Martin E. Segal News

Following its critically acclaimed, successful 2017 spring season, New York's beloved Dance Theatre of Harlem, under the artistic direction of Virginia Johnson, will return to NY City Center for its annual homecoming season from April 4-7, 2018.

St phane Den ve will conduct the New York Philharmonic in an all-Prokofiev program featuring the Violin Concerto No. 1, with James Ehnes as soloist; selections from Romeo and Juliet; and The Love for Three Oranges Suite, Today, January 25, 2018, at 7:30 p.m.; Friday, January 26 at 2:00 p.m.; and Saturday, January 27 at 8:00 p.m.

Houston Grand Opera (HGO) will present its 2018-19 season in its creative home at Houston's Wortham Theater Center after a year of displacement due to damage to the building from Hurricane Harvey. The 64th season will open October 19, 2018, with HGO's first performances in 20 years of Wagner's romantic ghost story The Flying Dutchman, in a new production featuring baritoneAndrzej Dobber as the Dutchman and the role debut of award-winning American soprano and HGO Studio alumna Rachel Willis-S rensen as Senta. To close the season, the new Kasper Holten production of Mozart's Don Giovanni featuring the HGO debut of baritone Philippe Sly in the title role and the role debut of soprano Ailyn P rez as Donna Anna will be presented in repertory with The Phoenix, a world premiere about the colorful life of Lorenzo da Ponte, Mozart's librettist for the masterful Don Giovanni, The Marriage of Figaro, and Cos fan tutte. The new work, written by composer Tarik O'Regan and librettist John Caird, will star renowned baritone Thomas Hampson as Lorenzo da Ponte in a belated HGO debut and bass-baritone Luca Pisaroni as Da Ponte's son, Lorenzo. HGO will also present a revival of Daniel Cat n's ethereal Florencia en el Amazonas with internationally acclaimed soprano and HGO Studio alumna Ana Mar a Mart nez in the title role; the first HGO presentation of Bizet's The Pearl Fishers with the stellar tenor and baritone pairing of Lawrence Brownlee and Mariusz Kwiecien in the title roles along with soprano Andrea Carroll; and the return of HGO's 2012 production of Puccini's perennial classic La boh me, featuring the role debut of soprano and HGO Studio alumna Nicole Heaston as Mim .

The Martin E. Segal Theatre Center, Theatre Without Borders and Tamizdat join forces to present a timely community conversation exploring the challenges and power of progressive activist theater.

The Martin E. Segal Theatre Center, Theatre Without Borders, The H.E.AT. Collective and Tamizdat join forces to present a timely community conversation exploring the challenges and power of progressive activist theatre. At this cultural moment many in the arts are seeking ways to bring activisminto their work? this symposium will be a platform for sharing ideas and resources. It will inform,empower, recharge, facilitate, and inspire.

Jeffrey Kahane will return to the New York Philharmonic to conduct Mozart's Piano Concerto No. 17, from the piano; conduct Tchaikovsky's Variations on a Rococo Theme, with cellist Alisa Weilerstein as soloist; and conduct Haydn's Symphony No. 98, from the fortepiano, Today, January 4, 2018, at 7:30 p.m.; Friday, January 5 at 11:00 a.m.; Saturday, January 6 at 8:00 p.m.; and Tuesday, January 9 at 7:30 p.m.

St phane Den ve will conduct the New York Philharmonic in an all-Prokofiev program featuring the Violin Concerto No. 1, with James Ehnes as soloist; selections from Romeo and Juliet; and The Love for Three Oranges Suite, Thursday, January 25, 2018, at 7:30 p.m.; Friday, January 26 at 2:00 p.m.; and Saturday, January 27 at 8:00 p.m.

The ninth season of CONTACT!, the New York Philharmonic's new-music series, begins with Musicians from the New York Philharmonic performing two New York Premieres, Du Yun's Tattooed in Snow, for String Quartet (2015), and Fernanda Aoki Navarro's Parthenogenesis (2012).

The Martin E. Segal Theatre Center, Theatre Without Borders and Tamizdat join forces to present a timely community conversation exploring the challenges and power of progressive activist theater.

