SRO Theatre Company is proud to present Arthur Miller's classic drama The Crucible with live audio description using cell phones for the Saturday, October 14th performance at 8 p.m. in the Columbus Performing Arts Center located at 549 Franklin Avenue in Columbus.
Kicking off the 2017-2018 Steppenwolf for Young Adults (SYA) season is Arthur Miller's The Crucible, directed by Jonathan Berry. Steppenwolf Education presents this American classic as part of the SYA season which asks, 'When does a lie become the truth?' BroadwayWorld has a first look at the cast in action below!
Kicking off the 2017-2018 Steppenwolf for Young Adults (SYA) season is Arthur Miller's The Crucible, directed by Jonathan Berry. Steppenwolf Education presents this American classic as part of the SYA season which asks, "When does a lie become the truth?"
Steppenwolf Theatre Company announces complete casting for the first two shows of its 2017/18 season: The Rembrandt by Jessica Dickey, directed by Hallie Gordon and Steppenwolf for Young Adults' production of The Crucible by Arthur Miller, directed by Jonathan Berry.
Gettysburg Community Theatre, located at 49 York Street within the first block of Lincoln Square in historic downtown Gettysburg, will present Arthur Miller's The Crucible October 13-29, 2017. The Crucible is a gripping drama about the Salem witch trials. Religion, conspiracy, witchcraft, and lust fill the story as paranoia becomes strong enough to poison a whole town. Miller composed The Crucible as a dramatization of the Salem Witch Trials, with the witch trials standing in for the anti-Communist witch-hunts of the 1950s during the McCarthy era. As with the alleged witches of Salem, suspected Communists were encouraged to confess and identify other Communist sympathizers as means of escaping punishment. Many of those accused of Communism suffered loss of employment and/or destruction of their careers; some even suffered imprisonment. The corruption and deception Miller represented in The Crucible stands as a timely reminder to not always take everything at face value. Smear campaigning, or any type of intentional, premeditated effort to undermine an individual's or group's reputation, credibility, and character, has nearly become synonymous with modern-day politics. Like the accusations of witchcraft, smear campaigns focus on unverifiable rumors that are often distortions, half-truths, or even outright lies disseminated by gossip. Just as it was when written in the 1950's, The Crucible is still a timely parable of our contemporary and political society.
Kicking off the 2017-2018 Steppenwolf for Young Adults (SYA) season is Arthur Miller's The Crucible, directed by Jonathan Berry. Steppenwolf Education presents this American classic as part of the SYA season which asks, When does a lie become the truth? Public performances for The Crucible are Saturday, October 7 at 3pm and 7:30pm; Sunday, October 8 at 3pm; Friday, October 13 at 7:30pm; Saturday, October 14 at 3pm and 7:30pm; and Saturday, October 21 at 3pm and 7:30pm in the Downstairs Theatre. The press performance is Saturday, October 7 at 3pm. Weekday performances are reserved for school groups only. Tickets to public performances ($20; $15 with student I.D.) are currently on sale through Audience Services (1650 N Halsted St), 312-335-1650 and steppenwolf.org.
Steppenwolf Theatre Company announces complete casting for the first two shows of its 2017/18 season: The Rembrandt by Jessica Dickey, directed by Hallie Gordon and Steppenwolf for Young Adults' production of The Crucible by Arthur Miller, directed by Jonathan Berry.
SRO Theatre Company's 2017-2018 season, it's 33rd, continues with The Crucible, Arthur Miller's landmark drama that has gripped audiences for nearly 65 years and couldn't be more timely in today's political environment.
From August 31 through Sept 10, you don't want to miss the pre-season opener, Arthur Miller's famous work, The Crucible. Produced in partnership with Two Chairs Theatre Co., this is the first installment in a trilogy to present three works of Miller's. In the past, Two Chairs, has presented three masterpieces by Tennessee Williams (The Glass Menagerie, Cat on a Hot Tin Roof and A Streetcar Named Desire). Winner of the 1953 Tony Award for Best Play, this exciting drama about the Puritan purge of witchcraft in old Salem is both a gripping historical play and a timely parable of our contemporary society.
Kicking off the 2017-2018 Steppenwolf for Young Adults (SYA) season is Arthur Miller's The Crucible, directed by Jonathan Berry. Steppenwolf Education presents this American classic as part of the SYA season which asks, "When does a lie become the truth?"
Witches are coming to the Kennedy Mine Amphitheatre in Jackson as Main Street Theatre Works presents Arthur Miller's classic play, The Crucible, directed by Susan McCandless.
The Arctic Group has commissioned playwright Daniel Talbott (Slipping and Afghanistan, Zimbabwe, America, Kuwait) to write a new short play that will be performed on a double bill with Steve McMahon's Sad Indie Love Song in Series B of their inaugural FRIDGE Festival. The festival runs August 31 - September 10, and Series B will play Thu 8/31 at 9pm, Sun 9/3 at 7pm, Wed 9/6 9pm, and Sat 9/9 at 7pm.
Witches are coming to the Kennedy Mine Amphitheatre in Jackson as Main Street Theatre Works presents Arthur Miller's classic play, The Crucible, directed by Susan McCandless.
Steppenwolf Theatre Company announces complete casting for the first two shows of its 2017/18 season: The Rembrandt by Jessica Dickey, directed by Hallie Gordon and Steppenwolf for Young Adults' production of The Crucible by Arthur Miller, directed by Jonathan Berry.
The brand new musical Bandstand, directed and choreographed by Tony Award winner Andy Blankenbuehler (Hamilton) with music by Richard Oberacker and a book and lyrics by Robert Taylor and Richard Oberacker, opens tonight, April 26, at The Bernard B. Jacobs Theatre (242 West 45 Street). Scroll down to get to know the company before tonight's opening bows!
The blistering classic, The Crucible, brings you seventeenth century Salem, where truth holds no currency, fear is used as a political tool and where intruding threats are invented to explain current woes. Arthur Miller's terrifying witch-hunt classic couldn't be more pertinent in today's political landscape and arrives at Manchester Opera House from 8th - 13th May 2017.
The producers of the new musical Bandstand, directed and choreographed by Tony Award winner Andy Blankenbuehler (Hamilton) and featuring music by Richard Oberacker and a book and lyrics by Robert Taylor and Richard Oberacker, have just announced compete casting and an award-winning design team.
Casting has been confirmed for the Selladoor Productions and Queen's Theatre Hornchurch production of Arthur Miller's blistering classic American drama The Crucible, which arrives at Theatre Royal in June 2017.
I first saw Arthur Miller's 1953 play THE CRUCIBLE last spring at the Guthrie, and was wowed at how this story about the infamous Salem witch trials of the late 17th Century, during which twenty people were put to death for the crime of witchcraft, speaks to the issues of the day. Things have changed a lot in the last year and a half, making the play's themes of religious fanaticism, mob mentality, and persecution of people who are different even more scarily relevant. How terrifying to live in a world where one person's false accusation can incite mass hysteria and result in the persecution of innocent people, a world that sadly isn't too far from the current reality. I'm not saying that our president elect is Abigail Williams, but I, and this excellent and intimate production by Theatre Coup d'Etat, am suggesting that we need to take a breath and look at the facts before we rush to condemn someone based on a spiteful rant. THE CRUCIBLE dramatizes one of the greatest failings of the American, or rather pre-American, judicial system, and 60 years after it was written still remains a cautionary tale.
Salem in the seventeenth century is a place where truth holds no currency, where fear is used as a political tool and where intruding threats are invented to explain current woes.
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