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BWW Review: THE NETHER Disturbs and Delights at the Alley

THE NETHER is a chilling tale about how the division between technology and our lives begin to blur, and the ethical consequences that result when access to this technology fall into the wrong hands. Engaging performances from an all-star cast, unique character development, notable set and lighting designs, and intricate storytelling had me on the edge of my seat for its 85 minute run time.

Photo Flash: First Look at THE NETHER at Alley Theatre

Alley Theatre Artistic Director Gregory Boyd presents THE NETHER, a play written by Jennifer Haley and directed by Gregory Boyd and James Black. THE NETHER runs now through May 29 in the Neuhaus Theatre. BroadwayWorld has a first look at the cast in action below!

Photo Flash: First Look at George Brant's GROUNDED at Alley Theatre

Alley Theatre presents George Brant's tour de force production, Grounded. Director Jackson Gay collaborates with Alley Company Artist Elizabeth Bunch in this riveting one-woman show about a female fighter pilot's struggle to return to civilian life. Check out a first look below!

NobleMotion Dance Brings ORIGIN to The Barn This Weekend

NobleMotion Dance, known for intense physicality, stunning theatricality, and unique collaborations, is excited to present the second annual Next Step Series, offering an original evening of work by Jesus Acosta, Catalina Alexandra, and Jennifer Mabus in their premier of Origin at The Barn, this weekend, January 22-23 at 8 PM.

NobleMotion Dance to Bring ORIGIN to The Barn, 1/22-23

NobleMotion Dance, known for intense physicality, stunning theatricality, and unique collaborations, is excited to present the second annual Next Step Series, offering an original evening of work by Jesus Acosta, Catalina Alexandra, and Jennifer Mabus in their premier of Origin at The Barn, January 22-23 at 8 PM.

BWW Interview: Baritone Joshua Hopkins Talks HGO's THE LITTLE PRINCE

Another treat in the midst of cold weather for Houstonians- Portman & Wright's THE LITTLE PRINCE, the second opera in HGO's holiday series. The two act opera, sung entirely in English, is based on French literary giant Antoine de Saint-Exupery's fantastical novella of the same name. A pilot, hopelessly stranded in the desert, makes the acquaintance of a Little Prince and, in their journey to safety, the two meet a cast of colorful characters and spark up an unlikely friendship.

San Francisco Opera to Present SWEENEY TODD for the First Time This Fall

Stephen Sondheim's macabre musical thriller Sweeney Todd: The Demon Barber of Fleet Street receives its highly anticipated San Francisco Opera premiere in a production featuring a cast of notable operatic stars and performed with Sondheim's original score for the lyric stage.

Violinist Todd Reynolds and More Set for July 2015 Programs at The Jewish Museum

The Jewish Museum's 2015 slate of lectures, discussions, and events continues in July with a concert featuring violinist Todd Reynolds, part of the Museum's partnership with Bang on a Can; a behind-the-scenes glimpse of the exhibition, Repetition and Difference, with curators Susan L. Braunstein and Daniel S. Palmer; and Alexander Tochilovsky of Cooper Union discussing graphic design-related materials in the exhibition, Revolution of the Eye: Modern Art and the Birth of American Television. In addition, the Whitney Museum of American Art and Cooper Union are co-presenting programs related to Revolution of the Eye.

BWW Interviews: Simon Callow Talks Dicken's Genius, A CHRISTMAS CAROL, and Good Old-Fashioned Acting

Our interviewee is the beloved British actor and Dickens authority Simon Callow. He has mastered the stage but also appeared in Dr. Who (fittingly as Charles Dickens). In his lengthy acting career, he has acted in television, theatre, and film. At the moment, he is the librettist and director for Houston Grand Opera's A CHRISTMAS CAROL and the best person to we can discuss this fresh, modern take on the beloved Christmas story with.

BWW Reviews: Houston Grand Opera's CARMEN is Sultry and Opulent

Closing their 2013-14 Season, HGO is presenting Georges Bizet's acclaimed CARMEN. For this production, Award winning Broadway Director and Choreographer Rob Ashford took the reins and has created a CARMEN that is as beautiful as it is exciting.

BWW Reviews: Houston Grand Opera's DAS RHEINGOLD is Full-Throttle Spectacle

Houston Grand Opera, which opened a lavish production of DAS RHEINGOLD this past weekend, is proudly kicking off their first Ring Cycle by Richard Wagner. Like any modern production of Wagner's Ring Cycle, Houston Grand Opera is sparing no expense. At Sunday's matinee, the audience leapt to their feet for curtain call and clamored excitedly about this show and what's still to come in the cycle.

BWW Reviews: Houston Grand Opera's A COFFIN IN EGYPT is Rarely Moving

Houston Grand Opera is presenting the World Premiere of A COFFIN IN EGYPT, a one-act chamber opera based on Horton Foote's play by the same title. Known for crafting touching sentimentality and riveting drama, Horton Foote's legacy is sure to be celebrated for centuries to come. However, this operatic adaptation of A COFFIN IN EGYPT browbeats audiences with nostalgic sentimentality and rarely moves us to feel anything.

BWW Reviews: Houston Grand Opera's A LITTLE NIGHT MUSIC is Extraordinarily Gorgeous

Ever since it premiered on Broadway in 1973, Stephen Sondheim's A LITTLE NIGHT MUSIC, with a book by Hugh Wheeler, has been a favorite of musical theatre fans. The Michigan Opera Theatre was the first American opera company to present the piece in 1983, and other companies followed suit. It last graced Houston Grand Opera's (HGO) stages in 1999. Now, the musical, with an extraordinary set and gorgeous costumes by Isaac Mizrahi, is thrilling Houston audiences again with HGO's latest production of this American masterpiece.

BWW Reviews: Houston Grand Opera's RIGOLETTO is Sung Well but Flatly Acted

Houston Grand Opera (HGO) consistently brings the best the opera world has to offer to Houston stages. Time and time again, they cast operas with incredible talent and put on productions that are visually stunning as well. Their latest production of RIGOLETTO is no exception. Everything that makes performances at HGO exciting was perfectly in place. The auditorium was buzzing with excitement about the show, the cast was vocally impressive and on point, and the orchestra was playing with all the gusto and pizzazz that Giuseppe Verdi's darkly toned score requires.

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