elsa Longhauser, who is stepping down from her position after 19 years of leadership and notably oversaw the museum's transformation from the Santa Monica Museum of Art (SMMoA) into the Institute of Contemporary Art, Los Angeles (ICA LA). Ellegood will assume her new role on September 16, 2019.

On 20 April 2017, Hauser & Wirth will debut its Portable Art Project with an exhibition of wearable objects commissioned from fifteen artists -- works that exist somewhere between sculpture and bodily adornment. Organized by Celia Forner, who collaborated closely with the artists, the Portable Art Project includes unique pieces as well as editioned series, crafted from an array of materials ranging from traditional gold and silver with precious and semi-precious gems, to enamel, aluminum, bronze, and iron. The initiative began with an invitation to Louise Bourgeois, who in 2008 conceived different rope-like precious metal cuffs. In the years since Bourgeois designed these first contributions, the Portable Art Project has evolved to include John Baldessari, Phyllida Barlow, Stefan Brüggemann, Subodh Gupta, Mary Heilmann, Andy Hope 1930, Cristina Iglesias, Matthew Day Jackson, Bharti Kher, Nate Lowman, Paul McCarthy, Caro Niederer, Michele Oka Doner, and Pipilotti Rist.  

This October, the New Museum will present 'Chris Burden: Extreme Measures,' an expansive presentation of Chris Burden's work that is the artist's first New York survey and his first major exhibition in the US in over twenty-five years. Burden's epoch-defining work has made him one of the most important American artists to emerge since 1970. Spanning a forty-year career and moving across mediums, the exhibition presents a selection of Burden's work where physical and moral limits are called into question. 'Chris Burden: Extreme Measures' will be on view from today, October 2, 2013, to January 12, 2014.

Artist Matthew Day Jackson is a modern day American frontiersman. His interdisciplinary practice is in an all-consuming campaign to chart the outermost limits of human physical experience and to locate the place just beyond those limits where the sublime might reside. Working with a set of signature themes that range from space exploration and war machinery to advanced anatomy, he uses both traditional craft techniques and cutting edge computer mapping to make art that exposes the layered and often dark relationships between technology's abstractions and the palpable effects of time. For Jackson, the measurable and the inexplicable, power and sacrifice, mortality and the infinite are all part of a realm he has dubbed 'the Horriful', where everything we do has the potential to create both horror and beauty. 'The unobtainable distance, no matter how small, is an infinity,' Jackson has said. 'Artists go to that space. It is a space where others cannot or do not want to go, a space which is real and often dangerous, and they report back from there'.

This October, the New Museum will present “Chris Burden: Extreme Measures,” an expansive presentation of Chris Burden's work that is the artist's first New York survey and his first major exhibition in the US in over twenty-five years. Burden's epoch-defining work has made him one of the most important American artists to emerge since 1970. Spanning a forty-year career and moving across mediums, the exhibition presents a selection of Burden's work where physical and moral limits are called into question. “Chris Burden: Extreme Measures” will be on view from October 2, 2013, to January 12, 2014.

Beginning 6 September 2013, Hauser & Wirth New York will present 'Something Ancient, Something New, Something Stolen, Something Blue', an exhibition devoted to Matthew Day Jackson's latest explorations. Comprising major new paintings, sculptures, and installations, the exhibition will be on view through 19 October at the gallery's downtown venue at 511 West 18th Street.

Artist Matthew Day Jackson is a modern day American frontiersman. His interdisciplinary practice is in an all-consuming campaign to chart the outermost limits of human physical experience and to locate the place just beyond those limits where the sublime might reside. Working with a set of signature themes that range from space exploration and war machinery to advanced anatomy, he uses both traditional craft techniques and cutting edge computer mapping to make art that exposes the layered and often dark relationships between technology's abstractions and the palpable effects of time. For Jackson, the measurable and the inexplicable, power and sacrifice, mortality and the infinite are all part of a realm he has dubbed 'the Horriful', where everything we do has the potential to create both horror and beauty. 'The unobtainable distance, no matter how small, is an infinity,' Jackson has said. 'Artists go to that space. It is a space where others cannot or do not want to go, a space which is real and often dangerous, and they report back from there'.

Hauser & Wirth is pleased to announce that internationally acclaimed curator and scholar Paul Schimmel has been named a partner of the gallery. Schimmel joins Iwan Wirth, Manuela Wirth and Marc Payot in leading an enterprise founded over 20 years ago. Described by The Financial Times as 'a marketplace of ideas', Hauser & Wirth has locations in Zurich, London and New York. Its program focuses upon significant contemporary artists and includes historical surveys and thematic group exhibitions that advance new dialogues about art. The gallery represents over 50 established and emerging contemporary artists, as well as the estates of Eva Hesse, Allan Kaprow, Josephsohn, Lee Lozano, Jason Rhoades, Dieter Roth, Philippe Vandenberg and the Henry Moore Family Collection.