Last year at this time, Ann Hampton Callaway beamed love from the stage. This November, she's a newlywed. Though the musical life journey she shared last night at the opening of her new 54 Below show, Turning Points, contains a couple of dark numbers, on the whole it's celebratory. Callaway is incandescent. You'll feel it in your bones.
During her musically spectacular performance at 54 Below last night Ann playfully introduces her pianist as George Gershwin. Ted Rosenthal may probably be able to play Gershwin's music with more accuracy than the composer did. However, I'm sure George Gershwin would never be able to accompany Ann as good as Ted Rosenthal does.
Poised for breakout success, acclaimed NYC jazz vocalist-songwriter MARCUS GOLDHABER takes another considerable step forward with tomorrow's Oct. 14, 2014 release of A LOVELY WAY TO SPEND AN EVENING (Fallen Apple Records/The Orchard) -- the first album with major distribution behind this rapidly rising artist who JazzTimes says 'rivals the jazz instincts of Chet Baker and John Pizzarelli.' The powerful, 12-track collection reintroduces some of Goldhaber's favorite standards alongside five originals, and is 'as pleasant a listening experience as male vocal jazz gets' (Late to Jazz).
Poised for breakout success, acclaimed NYC jazz vocalist-songwriter MARCUS GOLDHABER takes another considerable step forward with the Oct. 14, 2014 release of A LOVELY WAY TO SPEND AN EVENING (Fallen Apple Records/The Orchard) – the first album with major distribution behind this rapidly rising artist who JazzTimes says “rivals the jazz instincts of Chet Baker and John Pizzarelli.”
Ann Hampton Callaway's latest show in late November at 54 Below—her new home away from home—was another one of those slam dunk entertainments she's produced in the past year or so that clearly have put her near the top, if not at the very top, of the female cabaret performer depth chart. Listen, not counting the Broadway stars like Patti LuPone (who are now doing cabaret, mainly at 54 Below), or the top-notch jazz singers like Jane Monheit, you be hard-pressed to think of any major veteran cabaret singer in the country—and that includes Barbara Cook, Marilyn Maye, Andrea Marcovicci, and Amanda McBroom—who are plying the trade better these days than Ann Hampton Callaway.
Coming up this week, 54 BELOW, the performance venue located just below the legendary Studio 54 at 254 West 54th Street, presents some of the brightest stars from Broadway, cabaret, jazz and beyond:
Which songs does Platinum Award winning singer-songwriter Ann Hampton Callaway choose in this exciting night of great Broadway, jazz and pop music? As she did in The Streisand Songbook (which earned her two BroadwayWorld.com Awards and a MAC Award for best show of the year), Callaway puts her imaginative musical stamp on thoughtfully chosen gems, with insightful words about the writers and the craftsmanship that make these songs unique and enduring. Accompanied by Ted Rosenthal at the piano, Martin Wind on bass and Tim Horner on drums, the spirit of Thanksgiving comes alive with this intoxicating feast of unforgettable music. Check out photos from her first show below!
Coming up this week, 54 BELOW, the performance venue located just below the legendary Studio 54 at 254 West 54th Street, presents some of the brightest stars from Broadway, cabaret, jazz and beyond:
Come enjoy the Ted Nash Big Band premiere performance of 'Chakra' tonight, October 31-November 3, 2013 at Dizzy's Club Coca-Cola. The newly released Nash masterpiece features a 16-piece big band with a long-form composition in seven movements. The intimate club setting will highlight the GRAMMY-nominated multi-instrumentalist's talents as a performer/composer/bandleader.
Come enjoy the Ted Nash Big Band premiere performance of 'Chakra' on October 31-November 3, 2013 at Dizzy's Club Coca-Cola. The newly released Nash masterpiece features a 16-piece big band with a long-form composition in seven movements. The intimate club setting will highlight the GRAMMY-nominated multi-instrumentalist's talents as a performer/composer/bandleader.
Susie sings and swings with a lush tone and playful rhythm. Growing up in Buffalo, N.Y., Susie surrounded herself in music through piano and vocal lessons, choirs, glee clubs, school musicals, and performances with local professional singing groups. Her grandmother played stride piano and her sheet music from the 20's and 30's inspired Susie to look back into the Great American songbook. In her youth, Susie began to explore the world of jazz through the recordings of Ella Fitzgerald, and after witnessing the performances by jazz greats such as Earl 'Fatha' Hines, Kenny Burrell and Nancy Wilson, her interest was piqued and she started down the jazz discovery road.
Susie sings and swings with a lush tone and playful rhythm. Growing up in Buffalo, N.Y., Susie surrounded herself in music through piano and vocal lessons, choirs, glee clubs, school musicals, and performances with local professional singing groups. Her grandmother played stride piano and her sheet music from the 20's and 30's inspired Susie to look back into the Great American songbook. In her youth, Susie began to explore the world of jazz through the recordings of Ella Fitzgerald, and after witnessing the performances by jazz greats such as Earl "Fatha" Hines, Kenny Burrell and Nancy Wilson, her interest was piqued and she started down the jazz discovery road.
It's April 1st. Do you know when your Spring is coming? During another longggggg New York winter, the good news is that there were a ton of warming cabaret shows. The bad news is that there were so many, even during this seemingly endless winter our intrepid reviewer Stephen Hanks didn't have enough time to review them all right after the performances. So in what is becoming a seasonal ritual, here he offers yet another compilation of 13 'catch-up' cabaret show reviews.
Acclaimed singer and songwriter Ann Hampton Callaway returned to Birdland Jazz Club this week, ending her run tonight, January 26, 2013, of a special new show, 'Bridges' - inspired by the song by Brazilian composer Milton Nascimento. BroadwayWorld was there and brings you photos below!