Ever wanted to sing Christmas carols on stage? Long Wharf Theatre can make that holiday wish a reality during the run of the hit interactive comedy Sister's Christmas Catechism: The Mystery of the Magi's Gold from Dec. 1 through Dec. 20.
Liza Colon-Zayas, Sol Frieder and Elaine Kussack will join Sam Waterston in the world premiere of Athol Fugard's Have You Seen Us?, taking place at Long Wharf Theatre from Nov. 24 to Dec. 20.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will present post-show discussions following select performances of JUAN AND JOHN, the first play of the 2009-2010 Public LAB season.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will present post-show discussions following select performances of JUAN AND JOHN, the first play of the 2009-2010 Public LAB season.
In all of his years living and working in the United States, Athol Fugard had never set foot in an American high school until Monday.
Long Wharf Theatre, under the direction of Gordon Edelstein (Artistic Director) and Ray Cullom (Managing Director), announces that Entertainment Events' production of Sister's Christmas Catechism: The Mystery of the Magi's Gold, by Maripat Donovan with Jane Morris and Marc Silvia, will return to Long Wharf Theatre on Stage II from December 1 through December 20, 2009.
Ever wanted to sing Christmas carols on stage? Long Wharf Theatre can make that holiday wish a reality during the run of the hit interactive comedy Sister's Christmas Catechism: The Mystery of the Magi's Gold from Dec. 1 through Dec. 20.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).
Long Wharf Theatre, under the direction of Gordon Edelstein (Artistic Director) and Ray Cullom (Managing Director), announces that Entertainment Events' production of Sister's Christmas Catechism: The Mystery of the Magi's Gold, by Maripat Donovan with Jane Morris and Marc Silvia, will return to Long Wharf Theatre on Stage II from December 1 through December 20, 2009.
Liza Colon-Zayas, Sol Frieder and Elaine Kussack will join Sam Waterston in the world premiere of Athol Fugard's Have You Seen Us?, taking place at Long Wharf Theatre from Nov. 24 to Dec. 20.
Long Wharf Theatre Artistic Director Gordon Edelstein will be lecturing about Athol Fugard, described by the New York Times as 'the greatest playwright writing in English since Shakespeare,' Sunday, November 15 from 5 to 6 p.m. at the Willoughby Wallace Memorial Library, 146 Thimble Island Road, Stony Creek.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).
On Saturday, November 7, 2009, the rides are closed but the doors are open at Long Wharf Theatre while its holds its third annual Discovery Day, a community outreach event that introduces area children and families to the fantastical world of theatre.
Long Wharf Theatre Artistic Director Gordon Edelstein will be lecturing about Athol Fugard, described by the New York Times as 'the greatest playwright writing in English since Shakespeare,' Sunday, November 15 from 5 to 6 p.m. at the Willoughby Wallace Memorial Library, 146 Thimble Island Road, Stony Creek.
Warm up your holiday season with Long Wharf Theatre. Experience the essence of the holidays with a healthy dose of humor - find yourself and your family in our stories My Mother's Italian, My Father's Jewish and I'm Home for the Holidays, the all new play by Steve Solomon, and the hit Sister's Christmas Catechism, by Maripat Donovan.
Long Wharf Theatre will present the classic musical THE FANTASTICKS. The production will be directed by Amanda Dehnert and will run October 7 through November 1st.
Ever wanted to sing Christmas carols on stage? Long Wharf Theatre can make that holiday wish a reality during the run of the hit interactive comedy Sister's Christmas Catechism: The Mystery of the Magi's Gold from Dec. 1 through Dec. 20.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
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