BWW Review: PAGEANT is Pink Cotton Candy Escapism
by Frank Benge
- Jun 13, 2016
PAGEANT, when it originally opened in 1991, was almost ground breaking. The idea of doing a musical parody of a beauty pageant performed by men in drag was fresh… and a little bit crazy in all the good ways. However, twenty five years later, in 2016, the concept creaks in a world where we have RuPaul's Drag Race and traditional beauty pageants have been relegated to cable channels few people watch.
Chicago Dancing Festival Announces Full Schedule for 10th Anniversary Season
by Matt Smith
- Jun 10, 2016
CHICAGO —The Chicago Dancing Festival proudly celebrates its 10th anniversary of free programming featuring performances by leading ballet, modern and contemporary dancers from across the country, August 23-27, 2016. Just as the Festival draws from top dance companies, this year's program will once again be presented in Chicago's top downtown venues including the Harris Theater for Music and Dance, the Museum of Contemporary Art and the Jay Pritzker Pavilion at Millennium Park plus the highly anticipated return to Chicago's Landmark Stage, the Auditorium Theatre.
BWW Review: MICHAEL HELLAND Ribbon Dances at Performance Mix Festival
by Juan Michael Porter II
- Jun 10, 2016
Performance Mix Festival returned to Abrons Art Center for its 30th Anniversary on June 6th, 2016. Founded in 1986 by curator Karen Bernard and presented by New Dance Alliance, this platform for experimentation and risk-taking has stood at the vanguard of showcasing established and emerging artists of a decidedly offbeat slant since its inception. Opening night's 8 pm performance - some days have a 7 pm and 8 pm performance - featured Brussells-based dance artist Michael Helland's site responsive installation "RECESS: The Ritual Experience Concept Event Spa Show".
Chicago Dancing Festival to Host 10th Anniversary Season in August
by Tyler Peterson
- Jun 9, 2016
?The Chicago Dancing Festival proudly celebrates its 10th anniversary of free programming featuring performances by leading ballet, modern and contemporary dancers from across the country, August 23-27, 2016. Just as the Festival draws from top dance companies, this year's program will once again be presented in Chicago's top downtown venues including the Harris Theater for Music and Dance, the Museum of Contemporary Art and the Jay Pritzker Pavilion at Millennium Park plus the highly anticipated return to Chicago's Landmark Stage, the Auditorium Theatre.
League of American Orchestras Explores Diversity in National Conference in Baltimore, Beginning Today
by BWW News Desk
- Jun 9, 2016
The League of American Orchestras' 2016 National Conference in Baltimore, begins today, June 9, and continues through June 11. The conference focuses on orchestra diversity and inclusion, offering expert speakers from within the field and beyond, as well as a series of plenary and elective sessions on diversifying orchestra musicians, boards of directors, audiences, and the workplace. The Conference will welcome orchestra managers, musicians, staff, trustees, and volunteers from across the U.S.; it is the first League Conference to take place in Baltimore.
BWW Review: BUGLISI DANCE THEATRE Celebrates Women of Distinction
by Juan Michael Porter II
- Jun 9, 2016
Like sand through the hourglass, so is the choreography of Jacqulyn Buglisi. No one can argue that Ms. Buglisi knows how to craft beautifully lush movement. Her dances are ephemeral yet timeless, like a conjured dream held in stasis. But in the wrong hands, this ravishing quality becomes smothering. Luckily Ms. Buglisi formed her original company with Terese Capucilli, Christine Dakin, and Donlin Foreman. At the time they were filling a void left in the wake of Martha Graham's death. More than this, they were four of the most talented dancers on the planet coming into their own as creators while using their own incomparable bodies as tools of deliverance; how could the results be anything less than spectacular? Though one wonders, was it the work or the performers? We found out on June 7th, 2016 at The Ailey Citigroup Theatre during the gala performance of Buglisi Dance Theatre's 23rd Season.
