Midway through its first season producing on two stages, Park Square Theatre shows no sign of slowing down with its 2015-2016 theatre season. In addition to a range of area and regional premieres, the company is commissioning two brand new works - one for each stage - from Joel Sass (Great Expectations) and Christina Ham and Regina Marie Williams (Nina Simone: Four Women). The line-up also includes the first Midwest licensed production of an ingenious miniature musical that will delight mystery lovers, two family-friendly holiday treats, and new productions by two of Park Square's Theatres in Residence, Sandbox Theatre and Theatre Pro Rata. The season will conclude with a flash of mature flesh as nine leading actresses bare all in Calendar Girls by Tom Firth.
Gary Hines, an accomplished talent who's best known for his 45-year career with The Sounds of Blackness, is music director for the acclaimed run of THE COLOR PURPLE at St. Paul's Park Square Theater. We got to know a little more about this production and Gary in this BWW Interview.
At first glance, the musicals THE COLOR PURPLE, CALVIN BERGER, and LA CAGE AUX FOLLES may not seem to have much in common. The settings couldn't be more different - the rural South in the early 20th century, a modern day high school, and a drag club in 1970s France. But since I happened to see them all on the same weekend, I couldn't help but draw parallels between them. All three musicals all speak to themes of beauty, identity, self-worth, and having the courage to be who you really are, despite what the world is telling you. In THE COLOR PURPLE, a young, poor, black woman is told that she's ugly and worthless, but after a lifelong journey she arrives at a place of strength and self-love. CALVIN BERGER sets the classic play Cyrano de Bergerac in a modern high school, where a young man feels that his large nose prevents him from getting what he wants in life and chooses to hide behind the handsome popular guy, both of whom eventually learn it's better to be loved for who you are. Finally, in LA CAGE AUX FOLLES, a middle aged man who feels more comfortable dressed as a woman is asked by his own son to hide who he is, but confidently declares 'I am who I am!' Another thing these three musicals have in common is that they can all currently be seen on Twin Cities stages featuring talented local casts. Read on for more details on each, pick one that suits your fancy, and go see a local musical that just may inspire you to love you you really are!
Park Square Theatre will produce the musical The Color Purple featuring a cast of 20 actors, a live orchestra, and some of the finest talent in the Twin Cities on its Proscenium Stage January 16 - February 15, 2015.
No one does Shakespeare like Ten Thousand Things. They manage to boil the text down to its bare essentials, and convey the heart of the story in a way that feels fresh and modern. This season they bring their unique Shakespeare style to perhaps his most well-know play, the story of star-crossed lovers that inspired all others, Romeo and Juliet. In the typically minimalist production (since TTT performs on location at prisons, homeless shelters, and community centers, the paid public performances are also in a small, fully lit room with little in the way of sets and costumes), director Peter Rothstein and his fantastic cast of eight playing multiple characters bring this familiar story to life in a unique way.
With Sexy Laundry opening tonight, the entire cast roster for the theatre's biggest season is almost complete. Nearly 300 Minnesota artists - including actors, directors, designers and technical operators - will mount 18 productions on two stages. The season lineup confirms Park Square's commitment to the work of women writers like Amy Herzog, Michele Riml and Alice Walker. The casting emphasizes Park Square as a home for local artists of color, from returning favorites like James A. Williams, T. Mychael Rambo and Regina Williams to dozens of debuts like Dominique Wooten, Kurt Kwan and Sarah Ochs.
James Rocco's BROADWAY SONGBOOK series at The Ordway Center for Performing Arts in Saint Paul, Minn., is a treasure for anyone who has an iPod full of showtunes (me: guilty!) and should earn continuing education credits for audience members who gain a wealth of knowledge in theatre history over the course of the show.
The Ordway Center for the Performing Arts' Broadway Songbook series returns June 13-15 with a tribute to Betty Comden and Adolph Green, who co-wrote some of the most beloved and successful Hollywood musicals and Broadway shows in the mid-20th century. Seating for Broadway Songbook: Comden and Green is on the Ordway's Music Theater Stage, providing a unique backstage experience.
The Ordway Center for the Performing Arts' Broadway Songbook series returns June 13-15 with a tribute to Betty Comden and Adolph Green, who co-wrote some of the most beloved and successful Hollywood musicals and Broadway shows in the mid-20th century. Seating for Broadway Songbook: Comden and Green is on the Ordway's Music Theater Stage, providing a unique backstage experience.
Psst! Hey Buddy! Yeah you! You lookin' for a good time with some scantily clad performers who are ready and willing to do whatever you want while putting on a hell of a show? Well then you'd better hop in your time machine and head back the 1960's because Seattle doesn't do that anymore. But luckily we have "Seattle Vice" now performing over at ACT which takes a look back at those grittier days of Seattle in the 60's where the booze and the boobs flowed freely.
Inspired by the book Seattle Vice by Rick Anderson, this cabaret musical set in 1965 combines dancing, comedy, and original music created by Mark Siano (The Habit, Soft Rock Kid) and Opal Peachey (Modern Luv, Cafe Nordo).
Inspired by the book Seattle Vice by Rick Anderson, this cabaret musical set in 1965 combines dancing, comedy, and original music created by Mark Siano (The Habit, Soft Rock Kid) and Opal Peachey (Modern Luv, Cafe Nordo).
The audience erupted in applause Monday night at the end of the opening of the Muny's production of LES MISERABLES, resulting in the venue's first, complete standing ovation before the curtain call in recent memory. BroadwayWorld brings you even more highlights from the show below!
The audience erupted in applause on Monday night at the end of the opening of the Muny's production of LES MISERABLES, resulting in the venue's first, complete standing ovation before the curtain call in recent memory. Check out photos from the opening night after party below!
Do You Hear the People Sing? Lucky audiences will tonight at The Muny in St. Louis as their highly anticipated production of LES MISERABLES opens this evening!
The Ordway will say farewell to the McKnight Theatre in grand style tonight, April 28 at 7:30 pm, in a special performance called, 'The Night of a Million Stars.' The concert production will highlight area artists and feature musical pieces from productions previously held in the McKnight Theatre.
James Rocco is the vice president of programming and producing artistic director of the Ordway Center for Performing Arts in Saint Paul, Minn. He is also the director, host and a performer in the Ordway's latest edition of BROADWAY SONGBOOK, this time, focusing on American musical theatre master, Cole Porter. I recently sat down to learn about James, the BROADWAY SONGBOOK: Cole Porter and what's next for the theatre.
The Ordway will say farewell to the McKnight Theatre in grand style on Sunday, April 28 at 7:30 pm, in a special performance called, "The Night of a Million Stars." The concert production will highlight area artists and feature musical pieces from productions previously held in the McKnight Theatre.