UnsungMusicals Co. announced today its plans for the 2018 season.

Lincoln Center for the Performing Arts announced today the 2018 class of Emerging Artists, recognizing diverse talents, from a choreographer bridging the worlds of classical Indian and contemporary dance to one of the new faces of indie film to world-class musicians. Each recipient was nominated by one of Lincoln Center's 11 resident organizations, acknowledging his or her extraordinary talent and budding career.

The second of Orchestra of St. Luke's Carnegie Hall series concerts this season takes place today, December 7 at 8PM in Stern Auditorium / Perelman Stage. Leading the Ensemble in a program of works by Kraus, Mozart, and Beethoven is Bernard Labadie making his Orchestra of St. Luke's New York City debut as the Principal Conductor Designate. Bernard Labadie's appointment as Principal Conductor of OSL was announced in May 2017 and he will officially assume the post at the start of the ensemble's 2018/2019 season.

Jeffrey Kahane will return to the New York Philharmonic to conduct Mozart's Piano Concerto No. 17, from the piano; conduct Tchaikovsky's Variations on a Rococo Theme, with cellist Alisa Weilerstein as soloist; and conduct Haydn's Symphony No. 98, from the fortepiano, Thursday, January 4, 2018, at 7:30 p.m.; Friday, January 5 at 11:00 a.m.; Saturday, January 6 at 8:00 p.m.; and Tuesday, January 9 at 7:30 p.m.

The second of Orchestra of St. Luke's Carnegie Hall series concerts this season takes place on Thursday, December 7 at 8PM in Stern Auditorium / Perelman Stage. Leading the Ensemble in a program of works by Kraus, Mozart, and Beethoven is Bernard Labadie making his Orchestra of St. Luke's New York City debut as the Principal Conductor Designate. Bernard Labadie's appointment as Principal Conductor of OSL was announced in May 2017 and he will officially assume the post at the start of the ensemble's 2018/2019 season.

Join us for a rare screening of a tape of a live performance of Ron Vawter's legendary performance piece, Roy Cohn/Jack Smith, 25 years after it opened at The Performing Garage in 1992. Followed by a discussion with director Gregory Mehrten, author Gary Indiana, and critics and scholars David Rom n and Alisa Solomon. Moderated by Frank Hentschker.

Miller Theatre at Columbia University School of the Arts presents JACK Quartet: Soundscape America, a thrilling two-night survey of the American string quartet ranging from 1931 Ruth Crawford Seeger and 1951 Morton Feldman to contemporary composers Applebaum and Zorn.

Announcing director Charlotte Brathwaite as the recipient of the 2017 Franky Award. PRELUDE celebrates this honor with a party at VR World NYC from 10pm-12midnight today, October 6. This event is open to the public.

92Y's 17-18 season opens on October 5 with internationally renowned cellist Mischa Maisky joining the “amazing precision” (Huffington Post) of the notably conductorless Orpheus Chamber Orchestra, which returns to 92Y for the first time in 15 years, to celebrate the cellist's 70th birthday season. Together, they open 92Y's illustrious concert season with Schubert's beloved “Arpeggione” Sonata, arranged for cello and string orchestra by Dobrinka Tabakova, as well as Arensky's Variations on a Theme by Tchaikovsky, and Tchaikovsky's Serenade for Strings.  Acclaimed for the sheer intensity and vigor of his performances, Maisky has the distinct honor of being the only cellist in the world to have studied under both Gregor Piatigorsky and Mlatislav Rostrapovich.  The Orpheus Chamber Orchestra is renowned as one of the foremost chamber orchestras in the world, with more than 70 albums in its sprawling discography since its founding in 1972.

The Martin E. Segal Theatre Center, located at The Graduate Center, City University of New York, announces its Fall 2017 season of public programs. The season features free public programs throughout the fall and winter, with contemporary theatre and performing artists from around the world.

For over 10 years the annual Prelude Festival, held at The Martin E. Segal Theatre Center, has been a force in New York theatre and performance a free, three-day festival that celebrates artistic and academic exchange in the heart of the city.