Photo Flash: First Look at THE LAST DAYS OF JUDAS ISCARIOT, Helmed by Estelle Parsons at La MaMa
by BWW News Desk
- Mar 2, 2017
The Last Days of Judas Iscariot will receive a rare New York revival this spring at The Ellen Stewart Theatre at La MaMa (66 East 4th Street) with previews beginning March 9th, 2017 for a limited Off-Broadway engagement through March 26th. Opening Night is set for Monday, March 13, 2017 at 7pm. BroadwayWorld has a first look at the cast in action below!
Estelle Parsons to Helm THE LAST DAYS OF JUDAS ISCARIOT at La MaMa This Spring
by BWW News Desk
- Feb 13, 2017
The Last Days of Judas Iscariot will receive a rare New York revival this spring at The Ellen Stewart Theatre at La MaMa (66 East 4th Street) with previews beginning March 9th, 2017 for a limited Off-Broadway engagement through March 26th. Opening Night is set for Monday, March 13, 2017 at 7pm.
LA MAMA Will Present THE LAST DAYS OF JUDAS ISCARIOT
by BWW News Desk
- Feb 2, 2017
The Last Days of Judas Iscariot will receive a rare New York revival this spring at The Ellen Stewart Theatre at La MaMa (66 East 4th Street) with previews beginning March 9th, 2017 for a limited Off-Broadway engagement through March 26th. Opening Night is set for Monday, March 13, 2017 at 7pm.
Penumbra Theatre Extends August Wilson's JITNEY
by BWW News Desk
- Oct 21, 2016
Due to a high demand for tickets, Penumbra Theatre will be extending its run of Jitney through Sunday, November 13, 2016. Directed by Lou Bellamy and featuring an all-star cast of company members and Wilson veterans, Penumbra Theatre's production of Jitney has been met with critical acclaim from both press and audiences alike.
PRYOR TRUTH at FringeNYC this August
by Rebecca Russo
- Jul 29, 2016
Khalil Muhammad, in association with The Collective-NY is proud to announce Pryor Truth as part of the 20th Annual New York International Fringe Festival-FringeNYC. Pryor Truth is a one man show written and performed by Khalil Muhammad. Directed by Marcus Naylor. Co-Developed and Executive Produced by Victoria Dicce.
BWW Review: The Rep's Sublime FENCES Proves Wilson's Portrait of Humanity Humbles the American Dream
by Peggy Sue Dunigan
- May 4, 2016
Milwaukee Rep closes a successful season in sublime style staging a production of August Wilson's Pulitzer Prize winning play Fences on the Quadracci Powerhouse stage. Lou Bellamy, who worked extensively with the acclaimed African-American playwright at St. Paul, Minnesota's Penumbra Theatre Company, directed the spellbinding Rep performance. On a stunning, realistic set courtesy of Vicki Smith, the Pittsburgh brownstone with a comfortable wood porch, “lays in the lap of the audience on the thrust stage” according to the Rep In Depth, and places Wilson's flawed characters directly near the seats of the theatergoers, Seats where Wilson's portrait of humanity, seen through the African American experience, exposes compassion and struggle.
Photo Flash: First Look at August Wilson's FENCES at Milwaukee Rep
by BWW
News Desk
- Apr 29, 2016
Milwaukee Repertory Theatre's 2015/16 season comes to a close with August Wilson's Pulitzer Prize-winning play FENCES. The production, which is a co-production with Arizona Theatre Company and Indiana Repertory Theatre, is helmed by legendary American theater director Lou Bellamy and features an all-star cast. FENCES plays in the Quadracci Powerhouse from tonight, April 26, through May 22, with Opening Night today, April 29. BroadwayWorld has a first look at the cast in action below!
Photo Flash: First Look at August Wilson's FENCES at Milwaukee Rep
by BWW News Desk
- Apr 26, 2016
Milwaukee Repertory Theatre's 2015/16 season comes to a close with August Wilson's Pulitzer Prize-winning play FENCES. The production, which is a co-production with Arizona Theatre Company and Indiana Repertory Theatre, is helmed by legendary American theater director Lou Bellamy and features an all-star cast. FENCES plays in the Quadracci Powerhouse from tonight, April 26, through May 22, with Opening Night on Friday, April 29. BroadwayWorld has a first look at the cast in action below!
BWW Review: FENCES is a Homerun in Tucson
by Maria Rita Meli
- Feb 1, 2016
When discussing August Wilson's Pulitzer-Prize and Tony Award winning play, Fences, it is most applicable to say that the Arizona Theatre Company's cast hits this poignant performance out of the park.
NYC Black History Month Play Festival 2013 Features Discussion by Poet and Author Amiri Baraka
by Kelsey Denette
- Feb 8, 2013
The National Black Touring Circuit kicked off the Black History Month Play Festival 2013 with a special press reception in Harlem on Saturday, February 2 that featured a discussion by acclaimed poet and author Amiri Baraka on "The Meaning of Black History" and a performance by Timothy Simonson portraying Harlem legend Adam Clayton Powell from the play Adam.
National Black Touring Circuit Presents The Black History Month Play Festival, 2/8-24
by Kelsey Denette
- Jan 30, 2013
The National Black Touring Circuit's Black History Month Play Festival 2013 will examine American history from anti-slavery Abolitionists to the emergence of the NAACP to the height of the civil rights movement through dramas on the lives of African American historic figures Frederick Douglass, W.E.B. DuBois and Adam Clayton Powell. Performances are in New York City theaters from February 8 - 24.
BWW Reviews: Denver Center's FENCES - Engaging Ensemble!
by Michael Mulhern
- Oct 3, 2012
This is very much a character driven play and this talented cast handled each of their unique roles with adoring respect for August Wilson, which was reflected onstage in their interactions with each other as a family
UNDER THE CROSS opens this week at the June Havoc Theatre
by Trish Vignola
- Jun 6, 2011
According to the program, a conscious choice was made to cast African-Americans solely as Jews to emphasize 'racial otherness' and to make the 'emotional isolation that Moise Ferapontov experiences more palpable.' Although the each member of the cast turned in a superb job, this decision did not make the emotional isolation more palpable. It layered in a bunch of 20th and 21st century American issues and completely obscured the Russian-Jewish experience. Isn't highlighting the Jewish experience the entire point of Yiddish Theatre? I completely support and promote color-blind casting, but in the case of this particular show, it should have been across the board.
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