Mark Campbell News

The New York City Opera has announced two new productions which will premiere during its 75th Anniversary season at Jazz at Lincoln Center's Rose Theater.

Why do we need a program to train opera composers and librettists? Mozart and Da Ponte--together, creators of LE NOZZE DI FIGARO, DON GIOVANNI and COSI FAN TUTTE--didn't go through training programs!

See brand new production photos from the Dallas engagement of Disney's The Lion King, which will leap onto the stage at The Music Hall at Fair Park from Wednesday, June 13 through Saturday, July 7.

Washington National Opera concludes its 2017-2018 season with the company premiere of Leonard Bernstein's biting satire Candide, running now through May 26, 2018, in the Kennedy Center Opera House.

Washington National Opera concludes its 2017-2018 season with the company premiere of Leonard Bernstein's biting satire Candide, running now through May 26, 2018, in the Kennedy Center Opera House. Check out photos of the production below!

Washington National Opera concludes its 2017-2018 season with the company premiere of Leonard Bernstein's biting satire Candide, running now through May 26, 2018, in the Kennedy Center Opera House. Check out photos of the production below!

Washington National Opera concludes its 2017-2018 season with the company premiere of Leonard Bernstein's biting satire Candide, running now through May 26, 2018, in the Kennedy Center Opera House. Check out photos of the production below!

The world premiere performance of SANCTUARY ROAD (subtitled “An Oratorio Based on the Writings of William Still, a Conductor for the Underground Railroad”), by composer Paul Moravec and librettist Mark Campbell, performed by the Oratorio Society of New York under Kent Tritle, burst forth from the stage of Carnegie Hall the other night, with energy, humanity and, of course, great musicality from all involved.

The Atlanta Opera closes its 2017-18 mainstage season with Stephen Sondheim's seminal musical, Sweeney Todd: The Demon Barber of Fleet Street. This production of Sweeney Todd remains faithful to the original Broadway show, and features an all-star cast, including Michael Mayes in his role debut as Sweeney Todd, and Maria Zifchak as Mrs. Lovett. Timothy Myers will conduct in a company debut, and Albert Sherman, who has directed Sweeney Todd under the mentorship of Harold Prince, will serve as production director.

From Sunday, June 3 through Friday, June 22, 2018, conductor Michael Christie will lead the Opera Theatre of Saint Louis in the world premiere performances of An American Soldier, the new two-act opera by Huang Ruo and Henry David Hwang, at the Loretto-Hilton Center (130 Edgar Road). Tenor Andrew Stenson (Danny Chen), mezzo-soprano Mika Shigematsu (Mother Chen), and soprano Kathleen Kim (Josephine Young) make debuts with OTSL and join bass-baritone Wayne Tigges (Sergeant Aaron Marcum) and director Matthew Ozawa for this production.

Casting has been announced for the Dallas engagement of Disney's The Lion King, which will leap onto the stage at The Music Hall at Fair Park from Wednesday, June 13 through Saturday, July 7.

SFCM presents a chamber opera double bill Friday, May 4 and Sunday, May 6 with performances of John Musto's Bastianello and William Bolcom's Lucrezia, both featuring libretti composed by Mark Campbell. This production of Lucrezia will serve at the world premiere of a new orchestration--a chamber orchestra instrumentation--by William Bolcom, commissioned by SFCM.

Strathmore and Beth Morrison Projects will present the world premiere of Iron & Coal, a multi-media rock opera by composer/lyricist Jeremy Schonfeld and director Kevin Newbury, in the Music Center at Strathmore on Thursday and Friday, May 3 and 4, 2018 at 8 p.m.

World premieres of an oratorio about the Underground Railroad that sets narratives of slaves running for freedom and their lives, and a work that sets poems calling for peace in Farsi, Spanish, Hebrew, Arabic, and English: Sanctuary Road, music by Paul Moravec and text by Mark Campbell based upon the writings of William Still, a conductor for the Underground Railroad; and We Are One for chorus and orchestra by Behzad Ranjbaran, both completed within the last year, will be given their first performances by the Oratorio Society of New York (OSNY) led by Music Director Kent Tritle as the culminating concert of the OSNY's 145th season on Monday, May 7, 2018, at Carnegie Hall.

Honeck-Moss Productions is proud to present "In The Works." This exciting series is in it's second season was conceived as an opportunity for composers to try out new work in front of an audience and see how it plays in a supportive environment. It is also an opportunity to create community among the composers and their performers.

Long Live the Lion King! Little Rock welcomes theatrical Royalty April 19th - May 6th.

 American Lyric Theater concludes the 10th Anniversary of its nationally acclaimed Composer Librettist Development Program this season with InsightALT: Opera in Eden, a one-night-only concert featuring three new one-act operas written by ALT Resident Artists, hosted by composer/librettist Mark Adamo and producing artistic director Lawrence Edelson.

OPERA America, the national service organization for opera and the nation's leading champion of American opera, is pleased to announce the recipients of the second cycle of Innovation Grants, generously funded by the Ann and Gordon Getty Foundation.

The Music Critics Association of North America (MCANA) is pleased to announce that its second annual award for Best New Opera has been given to composer David Hertzberg for The Wake World, which received its premiere on September 18, 2017, commissioned by Opera Philadelphia in a co-presentation with The Barnes Foundation. The award was created to honor musical and theatrical excellence in a fully staged opera that received its world premiere in North America during the preceding calendar year. The inaugural award went to  Breaking the Waves, composed by Missy Mazzoli with libretto by Royce Vavrek.

Washington National Opera concludes its 2017-2018 season with the company premiere of Leonard Bernstein's biting satire Candide, May 5-26, 2018, in the Kennedy Center Opera House. Candide is one of Bernstein's most popular and enduring works, blurring the lines between opera and musical theater. Heading the all-American cast are three powerhouses from the world of opera: tenor Alek Shrader in his WNO debut in the title role, soprano Kathryn Lewek as his forlorn love interest Cunegonde, and WNO audience favorite and local legend Denyce Graves as the Old Lady. This new-to-Washington production, the centerpiece of the Kennedy Center's season-long Leonard Bernstein at 100 celebration, is directed by WNO Artistic Director Francesca Zambello and conducted by Nicole Paiement.