Find Love Again with THAT'S AMORE! A Musical Love Story Feb 9-17
When your grandkids bring you their dating problems, and ask you how you met, the answer is That's Amore! - A Musical Love Story.
When your grandkids bring you their dating problems, and ask you how you met, the answer is That's Amore! - A Musical Love Story.
It's hot down here in Valdosta! And that's not just the heat from the Georgia sun in June we're feeling.
Investec Opera Holland Park (OHP) marked one year since the tragic Grenfell fire with the Hope for Grenfell Memorial Gala on Wednesday, 13 June.
The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) officially opened the MOBILE UNIT's production of HENRY V on Friday, April 27.
'Raise your hand if you've ever been underestimated,' instructs Program Director Stephanie Ybarra before every performance of Shakespeare's HENRY V, as performed by The Public Theater's Mobile Unit.
The Medicine Show Theatre is proud to announce the lineup of speakers headlining the talkback series accompanying its production of The Bedbug, by Vladimir Mayakovsky.
One of New York oldest experimental theaters, Medicine Show Theatre, continues its exploration of Russian theater with an engrossing production of Vladimir Mayakovsky's 1929 play, The Bedbug.
Medicine Show Theatre hosts a Gala Salon on Friday, April 13th, to kick off its spring show, Vladimir Mayakovsky's 1929 play, The Bedbug, a biting romp through the Soviet bourgeoisie complete with philistines, party fat cats and profiteers.
The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) will begin previews for the MOBILE UNIT's production of HENRY V on Monday, April 23.
Medicine Show Theatre presents Vladimir Mayakovsky's 1929 play, The Bedbug, a biting romp through the Soviet bourgeoisie complete with philistines, party fat cats and profiteers.
Continuing its commitment to bringing free Shakespeare to the community and strengthening audience engagement with the arts, The Public Theater will mount its MOBILE UNIT again this spring with a free three-week tour to the five boroughs of Shakespeare's HENRY V, directed by Robert O'Hara.
The tenth season of New York Theatre Barn's New Works Series continues on Monday, November 6, 2017 at The Cell with pre-premieres of two new musicals: Coyote and The Goree All-Girl String Band.
Award-winning playwright Sean Chandler, creator and host of the theatre podcast Your Program Is Your Ticket (YPIYT), went backstage at the 2017 New York Innovative Theatre Awards, where he interviewed award recipients and presenters.
Their biggest hit Teenage Kicks became the anthem of a generation and legendary Radio 1 DJ John Peel, who the band listened to religiously as aspiring musicians, was famously so smitten with the track he played it twice back to back and declared it his favourite song of all time.
The tenth season of New York Theatre Barn's New Works Series continues on Monday, November 6, 2017 at The Cell with pre-premieres of two new musicals: Coyote and The Goree All-Girl String Band.
The tenth season of New York Theatre Barn's New Works Series continues on Monday, September 18, 2017 at The Cell with pre-premieres of two new musicals: Cherry Bomb and Eastbound.
One of five shows singled out as “ones to watch” at the prestigious 2017 New York Musical Festival festival, THE GOREE ALL-GIRL STRING BAND successfully couches a message about redemption through music in a consistently funny play about a female prison in Texas circa 1938.
An official selection of the 2017 New York Musical Festival's Next Link Project and produced by Wayward Creatives Entertainment, The Goree All-Girl String Brand has been named as the recipient of this year's Kevin Spacey Foundation (KSF) Artists of Choice USA in Musical Theater.
The New York Musical Festival (NYMF) has announced Tony, Grammy, and Emmy Award winner Audra McDonald (Shuffle Along; Ragtime; The Gershwins' Porgy and Bess) as 2017 NYMF Honorary Chair.
Sixty years ago, Joseph Papp packed a truck with a small troupe of actors, some modest props and the firm belief that the plays of William Shakespeare belonged to everyone, and traveled throughout New York City giving free performances.