The Wilma Theater in Philadelphia has announced the return to live performances with their 2021-22 Season, featuring three plays that are about families and communities facing moments of crises; all explore important issues in daring, theatrical ways.
The Wilma Theatre in Philadelphia has announced an innovative new program that provides audience members flexibility and peace of mind about when and how they return to their theatre after the COVID-19 health crisis.
At the commencement of MINOR CHARACTER, New Saloon's offering at the Public Theater's 2019 Under The Radar Festival, actor Madeline Wise stands downstage center, faces the audience and, with barely any body movement or facial expressions, begins rattling off the lines of various characters from the opening scene of Anton Chekhov's classic comedy of life's futility, UNCLE VANYA.
Eagle Project and Double Down Productions presents Uncle Abram: A Reconstructed Uncle Vanya by Anton Chekhov, based on the translation by Marian Fell.
Tony-nominated and Obie-winning Chekhov director Austin Pendleton helms and appears in Mississippi Mud Productions' SeaGull69, a new version of Anton Chekhov's masterpiece, The SeaGull. This is a world premiere of an adaptation by Austin Pendleton and the acting company drawing on Marian Fell's translation. Set in Los Angeles in the summer of 1969, the play looks at family and friends pursuing the American dream of fame, love, and fortune in Hollywood, the land of dreams. Chekhov's sense of humor along with his tender and honest look at life is explored through the terrain of this family and their circle's life in Hollywood from 1969-1971. Tickets on sale online @ http://seagull69.brownpapertickets.com - $17 general admission, $14 student/senior.
Tony-nominated and Obie-winning Chekhov director Austin Pendleton helms and appears in Mississippi Mud Productions' SeaGull69, a new version of Anton Chekhov's masterpiece, The SeaGull. This is a world premiere of an adaptation by Austin Pendleton and the acting company drawing on Marian Fell's translation. Set in Los Angeles in the summer of 1969, the play looks at family and friends pursuing the American dream of fame, love, and fortune in Hollywood, the land of dreams. Chekhov's sense of humor along with his tender and honest look at life is explored through the terrain of this family and their circle's life in Hollywood from 1969-1971. Tickets on sale online @ http://seagull69.brownpapertickets.com - $17 general admission, $14 student/senior.
Tony-nominated and Obie-winning Chekhov director Austin Pendleton helms and appears in Mississippi Mud Productions' SeaGull69, a new version of Anton Chekhov's masterpiece, The SeaGull. This is a world premiere of an adaptation by Austin Pendleton and the acting company drawing on Marian Fell's translation. Set in Los Angeles in the summer of 1969, the play looks at family and friends pursuing the American dream of fame, love, and fortune in Hollywood, the land of dreams. Chekhov's sense of humor along with his tender and honest look at life is explored through the terrain of this family and their circle's life in Hollywood from 1969-1971. Tickets on sale online @ http://seagull69.brownpapertickets.com - $17 general admission, $14 student/senior.
Continuing its seventh season, Resonance Ensemble (Eric Parness, Artistic Director; Rachel Reiner, Managing Director) is proud to announce the third production in the 2008-09 season. Reflections: An Evening of Short Plays, will include the world premieres of Their Town by Alvin Eng, What Happened Then by Michael Feingold and Compromise by Ian Strasfogel, with revivals of Catastrophe by Samuel Beckett and Swan Song by Anton Chekhov (with a translation by Marian Fell and adaptation by Eric Parness).
Continuing its seventh season, Resonance Ensemble (Eric Parness, Artistic Director; Rachel Reiner, Managing Director) is proud to announce the third production in the 2008-09 season. Reflections: An Evening of Short Plays, will include the world premieres of Their Town by Alvin Eng, What Happened Then by Michael Feingold and Compromise by Ian Strasfogel, with revivals of Catastrophe by Samuel Beckett and Swan Song by Anton Chekhov (with a translation by Marian Fell and adaptation by Eric Parness).
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