The Baryshnikov Arts Center (BAC) continues its 10th anniversary celebratory year, presenting Celebrating Misia Sert, two BAC Salon concerts featuring baritone Michael Kelly and pianists David Fung and Roman Rabinovich in music by Satie and Ravel on Wednesday, December 16 and Thursday, December 17 at 7:30pm. This is the second in two sets of concerts in December which honor renowned arts patrons from early 20th century Paris - De Noailles' Bal Masque will be presented by BAC on Wednesday, December 2 and Friday, December 4 at 8pm, featuring baritone Tyler Duncan and a world premiere by Mark Applebaum (www.bacnyc.org/performances/performance/masked-ball).
French Baritone David Serero will perform two Open Air Concert on Times Square for BEST OF FRANCE, Saturday September 26th at 6pm and Sunday September 27th at 1pm.
I'm not big on guilt reads ('You mean you've neverread...?!'), but I do love being surprised by the occasional revelation that an extraordinary writer has been there all along and just escaped my attention. This happened recently as I was being captivated by an advance copy of the just published Latest Readings (Yale University Press) by Clive James, who is still writing brilliantly in the midst of his battle with terminal leukemia. 'If you don't know the exact moment when the lights will go out, you might as well read until they do,' he observes.
New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.
Hailed recently by The New York Times as "ingenious," New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.
New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.
New York City, NY (FOR RELEASE 7.20.15) --- Hailed recently by The New York Times as “ingenious,” New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.
Festival d'Aix-en-Provence 2015, under the leadership of General Manager Bernard Foccroulle, will present world premiere productions of operas by Handel and Mozart; the return of director Robert Carsen's acclaimed 1991 Festival production of Benjamin Britten's A Midsummer Night's Dream; and the French premiere of Jonathan Dove's children's opera, The Monster in the Maze, led by Sir Simon Rattle with the London Symphony Orchestra. Major vocal presentations in 2015 will also include a new production of Serbian composer Ana Sokolovi?'s uncommonly original one-act a cappella opera Svadba (Marriage), and a double bill of Persephone-Stravinsky's hybrid musical work for speaker, singers, dancers, and orchestra-with Tchaikovsky's last opera, Iolanta.
William Shakespeare's classic THE MERCHANT OF VENICE will be performed in New York today, June 10th at 3pm (Preview), 14th at 7pm (Opening), 22nd and 24th at 8pm 2015.
I will never know enough about music, but I'm not inclined to read books devoted exclusively to the subject. Instead, I rely upon personal guides, writers who explore music in context with other aspects of our world like art and literature, philosophy and history.
The New York premiere of FOREVER, the fourth production of the New York Theatre Workshop (NYTW) (Artistic Director James C. Nicola and Managing Director Jeremy Blocker), created and performed by Pulitzer Prize finalist Dael Orlandersmith (Monster, The Gimmick) and directed by Neel Keller (The Nether), officially opens tonight, May 4, 2015 at New York Theatre Workshop (79 E. 4th Street New York, NY 10003). FOREVER runs through Sunday, May 31, 2015.
The New York premiere of FOREVER, the fourth production of the New York Theatre Workshop (NYTW) (Artistic Director James C. Nicola and Managing Director Jeremy Blocker), created and performed by Pulitzer Prize finalist Dael Orlandersmith (Monster, The Gimmick) and directed by Neel Keller (The Nether), begins previews tonight, April 22nd and officially opens on Monday, May 4, 2015 at New York Theatre Workshop (79 E. 4th Street New York, NY 10003).
William Shakespeare's classic THE MERCHANT OF VENICE will be performed in New York on June 10th at 3pm (Preview), 14th at 7pm (Opening), 22nd and 24th at 8pm 2015.
Tickets for the New York premiere of FOREVER, the fourth production of the New York Theatre Workshop (NYTW) (Artistic Director James C. Nicola and Managing Director Jeremy Blocker) 2014/15 Season are now on sale at www.nytw.org. Created and performed by Pulitzer Prize finalist Dael Orlandersmith (Monster, The Gimmick) and directed by Neel Keller (The Nether), FOREVER begins previews on Wednesday, April 22nd and officially opens on Monday, May 4, 2015 at New York Theatre Workshop (79 E. 4th Street New York, NY 10003). FOREVER runs through Sunday, May 31, 2015.
According to a listing on their website, PS Classics is set to release the world premiere 2015 Studio Cast Recording MISIA, showcasing the tunes of Vernon Duke, on May 5, 2015.
Festival d'Aix-en-Provence 2015, under the leadership of General Manager Bernard Foccroulle, will present world premiere productions of operas by Handel and Mozart; the return of director Robert Carsen's acclaimed 1991 Festival production of Benjamin Britten's A Midsummer Night's Dream; and the French premiere of Jonathan Dove's children's opera, The Monster in the Maze, led by Sir Simon Rattle with the London Symphony Orchestra. Major vocal presentations in 2015 will also include a new production of Serbian composer Ana Sokolovi?'s uncommonly original one-act a cappella opera Svadba (Marriage), and a double bill of Persephone-Stravinsky's hybrid musical work for speaker, singers, dancers, and orchestra-with Tchaikovsky's last opera, Iolanta.
The world premiere of Dael Orlandersmith's "Forever," directed by Center Theatre Group Associate Artistic Director Neel Keller, opened this Sunday, October 12 at 6:30 p.m. at the CTG/Kirk Douglas Theatre. A DouglasPlus presentation, "Forever" was commissioned and developed by CTG. Performances continue through October 26, 2014. BroadwayWorld has photos from the opening festivities below!
The world premiere of Dael Orlandersmith's "Forever," directed by Center Theatre Group Associate Artistic Director Neel Keller, opens this Sunday, October 12 at 6:30 p.m. at the CTG/Kirk Douglas Theatre. A DouglasPlus presentation, "Forever" was commissioned and developed by CTG. Performances continue through October 26 (previews tomorrow, October 9 through the 11th).