Acclaimed Female Choreographers Join Forces for MONTE/MOLISSA/MARGO/MULLER - LIVE!
by Marianka Swain
- Jun 7, 2016
Four acclaimed female choreographers, Elisa Monte, Molissa Fenley, Margo Sappington, and Jennifer Muller join forces this spring in Monte/Molissa/Margo/Muller - LIVE! at New York Live Arts, June 14 through June 18. The five-night program of shared performances will feature five works each evening, with three premieres and a cast of 25 dancers.
Promotions Announced at Martha Graham Dance Company for 2016-17 Season
by Jessica Fallon Gordon
- Jun 6, 2016
The Martha Graham Dance Company announces the promotion of five Company members for the 2016-17 season. Abdiel Jacobsen and Xin Ying have been promoted to Principal Dancer, and Charlotte Landreau, Lloyd Mayor, and Lorenzo Pagano have been promoted to Soloist.
BodyStories: Teresa Fellion Dance and Bryn Cohn + Artists to Present HOME at Gibney Dance Center
by Jessica Fallon Gordon
- Jun 6, 2016
BodyStories: Teresa Fellion Dance and Bryn Cohn + Artists (BC+A) present HOME in a collaborative evening at Agnes Varis Performing Arts Center, 280 Broadway, Gibney Dance Center NYC, from June 16-18, 2016 at 7:30pm. Tickets are $15 advanced sales online and $20 at the door. They will be available in late April at www.gibneydance.org/calendar/ or by calling the Gibney Dance Center box office at 646.837.6809.
BWW Dance Review: NIMBUS DANCE WORKS Sets Hearts Ablaze in Geolocate
by Juan Michael Porter II
- Jun 7, 2016
The guerdon in attending a repertory company's concert is being able to savor the variety of work on display. Such was the case for Nimbus Dance Works' recent concert at Gibney Dance Center's Agnes Varis Performing Arts Center. Founded by Artistic Director Samuel Pott - a former soloist with The Martha Graham Dance Company and leading dancer with American Repertory Ballet - Nimbus places special emphasis on presenting work that engages communities across all spectrums. In celebration of its eleventh season, the company presented 'Geolocate' - a collection of work created by four choreographers from across the globe - in response to hateful rhetoric currently heard with alarming frequency in the news. This concept clearly spoke to a wide of array of people; the concert that I attended - closing night, June 4th, 2016 - contained the most diverse audience I have ever encountered.
Dances for a Variable Population Presents THE PHOENIX PROJECT, Today
by BWW
News Desk
- Jun 4, 2016
Celebrating dance and the beauty of age, Dances For a Variable Population (DVP), will present three performances of The Phoenix Project, a citywide public dance project that empowers older adults and reevaluates the aesthetics of aging. This world premiere collaboration will take place in three boroughs-Bronx, Queens and Harlem-over three Todays, June 4, 11 and 13. The Phoenix Project will make its Bronx debut at the New York Botanical Garden's award-winning and picturesque Peggy Rockefeller Rose Garden on June 4. In the subsequent weekends, the piece will move with excerpts of the full work to Queens at the Queensbridge Riis Senior Center on June 11, and close their performances as part of the Summer on the Hudson Festival at the West Harlem Piers Park on June 18 as part of a Family Day event.
ABT, Martha Graham, Pilobolus & The Ailey Organization Partner for Usdan Summer Camp for the Arts
by Tyler Peterson
- Jun 1, 2016
Four venerable American dance companies are joining forces with Usdan Summer Camp for the Arts (www.usdan.org), just in time for the 2016 summer camp season. Announced today, the troupes -The Ailey Organization, American Ballet Theatre (ABT), Martha Graham, and Pilobolus-- are officially on the Camp's proverbial dance card, further strengthening Usdan's notable offerings for campers from ages four through 18.
BWW Review: PAUL TAYLOR DANCE COMPANY at The Kennedy Center
by Frances Steiner
- May 31, 2016
Paul Taylor is a trailblazer of modern dance. As one of the most important living American artists, sending his company to perform at The Kennedy Center in the nation's capital is fitting-his choreography is dance Americana. Taylor's company offered two alternating programs. Program B, performed on Thursday night and Saturday afternoon, showed the strengths of his choreography's captivating lines, precise musicality, and overall wit.
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