Following its well-received premiere at The Old Vic in London, GROUNDHOG DAY will open at Broadway's August Wilson Theatre (245 West 52nd Street) this spring.
Beth Steel, who scored at hit at the Hampstead in 2014 with a play about the 1980s miners' strike, has dipped back into history to create one with sickening relevance to the current financial crisis. It's 1978, and Wall Street is packed with cowboys gleefully eyeing up their new frontier: Latin America.
Hampstead Theatre presents the world premiere of Beth Steel's Labyrinth, a Hampstead Theatre commission. Directed by Anna Ledwich, this compelling new thriller explores the fallout from one of the most catastrophic economic crises of modern history, which brought Latin America to its knees for decades. BroadwayWorld has a first look at the cast in action below!
As announced earlier today, after rave reviews and a record-breaking run in Chichester, Cameron Mackintosh presents the West End transfer of the critically acclaimed hit musical 'HALF A SIXPENCE' - which he co-produced with Chichester Festival Theatre - introducing the sensational new star Charlie Stemp as Arthur Kipps. Scroll down for a look at the cast in action!
Following rave reviews and a record-breaking run in Chichester, Cameron Mackintosh has announced the West End transfer of the critically acclaimed hit musical 'HALF A SIXPENCE' - which he co-produced with Chichester Festival Theatre - introducing the sensational new star Charlie Stemp as Arthur Kipps.
Is it time for some more movie magic? HARRY POTTER AND THE CURSED CHILD could be Hollywood's next Harry Potter-inspired trilogy, according to the New York Daily News.
While the producers remain coy regarding an opening date and theater for the production, The New York Post's Michael Riedel reports today that sources say they have a Shubert theater lined up.
Although Scott Rudin withdrew as a producer from the musical adaptation of GROUNDHOG DAY earlier this summer, The New York Times reports that following a successful debut at London's Old Vic Theatre, the show will still be transferring to Broadway as planned.
Artistic Director of the Old Vic Matthew Warchus, composer and lyricist Tim Minchin, choreographer Peter Darling, and designer Rob Howell, four of the creators of the international sensation Matilda The Musical, have joined forces with writer Danny Rubin to collaborate on a new musical based on his 1993 hit film Groundhog Day. The brand-new musical had its opening last night at London's Old Vic.
The path from screen to stage hasn't always been a smooth one, and celluloid success is no guarantee of musical triumph (just ask the Spider-Man: Turn Off the Dark team). But London is currently awash with popular medium-jumpers, from Aladdin and The Bodyguard to new musical Groundhog Day, which opened last night at the Old Vic. Here are 10 of the best screen to stage adaptations.
The second instalment of LET THERE BE LIGHT, our new series showcasing some of Britain's best theatrical lighting designers, focuses on Neil Austin. His diverse body of work ranges from productions at National Theatre and collaborations with directors like Howard Davies and Michael Grandage to Harry Potter and the Cursed Child.
'This is our show,' proclaims one of the musically angelic but devilishly foul-mouthed convent schoolgirls descending on Edinburgh for a choir competition. And by God it is. A cracking ensemble of six plays the vividly drawn gang, as well as everyone else they encounter - the world viewed with their female adolescent gaze. It's colourful, rough-edged, raucous and almost painfully intense: a stunning encapsulation of what it feels like to be teetering on the cusp of adulthood.
Actor Andrew Gower's credits include Monroe, The White Queen, Being Human and Outlander. He's currently starring as Winston Smith in the third West End run of 1984, Robert Icke and Duncan Macmillan's lauded adaptation of George Orwell's novel.
Polish your broom, stock up on floo powder, get in line for the portkey (or if you're old enough, just apparate) -- to New York! The Daily Mail is echoing rumors from earlier this week at the New York Post about a certain, very magical, Broadway transfer.
The Merchant of Venice doesn't trade anything for a fantastic touring show.
During the recent Ghostbusters furore, enraged opponents claimed the movie would ruin their childhood. As someone who grew up with the Harry Potter book series - preparing for GCSEs while the characters stressed over O.W.L.s - I can happily declare that this affectionate, spellbinding work only enhances that treasured experience. It's both nostalgic and thrillingly new, a smartly crafted love letter to J.K. Rowling's invention and to theatre itself.
London is never short of theatre temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From the new Groundhog Day musical and Shakespeare in a department store to a highly anticipated Branagh performance, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews…
HARRY POTTER AND THE CURSED CHILD has its official opening this week, with a special gala performance on Saturday 30 July, and production pictures have now been released. The eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage, is one play presented in two parts. Both parts are intended to be seen in order on the same day (matinee and evening) or on two consecutive evenings.
Artistic Director of The Old Vic Matthew Warchus, composer and lyricist Tim Minchin, choreographer Peter Darling, and designer Rob Howell, four of the creators of the international musical sensation Matilda The Musical, have joined forces with writer Danny Rubin to collaborate on a new musical based on his 1993 hit film GROUNDHOG DAY. It's now in previews, with a press night on Tuesday 16 August.
Harry Potter mania grips London, while over the pond the States is seized by Hamilton fever. What do they have in common? Both originated in literary sources - Harry Potter and the Cursed Child in J.K. Rowling's book series, and Hamilton in Ron Chernow's historical biography. They're not alone, with other examples this summer including Breakfast at Tiffany's, now in the West End, Therese Raquin at Southwark Playhouse, and the return of Pride and Prejudice to Regent's Park Open Air. So, here are 10 of the best page to stage adaptations.
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