A striking image hovers above the action in HENRY IV, PART ONE at The Antaeus Company. It is a partial rendering of the planets orbiting the sun which serves as a constant reminder that this is the journey of a king-in-the-making. As Prince Hal, also known as Harry, slowly transitions from party boy to royal warrior, its glow becomes more and more noticeable until it finally overtakes the stage.
Antaeus, L.A.'s classical theater ensemble, opens its 2015 season with a fully partner-cast production of William Shakespeare's Henry IV, Part One. Previews began March 6, with two opening nights set for last night, March 12, and tonight, March 13, (one with each cast) at the Antaeus Theater in NoHo. Michael Murray directs. Scroll down for a first look at the casts in action!
Antaeus, L.A.'s classical theater ensemble, opens its 2015 season with a fully partner-cast production of William Shakespeare's Henry IV, Part I. Previews begin March 6, with two opening nights set for March 12 and March 13 (one with each cast) at the Antaeus Theater in NoHo. Michael Murray directs.
A curse lies upon the land of Thebes and its ill-fated rulers that reiterates generation upon generation. Casey Stangl directs the world premiere of The Curse of Oedipus, written by Kenneth Cavander and developed by The Antaeus Company. Opening weekend for the fully double-cast production runs tonight, June 21 through Aug. 10 at the Antaeus Theater in NoHo. Scroll down for a first look at the cast in action!
A curse lies upon the land of Thebes and its ill-fated rulers that reiterates generation upon generation. Casey Stangl directs the world premiere of The Curse of Oedipus, written by Kenneth Cavander and developed by The Antaeus Company. Opening weekend for the fully double-cast production runs today, June 19 -22 at the Antaeus Theater in NoHo.
A curse lies upon the land of Thebes and its ill-fated rulers that reiterates generation upon generation. Casey Stangl directs the world premiere of The Curse of Oedipus, written by Kenneth Cavander and developed by The Antaeus Company. Opening weekend for the fully double-cast production runs June 19 -22 at the Antaeus Theater in NoHo, with previews beginning June 12.
Set in Poland circa 1890, WHITE MARRIAGE is a surreal and erotic coming-of-age fairytale that follows a young girl's poignant emergence into womanhood and frightened resistance to her impending marriage. Two sisters, sensitive Bianca (Kate Dalton) and precocious Pauline (Emily Goss), are on the verge of adulthood. Bianca is betrothed to Benjamin (Austin Rogers) and the preparations for her imminent wedding send the girls into a flurry of excitement and confusion.
Chekhov meets Fellini in an enchanting tragicomedy brimming with wit, charm and a large dose of the magical by one of Poland's most distinguished modern playwrights. Ron Sossi directs a revival of White Marriage in a translation by Adam Czerniawski, opening April 5 at the Odyssey Theatre in West L.A.
24th STreet Theatre is extending the West Coast premiere of Walking the Tightrope through May 18.
Unveiling the centerpiece of its 2012-13 season of sophisticated and provocative theater that appeals to and is appropriate for kids while maintaining the look and emotional depth of adult theater, 24th STreet Theatre presents the debut production of its LAb24 resident experimental theater company. The West Coast premiere of Walking the Tightrope by Mike Kenny opens tonight, January 26 at 24th STreet Theatre in downtown Los Angeles. BroadwayWorld has a look at the show in the photos below!
Unveiling the centerpiece of its 2012-13 season of sophisticated and provocative theater that appeals to and is appropriate for kids while maintaining the look and emotional depth of adult theater, 24th STreet Theatre presents the debut production of its LAb24 resident experimental theater company. The West Coast premiere of Walking the Tightrope by Mike Kenny opens January 26 at 24th STreet Theatre in downtown Los Angeles. BroadwayWorld has a first look at the show in the photos below!
A Noise Within (ANW), the acclaimed classical repertory theatre company, offers a free, one-night-only reading of TENNESSEE WILLIAMS' holiday themed PERIOD OF ADJUSTMENT on Wednesday, December 12, 7 pm, in its new state-of-the-art Pasadena theatre. Directed by Deborah Strang and featuring A Noise Within resident artists, this rarely performed play about two couples on Christmas Eve is Williams' only comedy. The reading, for which reservations are recommended, is designed to compliment ANW's production of Charles Dickens' masterpiece A Christmas Carol, which plays in repertory from December 8 to 23, 2012.
A Noise Within (ANW), the acclaimed classical repertory theatre company, offers a free, one-night-only reading of the droll and wickedly biting satire THE DEVIL'S DISCIPLE by GEORGE BERNARD SHAW, directed by ANW Resident Artist Mark Bramhall, tonight, October 24, 2012, 7:00 pm, in its new state-of-the-art Pasadena theatre.
A Noise Within (ANW), the acclaimed classical repertory theatre company, offers a free, one-night-only reading of the droll and wickedly biting satire THE DEVIL'S DISCIPLE by GEORGE BERNARD SHAW, directed by ANW Resident Artist Mark Bramhall, on Wednesday, October 24, 2012, 7:00 pm, in its new state-of-the-art Pasadena theatre.
A Noise Within (ANW), the acclaimed repertory theatre company, launches 2010-11 season, its 19th, with Shakespeare's stirring classic Measure for Measure directed by Michael Murray, which opens Saturday, September 25 and closes Sunday, December 5, 2010 (previews begin Saturday, September 18).
A Noise Within (ANW), the acclaimed repertory theatre company, launches 2010-11 season, its 19th, with Shakespeare's stirring classic Measure for Measure directed by Michael Murray, which opens Saturday, September 25 and closes Sunday, December 5, 2010 (previews begin Saturday, September 18).
A Noise Within (ANW), the acclaimed repertory theatre company, launches 2010-11 season, its 19th, with Shakespeare's stirring classic Measure for Measure directed by Michael Murray, which opens Saturday, September 25 and closes Sunday, December 5, 2010 (previews begin Saturday, September 18).
Streamlined, gender-bending versions of classic plays are the name of the game in a five-week summer theater festival from the Los Angeles Women's Shakespeare Company. Longtime fans of the company's all-female explorations of classic texts will be intrigued to discover this festival's inclusion of male actors - although not always in the roles one might expect.
Streamlined, gender-bending versions of classic plays are the name of the game in a five-week summer theater festival from the Los Angeles Women's Shakespeare Company. Longtime fans of the company's all-female explorations of classic texts will be intrigued to discover this festival's inclusion of male actors - although not always in the roles one might expect.
Streamlined, gender-bending versions of classic plays are the name of the game in a five-week summer theater festival from the Los Angeles Women's Shakespeare Company. Longtime fans of the company's all-female explorations of classic texts will be intrigued to discover this festival's inclusion of male actors - although not always in the roles one might expect.
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